Categories :

Albums

HI-RES€ 15,99
CD€ 11,49

Klassiek - Verschenen op 14 februari 2020 | Mirare

Hi-Res Booklet
CD€ 6,49

Klassiek - Verschenen op 14 februari 2020 | Mirare

Booklet
HI-RES€ 15,99
CD€ 11,49

Klassiek - Verschenen op 7 februari 2020 | Mirare

Hi-Res Booklet
HI-RES€ 15,99
CD€ 11,49

Klassiek - Verschenen op 7 februari 2020 | Mirare

Hi-Res Booklet
CD€ 6,49

Klassiek - Verschenen op 7 februari 2020 | Mirare

Booklet
HI-RES€ 15,99
CD€ 11,49

Duo´s - Verschenen op 31 januari 2020 | Mirare

Hi-Res Booklet
HI-RES€ 15,99
CD€ 11,49

Klassiek - Verschenen op 31 januari 2020 | Mirare

Hi-Res Booklet
HI-RES€ 23,09
CD€ 16,49

Kamermuziek - Verschenen op 31 januari 2020 | Mirare

Hi-Res Booklet
CD€ 9,99

Klassiek - Verschenen op 24 januari 2020 | Mirare

Booklet
HI-RES€ 15,99
CD€ 11,49

Klassiek - Verschenen op 17 januari 2020 | Mirare

Hi-Res Booklet
HI-RES€ 15,99
CD€ 11,49

Klassiek - Verschenen op 17 januari 2020 | Mirare

Hi-Res Booklet
HI-RES€ 15,99
CD€ 11,49

Klassiek - Verschenen op 15 november 2019 | Mirare

Hi-Res Booklet
 This is the musical telling of a three-way friendship-romance. We know that the young, dashingly handsome Brahms, exploded into the life of the Schumann couple. "The arrival of Brahms, a genius!" notes Robert in his intimate diary, with extraordinary intuition. What follows is recounted by Shuichi Okada on violin and Clément Lefebvre on piano: two young musicians from the Conservatoire National Supérieur de Musique de Paris, which co-produced this release, in which they tie together the links binding the three historical figures together.The First Sonata in A Minor, Op. 105 by Schumann starts us off, followed by two extracts from the famous Sonata F-A-E, written by Schumann, Brahms and Dietrich, the latter sadly commonly overlooked by violinists. Caught in a vice between the two men who love her, here is Clara with her Three Romances, Op. 22 which precedes the melancholy Sonata No.1, Op. 78, "Regensonate" by Brahms. The music collected here tells better than words could of how the three composers answer each other and give birth to a common language, of sparks of the heart, of an effusion of feelings and of things left unsaid. © François Hudry/Qobuz
HI-RES€ 15,99
CD€ 11,49

Klassiek - Verschenen op 15 november 2019 | Mirare

Hi-Res Booklet
HI-RES€ 15,99
CD€ 11,49
SON

Klassiek - Verschenen op 15 november 2019 | Mirare

Hi-Res Booklet
HI-RES€ 15,99
CD€ 11,49

Klassiek - Verschenen op 8 november 2019 | Mirare

Hi-Res Booklet
The novel The Royal Exchange (L’Échange des Princesses) by Chantal Thomas demonstrated the role of young princesses in the political exchequers of European royalty in the 17th and 18 th centuries. These cosmopolitan matrimonial relations encouraged composers to look afar for inspiration. For example, Spanish princess and wife of Louis XIII, Anne d’Autriche, brought about new styles within the French courts. Composers, in order to please her, incorporated into their music traits that were typically Hispanic: with dance rhythms and lyrics. These tunes were hence published after the marriage. Chloé Sévère’s work has involved bringing together, for her El Sol ensemble, melodies that hold no written accompaniments or string sections. Here we can discover an original work, a universe rather, brought to light through the arrangements of knowledgeable and curious musicians. Care has been taken to make use of sounds that are true to the era from which the works were born, something that many of today’s baroque interpreters neglect. The drums are recognisable (they mark the dance timings) as well as the basque drum, the castasnet and the bells. Rarer instruments can also be picked up upon listening such as the adufe (also known as the pandero cuadrado, the ancestor of the basque drum) and the baroque triangle, adorned with rings that vibrate on the metal. Well researched, this first recording from the El Sol ensemble is a passionate one. An interest in developing the baroque repertoire in South America promises many beautiful future discoveries. Keep your ears peeled! © Elsa Siffert/Qobuz
HI-RES€ 15,99
CD€ 11,49

Trio´s - Verschenen op 12 oktober 2019 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason
Anna Karenina, the Tolstoy heroine who gave her name to the group recorded here, superbly embodies the torments and passion of the Russian people. Bohemia, Poland, Russia: the Trio Karénine traverses the territories of eastern Europe, their ardour, their lyricism, their tragedies. The Slavonic soul, exalted by Dvo?ák, Weinberg and Shostakovich, is the key to this programme. © Mirare
HI-RES€ 15,99
CD€ 11,49

Kamermuziek - Verschenen op 13 september 2019 | Mirare

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique
Since setting off in the early 2000s, Pierre Hantaï is still journeying into Domenico Scarlatti’s world. After a hiatus of more than ten years following the third volume, the harpsichordist finally recorded a fourth volume in 2016 and this autumn sees the sixth one come into bloom, once again superbly recorded in Haarlem in the Netherlands by Nicolas Bartholomée. Pierre Hantaï is taking his time to gradually construct a perfect anthology of Scarlatti’s keyboard work. Here, he explores some of his little-known sonatas. His keyboard intensifies the profound rhythmic force of Scarlatti’s world: the sharp lines burst forth, the harmonic tension constantly explodes, the new tones are revealed smoothly, and his playing – with an exhilarating left hand – is stunning throughout. The first five sonatas of this new release (all of which have a fairly fast tempo) form a representative ensemble of a rather uncompromising Scarlatti, followed by a moment of gravity and meditation with the exquisite Sonata in F minor, K. 69, while the surrounding Sonatas K. 502 and K. 43 (with a wonderfully volatile left hand) have clearly marked rhythms. The style and atmosphere changes with Sonata in C major, K. 384, whose tender “French” tone is emphasised by Pierre Hantaï, and at the same time there’s an almost modern feel which goes beyond even Soler’s most audacious scores. Fascinating! While the tender sonatas (K. 550, K. 544) distil an aftertaste that is slightly more spicy than the previous volumes, what continues to surprise us with Hantaï in this repertoire is his prolonged search for a “Hispanic” feel - a Spain in a majestic trance, with colliding rhythms and contrasting accents and registers.Let’s hope that Pierre Hantaï does not wait another ten years to deliver the seventh volume; there is no doubt that these Scarlatti recordings will remain one of the most exciting and necessary musical adventures of the 21st century. A perfectly captured sound, style and universe. © Pierre-Yves Lascar/Qobuz
HI-RES€ 15,99
CD€ 11,49

Piano solo - Verschenen op 3 mei 2019 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
HI-RES€ 23,09
CD€ 16,49

Piano solo - Verschenen op 6 september 2019 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason
Freeze frame. On the sleeve of his album Révolution, David Kadouch is seated at the piano, hands in the air, looking like a shadow puppet. He is trying to stop time. His project here – surprising from an artist who is not yet 35 – is modelled on Annie Ernaux and her tale The Years. It's about trying to gather together a collection of important moments, in this case musical, and in so doing, to take his own place in history. The works chosen by David Kadouch for this concept album are linked to spectacular collective events, but also to individual consequences. Alongside from Beethoven's famous Sonata No.26, Op.81a, called "Les Adieux", more jaunty and ornamented than powerful and angry; Étude révolutionnaire, Op.10 No.12 by Chopin, we find Dussek's Sufferings of the Queen of France. The pretext for a series of contrasting pages in the form of a mini-drama without words, this work, whose elegance perhaps recalls that of Marie-Antoinette, ends in a treatment of her final moments. But too much grandiloquence stifles the tragic. The pianist, who seems at first to have mistaken virtuosity for a feel for the tribulations of History, is more convincing in the second part of his programme with Sonata 1.X.1905 by Janacek, and Debussy's Les Soirs illuminés par l’ardeur du charbon and Feux d’artifice and finally Winnsboro Cotton Mill Blues by Rzewski, an infernal toccata that bends towards the blues. It's clear that these works prefer evocative, affecting treatment, and their more intimate discourse is a better suit for the initial aims of Révolution. © Elsa Siffert/Qobuz
HI-RES€ 15,99
CD€ 11,49

Duo´s - Verschenen op 30 augustus 2019 | Mirare

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique