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Alternative en Indie - Verschenen op 21 april 2017 | Mercury (Universal France)

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Alternative en Indie - Verschenen op 10 januari 2020 | Mercury (Universal France)

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Alternative en Indie - Verschenen op 13 december 2019 | Mercury (Universal France)

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Alternative en Indie - Verschenen op 11 oktober 2019 | Mercury (Universal France)

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Alternative en Indie - Verschenen op 31 januari 2014 | Mercury (Universal France)

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Alternative en Indie - Verschenen op 13 december 2019 | Mercury (Universal France)

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Alternative en Indie - Verschenen op 14 mei 2020 | Mercury (Universal France)

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Alternative en Indie - Verschenen op 11 oktober 2019 | Mercury (Universal France)

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Alternative en Indie - Verschenen op 10 januari 2020 | Mercury (Universal France)

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Alternative en Indie - Verschenen op 21 april 2017 | Mercury (Universal France)

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Alternative en Indie - Verschenen op 14 mei 2020 | Mercury (Universal France)

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Alternative en Indie - Verschenen op 29 november 2019 | Mercury (Universal France)

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Alternative en Indie - Verschenen op 29 november 2019 | Mercury (Universal France)

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Alternative en Indie - Verschenen op 7 februari 2020 | Mercury (Universal France)

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Alternative en Indie - Verschenen op 7 februari 2020 | Mercury (Universal France)

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Pop - Verschenen op 1 januari 2014 | Mercury (Universal France)

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Pop - Verschenen op 1 januari 2014 | Mercury (Universal France)

Booklet
Unrepentant Geraldines (2014) is het veertiende studioalbum van de Amerikaanse singer-songwriter Tori Amos. Het album onderscheidt zich door een wat meer ingetogen toonzetting dan veel van Amos' eerdere platen, waarbij de zangeres/pianiste ditmaal nadrukkelijk voor een meer pop-georiënteerde aanpak kiest. Het maakt van Unrepentant Geraldines een van de meer toegankelijke albums van de Amerikaanse, die met de plaat de zevende plek in de Billboard 200 haalt. © TiVo
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Alternative en Indie - Verschenen op 26 juni 2020 | Mercury (Universal France)

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Alternative en Indie - Verschenen op 8 september 2017 | Mercury (Universal France)

For her fifteenth album, Tori Amos has put her finger into the electrical socket of the present. With Native Invader, the American has taken a look at nature and its resilience, and ability to regenerate itself. That theme gives the singer a way into a discussion of our role in the destruction of the planet, and even of the human race itself. Politics remains close to the work of Tori Amos, who has always been enthusiastically engaged. As for the production, everything is arranged to foreground her inimitable voice, which is clearly recognisable from the first notes. When she started out in the early 1990s, her records were compared to those of the young Kate Bush and Elton John. Quickly, Tory Amos left these influences behind: they were perfectly respectable, but in some sense limited the originality of her own writing. Today, Native Invader proves yet again that hers is a unique voice that takes little heed of musical fashions and prefers to focus on the art of the perfect song. The melody is catching. And listeners will find themselves whistling the choruses all night. © CM/Qobuz
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Alternative en Indie - Verschenen op 8 september 2017 | Mercury (Universal France)

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For her fifteenth album, Tori Amos has put her finger into the electrical socket of the present. With Native Invader, the American has taken a look at nature and its resilience, and ability to regenerate itself. That theme gives the singer a way into a discussion of our role in the destruction of the planet, and even of the human race itself. Politics remains close to the work of Tori Amos, who has always been enthusiastically engaged. As for the production, everything is arranged to foreground her inimitable voice, which is clearly recognisable from the first notes. When she started out in the early 1990s, her records were compared to those of the young Kate Bush and Elton John. Quickly, Tory Amos left these influences behind: they were perfectly respectable, but in some sense limited the originality of her own writing. Today, Native Invader proves yet again that hers is a unique voice that takes little heed of musical fashions and prefers to focus on the art of the perfect song. The melody is catching. And listeners will find themselves whistling the choruses all night. © CM/Qobuz