Erased Tapes

In December 2018, Nils Frahm returned for four nights at Funkhaus Berlin, the former headquarters of the East German national radio which is now a complex of studios and concert halls. It was here that he had composed his last album, the acclaimed All Melody, and here also that he had started a tour of 180 dates to support it. "It was about time to document my concerts in picture and sound," Frahm explains, "trying to freeze a moment of this period where my team and I were nomads, using any method of travel to play yet another show the next day. Maybe tonight is the night where everything works out perfectly and things fall into place? Normally things go wrong with concerts, but by combining our favourite moments of four performances, we were able to achieve what I was trying to do in these two years of touring: getting it right!" On the track-list of this record which comes accompanied by a film, we see an inspired Nils Frahm in beret and black T-shirt. He replays a good half of the album All Melody, and notably the trippy Sunson, whose techno break will draw whistles from Berlin club audiences. We can also enjoy the addition of The Dane (which is on All Encores) and a final, melancholic Ode – Our Own Roof, taken from the soundtrack to the film Victoria. © Smaël Bouaici/Qobuz

After being inducted into the label Erased Tapes’ catalogue with their EP Verneer (under the pseudonym Aparatec) in 2007, Ryan Lee West aka Rival Consoles has gradually propelled himself to the position of pioneer in his form of melancholic and spatial electronica, remixing great artists such as Clark, Max Cooper and Jon Hopkins. For his seventh album, the British producer has thrown himself into a new composition concept by drawing structure… by hand: “With a pen and paper sketch you can compose and rethink ideas without technology getting in the way, so for me it acts as a very helpful tool to refresh the process.”After hitting play, you find yourself listening to a truly interesting record, with tracks structured differently to any other electronic music track. Vibrations, for example, unwinds a downtempo and crazed house while the title track Articulation is positioned between ambient and futuristic beats à la Four Tet from his Rounds era which symbolises the concept adopted by Rival Consoles on this record. “Its structure is very machine-like, but I was really interested in how melody and sense of story could develop out of this, and it became an exploration of mathematical structures - patterns and shapes having a conversation. I love that something on paper can appear rigid and calculated, but then take on new meaning based on the context that surrounds it.”, explains West in what seems to be a new profession of faith. With such a record, Erased Tapes continue to take centre stage of the avant-garde electronic scene. © Smaël Bouaici/Qobuz