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Pop - Verschenen op 15 mei 2020 | Darkroom - Interscope Records

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R&B - Verschenen op 6 mei 2020 | Darkroom - Interscope Records

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R&B - Verschenen op 6 mei 2020 | Darkroom - Interscope Records

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Dance - Verschenen op 1 mei 2020 | Darkroom - Interscope Records

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Alternative en Indie - Verschenen op 30 april 2020 | Darkroom - Interscope Records

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Alternative en Indie - Verschenen op 30 april 2020 | Darkroom - Interscope Records

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Alternative en Indie - Verschenen op 30 april 2020 | Darkroom - Interscope Records

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Alternative en Indie - Verschenen op 30 april 2020 | Darkroom - Interscope Records

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Pop - Verschenen op 7 april 2020 | Darkroom - Interscope Records

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Pop - Verschenen op 7 april 2020 | Darkroom - Interscope Records

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Alternative en Indie - Verschenen op 26 maart 2020 | Darkroom - Interscope Records

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Alternative en Indie - Verschenen op 20 februari 2020 | Darkroom - Interscope Records

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Alternative en Indie - Verschenen op 14 februari 2020 | Darkroom - Interscope Records

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Alternative en Indie - Verschenen op 13 februari 2020 | Darkroom - Interscope Records

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Alternative en Indie - Verschenen op 13 november 2019 | Darkroom - Interscope Records

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Alternative en Indie - Verschenen op 11 juli 2019 | Darkroom - Interscope Records

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Alternative en Indie - Verschenen op 29 maart 2019 | Darkroom - Interscope Records

“We are not serious when we are 17.” But Billie Eilish has all the marks of a serious young lady and someone who we should indeed take seriously. At the age of sixteen she released the noteworthy Don’t Smile at Me, an EP created with the help of her older brother, Finneas O’Connell. The EP is comprised of the singles Copycat, Bellyache and Ocean Eyes and was posted two years earlier on Soundcloud when Eilish was just 14 years old. Critics hailed her music due to its depiction of a lost adolescent with bleached hair, dressed in oversized sweaters. With the album When We All Fall Asleep, Where Do We Go? and its strange title and shocking cover, Eilish and her dark hair flaunt their more obscure side. One is immediately struck with how well polished Finneas O’Connell’s production is after an intro in which Eilish jokingly mocks her brother for his Invisalign (a kind of invisible dental brace). The first track Bad Guy features an EDM beat which contrasts with the dreaminess of the subsequent Xanny. The rest of the album follows this trend, weaving together both harsh and soft songs combined with the mature lyrics of a girl who was diagnosed with Tourette’s at the age of 11 and speaks of Xanax and young girls descent into a hellish existence. In this mix of gloomy pop and creepy trap beats, Eilish excels. A real eye-opener. © Charlotte Saintoin/Qobuz
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Alternative en Indie - Verschenen op 29 maart 2019 | Darkroom - Interscope Records

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“We are not serious when we are 17.” But Billie Eilish has all the marks of a serious young lady and someone who we should indeed take seriously. At the age of sixteen she released the noteworthy Don’t Smile at Me, an EP created with the help of her older brother, Finneas O’Connell. The EP is comprised of the singles Copycat, Bellyache and Ocean Eyes and was posted two years earlier on Soundcloud when Eilish was just 14 years old. Critics hailed her music due to its depiction of a lost adolescent with bleached hair, dressed in oversized sweaters. With the album When We All Fall Asleep, Where Do We Go? and its strange title and shocking cover, Eilish and her dark hair flaunt their more obscure side. One is immediately struck with how well polished Finneas O’Connell’s production is after an intro in which Eilish jokingly mocks her brother for his Invisalign (a kind of invisible dental brace). The first track Bad Guy features an EDM beat which contrasts with the dreaminess of the subsequent Xanny. The rest of the album follows this trend, weaving together both harsh and soft songs combined with the mature lyrics of a girl who was diagnosed with Tourette’s at the age of 11 and speaks of Xanax and young girls descent into a hellish existence. In this mix of gloomy pop and creepy trap beats, Eilish excels. A real eye-opener. © Charlotte Saintoin/Qobuz