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Dance - Verschenen op 30 april 2021 | col legno

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Klassiek - Verschenen op 23 april 2021 | col legno

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Klassiek - Verschenen op 26 maart 2021 | col legno

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Music as meta-memory: In 2015, when he was the artist-in-residence at Warsaw’s POLIN Museum, the internationally renowned percussionist and composer Lukas Ligeti created a unique document in words and sounds that is being presented on this album. The history of Polish Jews, which is the POLIN museum’s mission to transport and convey, led Lukas Ligeti to contemplate his own (Hungarian-) Jewish background. He conducted numerous interviews with people between the ages of 20 and 98 to talk to them about Jewish life in Warsaw. All interview partners were also asked to sing songs. By way of a precise musical notation, these memories were fed to musicians via headphones in the form of speech, rhythm, and melodies. Those, in turn, were asked to respond intuitively to what they heard and continue the conversation by their, musical means. The result is a touching composition situated somewhere between performance art and concert. © col legno
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Dance - Verschenen op 12 maart 2021 | col legno

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Jazz - Verschenen op 19 februari 2021 | col legno

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Jazz - Verschenen op 5 februari 2021 | col legno

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Dance - Verschenen op 29 januari 2021 | col legno

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Jazz - Verschenen op 22 januari 2021 | col legno

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Klassiek - Verschenen op 1 december 2020 | col legno

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Jazz - Verschenen op 27 november 2020 | col legno

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Klassiek - Verschenen op 20 november 2020 | col legno

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Moderne jazz - Verschenen op 13 november 2020 | col legno

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Dance - Verschenen op 30 oktober 2020 | col legno

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Klassiek - Verschenen op 23 oktober 2020 | col legno

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Pop - Verschenen op 9 oktober 2020 | col legno

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Klassiek - Verschenen op 18 september 2020 | col legno

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Klassiek - Verschenen op 11 september 2020 | col legno

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Klassiek - Verschenen op 8 september 2020 | col legno

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Klassiek - Verschenen op 18 augustus 2020 | col legno

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Klassiek - Verschenen op 12 juni 2020 | col legno

Hi-Res Booklet
The compositions of native Viennese Thomas Wally (1981), which the fabled Mondrian Ensemble have so marvelously put down on this, the composer’s first portrait recording, might just be considered the dawn of the latest in new music. We can marvel at the unique language and character in Wally’s works from the last ten years – among them two piano quartets, a string trio, and a 15-minute long piece for solo violin – and at his keen desire for experimentation and liberty which he combines with the utmost of conceptual seriousness. We can hear playful curiosity and profound knowledge at work in these compositions, seamlessly conjoined. A wealth of detail and vision; poetry coupled with absolute clarity. In that sense, and many others, Thomas Wally’s music is “visceral; even displaying a downright haptic quality”, as his renown Swiss colleague Dieter Ammann lauds Wally’s music in the liner notes. © col legno MONDRIAN ENSEMBLE: Ivana Pristašová, violin Petra Ackermann, viola Karolina Öhman, violoncello Tamriko Kordzaia, piano Thomas Wally, violin (tracks 2, 4, 6, 8)