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Jazz - Verschenen op 24 november 2017 | Resonance Records

Onderscheidingen Indispensable JAZZ NEWS - 5 Sterne Fono Forum Jazz
Théâtre des Champs-Elysées, Saturday, March 27, 1965. The man who takes the Parisian concert venue by storm does it with delicacy and cool. His playing has however revolutionized his instrument, in a violent way even… Since Charlie Christian and Django Reinhardt, guitar hadn’t been abused this way. Especially since here, the instigator of this tsunami both stylistic and formal performs in a configuration that resembles him, without ornamentation, nor commercial decoration. The Wes Montgomery from this unprecedented live performance is frightening and especially great, it is also extremely sophisticated… Surrounded by pianist Harold Mabern, double bass player Arthur Harper and drummer Jimmy Lovelace, the guitarist from Indianapolis finds the perfect balance between his extraordinary skills (to die for on To Wane, a theme penned by Mabern in tribute to Wayne Shorter) and the great originality of his melodic approach. On Full House, ‘Round Midnight and Blue 'N Boogie/West Coast Blues, Wes even welcomes tenor saxophonist Johnny Griffin, in order to make the party even more memorable. As for the repertoire, he revisits themes from his studio albums for the label Riverside (Jingles, 'Round Midnight, Twisted Blues…), but of which he gives here deeper interpretations. It’s a recording that is as much intended for the guy’s aficionados as for the novices wanting to grasp the art of a great colorist that is gone far too soon, in 1968 at only 45… © MZ/Qobuz
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Jazz - Verschenen op 1 januari 2010 | Original Jazz Classics

Onderscheidingen Indispensable JAZZ NEWS
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Bebop - Verschenen op 19 maart 2021 | Jazzline

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Jazz - Verschenen op 1 januari 1965 | Verve Reissues

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Jazz - Verschenen op 13 oktober 2017 | Riverside

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On The Wes Montgomery Trio – A Dynamic New Sound: Guitar Organ Drums, his third album which appeared on Riverside Records in 1959, Wes Montgomery confirmed that it was he who caused the earth to tremble with his jazz guitar. And this superb disc cements his name just that bit more in amongst those of the greats. He is joined by Melvin Rhyne on the organ and Paul Parker on the drums adding a simple accompaniment, without ever treading on his toes nor attracting too much attention. Because of course, the hero of these sessions produced on 5th and 6th October 1959, at Reeves Sound Studios in New York, by Orin Keepnews, will always be Wes Montgomery and no one but Wes Montgomery! His style, virtuosic and soaked with the blues, brought a fresh sound to this instrument that was previously dominated by Barney Kessel and Tal Farlow. And in his solos such as ‘Round Midnight, the guitarist from Indianapolis slickly unfurls his refined sound, his unique style and his enchanting phrasing. A few months later, with The Incredible Jazz Guitar of Wes Montgomery, still with Riverside Records, the affair would take on a whole new look thanks to Tommy Flanagan, Percy Heath and Albert "Tootie" Heath, sidemen of a higher calibre… © MD/Qobuz
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Jazz - Verschenen op 27 september 2011 | Verve Reissues

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Jazz - Verschenen op 27 juni 2000 | Verve Reissues

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Jazz - Verschenen op 31 januari 2020 | RevOla

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Jazz - Verschenen op 1 januari 2008 | Riverside

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Jazz - Verschenen op 1 januari 2000 | Fantasy Records

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Jazz - Verschenen op 1 januari 1966 | Verve Reissues

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Jazz - Verschenen op 1 januari 1967 | A&M

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Jazz - Verschenen op 21 juni 2019 | Resonance Records

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Jazz - Verschenen op 19 april 2019 | Resonance Records

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Jazz - Verschenen op 1 januari 1986 | Verve

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Jazz - Verschenen op 13 oktober 2017 | Riverside

Hi-Res Booklet
On The Wes Montgomery Trio – A Dynamic New Sound: Guitar Organ Drums, his third album which appeared on Riverside Records in 1959, Wes Montgomery confirmed that it was he who caused the earth to tremble with his jazz guitar. And this superb disc cements his name just that bit more in amongst those of the greats. He is joined by Melvin Rhyne on the organ and Paul Parker on the drums adding a simple accompaniment, without ever treading on his toes nor attracting too much attention. Because of course, the hero of these sessions produced on 5th and 6th October 1959, at Reeves Sound Studios in New York, by Orin Keepnews, will always be Wes Montgomery and no one but Wes Montgomery! His style, virtuosic and soaked with the blues, brought a fresh sound to this instrument that was previously dominated by Barney Kessel and Tal Farlow. And in his solos such as ‘Round Midnight, the guitarist from Indianapolis slickly unfurls his refined sound, his unique style and his enchanting phrasing. A few months later, with The Incredible Jazz Guitar of Wes Montgomery, still with Riverside Records, the affair would take on a whole new look thanks to Tommy Flanagan, Percy Heath and Albert "Tootie" Heath, sidemen of a higher calibre… © MD/Qobuz
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Jazz - Verschenen op 3 december 1966 | Verve Reissues

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Jazz - Verschenen op 1 januari 1988 | Fantasy Records

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Jazz - Verschenen op 1 januari 1987 | Riverside

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Jazz - Verschenen op 1 januari 2013 | Original Jazz Classics

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