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Jazz - Verschenen op 11 maart 2016 | ECM

Hi-Res Booklet Onderscheidingen Pitchfork: Best New Music - Indispensable JAZZ NEWS - 5 Sterne Fono Forum Jazz
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Jazz - Verschenen op 24 februari 2012 | ACT Music

Onderscheidingen Le top 6 JAZZ NEWS - Qobuz Referentie
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Jazz - Verschenen op 9 april 2021 | ECM

Hi-Res Booklet Onderscheidingen Pitchfork: Best New Music
Although it stems from a work that Iyer originally crafted back in 2011, one could hardly imagine a better title for a 2021 album release than Uneasy. As the world wobbles onto its post-pandemic footing and the United States begins to take stock of the social and political toll from years of continued divisiveness, any optimism or forward motion one may feel is almost always tempered by the reality of that which came before. That anger and frustration with the past and the resultant realism about the future is at the core of the pianist's first trio album for ECM since 2015's Break Stuff. Like that outing, Uneasy relies on tight, confident interplay between three highly skilled and unique musicians, but this lineup is all new, featuring double-bassist Linda May Han Oh and drummer Tyshawn Sorey. Iyer's skills as a player, composer, and collaborator have since grown considerably and Uneasy is an excellent showcase for all of them. "Children of Flint" and "Combat Breathing" are stunning compositions, focusing on the human costs of political negligence and malfeasance, forces that have unmistakably driven the uneasiness behind the album's title. "Children of Flint" is the more rigorous of the two, opening the album in a dramatically unfolding manner, but "Combat Breathing" definitely holds its own, finding a sturdy groove that's fueled by fire—not funk—and culminating in a cluster of sonics that evaporates into the ether like so much tear gas. The interplay between the three players is remarkable throughout, most notably on the dramatic "Entrustment," which relies on telepathic communication between the rhythm section and Iyer's piano; likewise, "Retrofit"—a piece written for sextet and appropriately complex—gets handled deftly by these three, giving each plenty of opportunity to shine. Of course, it's Iyer's piano work that holds down the entire affair, and as he wends through the dense, melodic "Touba," he manages to evoke Coltrane's spiritual-era changes, but with a more pensive vibe, while on the solo piece "Augury," his playing is both insistent and introspective. On Uneasy, Iyer continues his unique balancing act of presenting complex and demanding compositional ideas in a framework that's welcoming and accessible, with players who see eye-to-eye and can help execute that vision in a way that's imaginative and invigorating. © Jason Ferguson/Qobuz
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Jazz - Verschenen op 13 oktober 2009 | ACT Music

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 27 augustus 2010 | ACT Music

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 25 februari 2011 | ACT Music

Onderscheidingen Qobuz Referentie
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Free jazz & Avant-garde jazz - Verschenen op 15 maart 2019 | ECM

Hi-Res Booklet
In the early 2000s, Vijay Iyer and Craig Taborn were members of the Note Factory, a specialised nonet led by Roscoe Mitchell. The tandem of pianists is an integral component to the complex improvised music provided by the Art Ensemble of Chicago’s saxophonist. Well aware of their potential, Iyer and Tabron decided to pursue their own venture. Recorded live on March 12th, 2018 at the Budapest Liszt Academy, The Transitory Poems doesn’t simply document their profuse creativity. This concert is also a tribute to four artists who passed away recently. Four personalities connected to the Americans’ career: pianists Cecil Taylor, Muhal Richard Abrams, Geri Allen, as well as painter and sculptor Jack Whitten. For 75 minutes, Vijay Iyer and Craig Taborn go back and forth in complete freedom. Probably unfit for untrained listeners, their avant-garde improvisations display exceptional lightness at all times. The result is dense, but never suffocating or exhausting. A music style of immediacy characterised by unparalleled fluidity. Phrases and exchanges that light up the sky and disappear just a few seconds later, like fireworks. Exhilarating. © Marc Zisman/Qobuz
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Jazz - Verschenen op 9 april 2021 | ECM

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Jazz - Verschenen op 28 februari 2014 | ECM

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Jazz - Verschenen op 23 mei 2006 | Savoy

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Jazz - Verschenen op 22 april 2008 | Sunnyside

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Jazz - Verschenen op 1 januari 2001 | Red Giant

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Jazz - Verschenen op 17 mei 2005 | Savoy

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Hip-Hop/Rap - Verschenen op 30 januari 2007 | Savoy

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Originele soundtracks - Verschenen op 7 november 2014 | ECM

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Jazz - Verschenen op 1 januari 1998 | Asian Improv Records

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Jazz - Verschenen op 1 januari 1996 | Asian Improv Records

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Free jazz & Avant-garde jazz - Verschenen op 15 maart 2019 | ECM

Booklet
In the early 2000s, Vijay Iyer and Craig Taborn were members of the Note Factory, a specialised nonet led by Roscoe Mitchell. The tandem of pianists is an integral component to the complex improvised music provided by the Art Ensemble of Chicago’s saxophonist. Well aware of their potential, Iyer and Tabron decided to pursue their own venture. Recorded live on March 12th, 2018 at the Budapest Liszt Academy, The Transitory Poems doesn’t simply document their profuse creativity. This concert is also a tribute to four artists who passed away recently. Four personalities connected to the Americans’ career: pianists Cecil Taylor, Muhal Richard Abrams, Geri Allen, as well as painter and sculptor Jack Whitten. For 75 minutes, Vijay Iyer and Craig Taborn go back and forth in complete freedom. Probably unfit for untrained listeners, their avant-garde improvisations display exceptional lightness at all times. The result is dense, but never suffocating or exhausting. A music style of immediacy characterised by unparalleled fluidity. Phrases and exchanges that light up the sky and disappear just a few seconds later, like fireworks. Exhilarating. © Marc Zisman/Qobuz
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Jazz - Verschenen op 6 juli 2017 | Pi Recordings

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Jazz - Verschenen op 28 februari 2014 | ECM