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Electronic - Verschenen op 24 januari 1994 | UMC (Universal Music Catalogue)

Hi-Res Onderscheidingen The Qobuz Ideal Discography
From the beginning of the first track "Dark & Long," Underworld's focus on production is clear, with songwriting coming in a distant second. The best tracks ("MMM Skyscraper I Love You," "Cowgirl") mesh Hyde's sultry songwriting with Emerson's beat-driven production, an innovative blend of classic acid house, techno, and dub that sounds different from much that preceded it. In a decade awash with stale fusion, Underworld are truly a multi-genre group. © John Bush /TiVo
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Electronic - Verschenen op 1 januari 2014 | UMC (Universal Music Catalogue)

Onderscheidingen Pitchfork: Best New Reissue
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Electronic - Verschenen op 18 maart 2016 | Smith Hyde Productions

Onderscheidingen 4F de Télérama
Zes jaar zitten er tussen het achtste (Barking - 2010) en negende studioalbum van de de Britse formatie Underworld, maar in 2016 ligt dan toch het nieuwe album Barbara Barbara, We Face a Shining Future in de winkels. Het tempo op dit album ligt wat lager dan we van de band gewend zijn, maar daar staat tegenover dat de groep er moeiteloos in slaagt de luisteraar de nummers in te trekken met een scala aan sfeervolle elektronische klanken. © TiVo
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Electronic - Verschenen op 13 november 2015 | UMC (Universal Music Catalogue)

Onderscheidingen Pitchfork: Best New Reissue
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Electronic - Verschenen op 15 oktober 2007 | ATO Records

Onderscheidingen The Qobuz Ideal Discography
Like their heroes Kraftwerk, Underworld's Karl Hyde and Rick Smith appear to work in a completely sterile environment, unbothered by charts or sales projections or label concerns about their marketing abilities. They simply reemerge periodically with another full-length of precise but swinging techno, with vocals that somehow create a rather plaintive sense of detachment (Radiohead's similarity in this area should not be overlooked). More than 2002's A Hundred Days Off or 1998's Beaucoup Fish, Oblivion with Bells harks back to Underworld's 1993 rebirth with the epic Dubnobasswithmyheadman. (Even the cover design and accordion-style liner notes are similar.) The acid techno is firmly in place, with little or no regard for developments in the form after the '80s. Still, unlike other electronica mainstays who have occasionally revealed a little weariness -- either from trying to change or trying to stay the same -- Underworld never sound particularly tired on Oblivion with Bells. Granted, the music is less innovative than before, and also more quiet, which makes Hyde's vocals more critical than they've ever been. Unfortunately, however, they don't benefit from the scrutiny. "Ring Road" and "Holding the Moth" are particularly odd, utilizing Underworld's usual cut-and-paste phraseology, but with productions and performances that never come together like their classics "Dark & Long" or "Pearls Girl." © John Bush /TiVo
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Electronic - Verschenen op 1 januari 2014 | UMC (Universal Music Catalogue)

Onderscheidingen Pitchfork: Best New Reissue
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Dance - Verschenen op 15 oktober 2007 | Different Recordings

Onderscheidingen The Qobuz Ideal Discography
Like their heroes Kraftwerk, Underworld's Karl Hyde and Rick Smith appear to work in a completely sterile environment, unbothered by charts or sales projections or label concerns about their marketing abilities. They simply reemerge periodically with another full-length of precise but swinging techno, with vocals that somehow create a rather plaintive sense of detachment (Radiohead's similarity in this area should not be overlooked). More than 2002's A Hundred Days Off or 1998's Beaucoup Fish, Oblivion with Bells harks back to Underworld's 1993 rebirth with the epic Dubnobasswithmyheadman. (Even the cover design and accordion-style liner notes are similar.) The acid techno is firmly in place, with little or no regard for developments in the form after the '80s. Still, unlike other electronica mainstays who have occasionally revealed a little weariness -- either from trying to change or trying to stay the same -- Underworld never sound particularly tired on Oblivion with Bells. Granted, the music is less innovative than before, and also more quiet, which makes Hyde's vocals more critical than they've ever been. Unfortunately, however, they don't benefit from the scrutiny. "Ring Road" and "Holding the Moth" are particularly odd, utilizing Underworld's usual cut-and-paste phraseology, but with productions and performances that never come together like their classics "Dark & Long" or "Pearls Girl." © John Bush /TiVo
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Electronic - Verschenen op 13 april 1999 | UMC (Universal Music Catalogue)

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With the buzz almost completely died down from "Born Slippy," Underworld's Trainspotting hit of over two years before, Beaucoup Fish emerged to a distinctly uncaring public. And though it is a disappointing record compared to the group's high-flying previous albums, it displays Underworld's talents well -- the trio is still the best at welding obtuse songcraft onto an uncompromising techno framework and making both sound great. Karl Hyde's nasally vocals are a bit more obtrusive on tracks like the trance-rant "Moaner" and first single "Push Upstairs," but as before, impeccable production saves the day. While Second Toughest in the Infants showed Underworld were no mere novices at introducing super-tough breakbeats, here the focus is on throwback acid-house and trance. The effect is that Underworld have refused to compromise their artistic vision to anyone's view of commercialism; as such, the few excesses on Beaucoup Fish can be forgiven. © John Bush /TiVo
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Electronic - Verschenen op 8 november 2019 | Virgin Music UK LAS (P&D)

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Electronic - Verschenen op 1 januari 2014 | UMC (Universal Music Catalogue)

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Electronic - Verschenen op 1 januari 1995 | UMC (Universal Music Catalogue)

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Electronic - Verschenen op 18 maart 2016 | Smith Hyde Productions

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Zes jaar zitten er tussen het achtste (Barking - 2010) en negende studioalbum van de de Britse formatie Underworld, maar in 2016 ligt dan toch het nieuwe album Barbara Barbara, We Face a Shining Future in de winkels. Het tempo op dit album ligt wat lager dan we van de band gewend zijn, maar daar staat tegenover dat de groep er moeiteloos in slaagt de luisteraar de nummers in te trekken met een scala aan sfeervolle elektronische klanken. © TiVo
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Electronic - Verschenen op 13 april 1999 | UMC (Universal Music Catalogue)

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With the buzz almost completely died down from "Born Slippy," Underworld's Trainspotting hit of over two years before, Beaucoup Fish emerged to a distinctly uncaring public. And though it is a disappointing record compared to the group's high-flying previous albums, it displays Underworld's talents well -- the trio is still the best at welding obtuse songcraft onto an uncompromising techno framework and making both sound great. Karl Hyde's nasally vocals are a bit more obtrusive on tracks like the trance-rant "Moaner" and first single "Push Upstairs," but as before, impeccable production saves the day. While Second Toughest in the Infants showed Underworld were no mere novices at introducing super-tough breakbeats, here the focus is on throwback acid-house and trance. The effect is that Underworld have refused to compromise their artistic vision to anyone's view of commercialism; as such, the few excesses on Beaucoup Fish can be forgiven. © John Bush /TiVo
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Electronic - Verschenen op 1 januari 2014 | UMC (Universal Music Catalogue)

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Electronic - Verschenen op 1 november 2019 | Virgin Music UK LAS (P&D)

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Electronic - Verschenen op 1 januari 2014 | UMC (Universal Music Catalogue)

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Electronic - Verschenen op 27 juli 2018 | Virgin Music UK

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Electronic - Verschenen op 1 november 2019 | Virgin Music UK LAS (P&D)

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Electronic - Verschenen op 13 november 2015 | UMC (Universal Music Catalogue)

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Electronic - Verschenen op 13 november 2015 | UMC (Universal Music Catalogue)