Your basket is empty

Categories :

Vergelijkbare artiesten

Albums

From
HI-RES€ 14,99
CD€ 9,99

Klassiek - Verschenen op 29 januari 2016 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 4 étoiles Classica
From
HI-RES€ 14,99
CD€ 9,99

Klassiek - Verschenen op 7 februari 2012 | Ondine

Hi-Res Booklet Onderscheidingen 4 étoiles Classica - Uitzonderlijke Geluidsopnamen - Hi-Res Audio
From
HI-RES€ 14,99
CD€ 9,99

Klassiek - Verschenen op 1 april 2014 | Ondine

Hi-Res Booklet Onderscheidingen Hi-Res Audio
From
HI-RES€ 14,99
CD€ 9,99

Klassiek - Verschenen op 10 februari 2015 | Ondine

Hi-Res Onderscheidingen Choc de Classica
From
CD€ 14,99

Klassiek - Verschenen op 7 november 2005 | Warner Classics

From
CD€ 14,99

Klassiek - Verschenen op 10 november 2000 | Warner Classics

From
CD€ 12,49

Klassiek - Verschenen op 3 april 2006 | Warner Classics

From
CD€ 9,99

Klassiek - Verschenen op 8 november 1999 | Simax Classics

From
CD€ 13,49

Klassiek - Verschenen op 25 november 2005 | Warner Classics

From
CD€ 14,99

Klassiek - Verschenen op 1 september 2017 | Warner Classics

From
CD€ 9,99

Klassiek - Verschenen op 6 oktober 1999 | Simax Classics

From
CD€ 14,99

Klassiek - Verschenen op 25 november 2005 | Warner Classics

From
CD€ 14,99

Klassiek - Verschenen op 3 juli 2006 | Warner Classics

Though written barely 20 years apart, Dvorák's Cello Concerto and Tchaikovsky Rococo Variations draw their inspiration from two entirely different epochs. Dvorák's lush, Romantic concerto has hints of Czech motherland and even adaptations of his own previous works. The accompaniment is densely scored with tutti sections that could easily be right out of one of his symphonies. Rococo, on the other hand, harkens back to one of Tchaikovsky's bygone eras and employs only minimal orchestral forces. Even with their clear contrasts, both works have become cornerstones of the cello's repertoire. Performing on this Virgin Classics reissue of a 1993 disc is Norwegian cellist Truls Mørk with the Oslo Philharmonic Orchestra under Mariss Jansons. Mørk's technical prowess on his instrument is undeniable; the high technical demands in both works are tossed off with ease and elegance. Intonation is nearly flawless, articulation is crisp and clear, shifts are impeccably controlled, and passage work is nimble. Mørk's sound is not the biggest in the cello community, particularly on the lower strings; this works better in the more lightly scored Tchaikovsky than in the assertive, forceful Dvorák. Connection between Mørk and the orchestra, particularly in the Dvorák, is fleeting at best. Mørk is rather heavy-handed with his application of rubato, often leaving the orchestra in the dust as he accelerates through passages in the third movement. Rococo gets less rubato and is therefore played with a greater connection between soloist and orchestra. For listeners interested in a technically polished performance, this one certainly fits the bill. There are others available, however, that have a more unified offering and there are cellists with a bit meatier sound. © TiVo
From
CD€ 9,99

Klassiek - Verschenen op 31 januari 1989 | BIS

From
CD€ 9,99

Klassiek - Verschenen op 6 juli 1999 | Simax Classics

From
CD€ 14,99

Klassiek - Verschenen op 25 november 2005 | Warner Classics

From
CD€ 9,99

Klassiek - Verschenen op 27 oktober 1999 | Simax Classics

From
CD€ 9,99

Klassiek - Verschenen op 27 december 1999 | Simax Classics

From
HI-RES€ 23,99
CD€ 19,99

Originele soundtracks - Verschenen op 30 januari 2016 | 2L

Hi-Res Booklet
From
CD€ 9,99

Klassiek - Verschenen op 27 april 2009 | Ondine

Icelandic composer Haflidi Hallgrímsson began his career as a cellist and was the principal cellist with the Scottish Chamber Orchestra before retiring to devote himself to composition. It's especially fitting, then, that the Scottish Chamber Orchestra plays two of his works for cello and orchestra on this CD, his Herma (1995) and Cello Concerto (2003). Hallgrímsson wrote the concerto for featured soloist Truls Mørk, who has performed it, as well as Herma, many times. Mørk, who won a Grammy for his performance of the Britten cello suites, plays with intensity, full conviction, and a richly varied palette of tonal colors, and he highlights the warm lyricism of the solo line. Both works hover between a dark tonality and atonality. Hallgrímsson's voice is essentially impressionistic and evocative, and his music is its most appealing when he's expressing a slightly edgy melancholy with delicacy and transparency, as at the closing of Herma. Both works are satisfying in their construction and emotional trajectory, and conductor John Storgårds captures both the music's sense of drama and its many moments of iridescent timelessness. These are attractive works that are not undemanding, but do reward attentive listening with their quiet colors and strong lyrical impulse. Ondine's sound is clean and warmly atmospheric, but not especially deep. © TiVo