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Pop - Verschenen op 1 januari 1999 | UMC (Universal Music Catalogue)

Onderscheidingen Mercury Prize Selection
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Rock - Verschenen op 25 oktober 2019 | Parlophone UK

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Rock - Verschenen op 1 januari 2008 | Spinefarm

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Rock - Verschenen op 1 januari 2001 | UMC (Universal Music Catalogue)

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Pop - Verschenen op 1 januari 2010 | UMC (Universal Music Catalogue)

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Pop - Verschenen op 1 januari 1997 | UMC (Universal Music Catalogue)

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Pop - Verschenen op 1 januari 2005 | UMC (Universal Music Catalogue)

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Pop - Verschenen op 1 januari 2003 | UMC (Universal Music Catalogue)

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Rock - Verschenen op 27 oktober 2017 | Parlophone UK

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For 20 years now the Welsh group Stereophonics have been excelling in their powerful rock’n’roll, placing guitars, pop melodies and the gravelly voice of Kelly Jones at the heart of their music. Produced by Jones himself, this 10th album avoids simply recycling their two decades worth of hits. The savoir-faire of Stereophonics allows them once more to peg out all the catchy singles you could wish for; nothing to revolutionize the art of the group but unstoppably energetic all the same. The work of pros! © CM/Qobuz
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Pop - Verschenen op 1 januari 2010 | UMC (Universal Music Catalogue)

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Alternative en Indie - Verschenen op 11 september 2015 | Ignition Records Ltd

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Rock - Verschenen op 10 november 2008 | EMI

One of those British phenomena that has stayed distinctly provincial -- talk all you want about Oasis or Blur never cracking the U.S. charts, Stereophonics never came close, never even managing to cobble together a cult of college students or Anglophiles -- Stereophonics managed to carve out a nice living as workaday rockers in the post-Oasis age. They were guitar rock traditionalists in the time when Radiohead and their happy followers Coldplay ruled British rock, marching just outside of the Zeitgeist but appealing to thousands anyway, probably because they never tried to compete with Radiohead's spacy explorations. Instead, Stereophonics adapted the anthemic roar of their Welsh forefathers Manic Street Preachers, substituting the Manics' Guns N' Roses fascination with a love of Nirvana, and then made big arena rock, tempered slightly with rambling acoustic singalongs straight out of Oasis and vague electronica-flavored pop. All this is chronicled on Decade in the Sun: The Best of Stereophonics, the group's first hits compilation and one that traces its evolution effectively across 20 tracks best appreciated by listeners familiar with these tunes as part of the general cultural fabric. For U.K. listeners, this is a good sampling of what they heard in the background for a decade. © Stephen Thomas Erlewine /TiVo
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Alternative en Indie - Verschenen op 4 maart 2013 | Ignition Records Ltd

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Pop - Verschenen op 1 januari 2006 | UMC (Universal Music Catalogue)

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Rock - Verschenen op 1 oktober 2007 | EMI

Ten years in, Stereophonics sound appropriately settled on their sixth album, 2007's Pull the Pin. Then again, Stereophonics were never the liveliest of rock bands even in their youth. They beat out the likes of Travis to be perhaps the stodgiest of all the post-Oasis bands, aspiring to nothing more than being a solid stadium rock band, borrowing some of the sweeping sonics of U2 but relying more on the revivalism of Oasis with a slight hint of the epic scale of fellow Welsh rockers Manic Street Preachers. Stereophonics soldiered through album after album, aided considerably on their march to popularity by the cinema star good looks of guitarist/vocalist/all-around nice guy Kelly Jones, who was undeniably attractive in photos but not quite forceful on record. Nowhere is that soft center in sharper relief than on Pull the Pin, which sounds bigger and slicker than anything they've ever done -- a large-scale album suited for their large popularity in the U.K. -- but Jones seems to be carried along by the sound instead of driving it. It's not as much that he's overwhelmed as he is...settled. Stereophonics have achieved the maturity they've aspired to all these many years, easily mimicking Oasis on "Bank Holiday Monday" while they wash out Nirvana and mellow out the Manics elsewhere, turning out music that's louder than Coldplay (or even Travis' 2007 album) but feels less rock & roll, as everything here is immaculately manicured and manipulated; it's a stadium rock album in form, but not sound. As the trio are professionals -- something they've always planned to be -- this is hardly bad but it sure sounds as if the band has gone out of their way to be inoffensive to all audiences...which is pretty remarkable given that there are songs that explicitly confront the London bombings of 7/7. © Stephen Thomas Erlewine /TiVo
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Rock - Verschenen op 1 januari 2009 | EMI

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Alternative en Indie - Verschenen op 11 september 2015 | Ignition

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One of the chief calling-cards of the Welsh rock band Stereophonics is their ongoing fidelity to their original sound. Since the group’s inception in 1997, Kelly Jones and co have stuck to a recipe that really works, placing a strong guitar attack, pop melodies and Jones’s gravelly voice at the heart of their music. Their ninth album, Keep The Village Alive, is no exception to this rule, and the songs the quartet deliver here are all hallmarks of the sound that has made Stereophonics one of the most popular rock bands of recent times. The new album was recorded in a small house in West London, where the Welsh band holed up for a few months to concentrate on songcraft, and to give free rein to the creativity of chief songwriter Kelly Jones. The bandleader co-produced the disc, alongside his sidekick Jim Lowe, and each of the tracks on the record betrays the energy and enthusiasm that we have come, by now, to associate with Stereophonics. Keep The Village Alive is an ideal weapon to conquer the charts with.
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Alternative en Indie - Verschenen op 11 september 2015 | Ignition

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One of the chief calling-cards of the Welsh rock band Stereophonics is their ongoing fidelity to their original sound. Since the group’s inception in 1997, Kelly Jones and co have stuck to a recipe that really works, placing a strong guitar attack, pop melodies and Jones’s gravelly voice at the heart of their music. Their ninth album, Keep The Village Alive, is no exception to this rule, and the songs the quartet deliver here are all hallmarks of the sound that has made Stereophonics one of the most popular rock bands of recent times. The new album was recorded in a small house in West London, where the Welsh band holed up for a few months to concentrate on songcraft, and to give free rein to the creativity of chief songwriter Kelly Jones. The bandleader co-produced the disc, alongside his sidekick Jim Lowe, and each of the tracks on the record betrays the energy and enthusiasm that we have come, by now, to associate with Stereophonics. Keep The Village Alive is an ideal weapon to conquer the charts with.
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Alternative en Indie - Verschenen op 18 september 2019 | Parlophone UK

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Alternative en Indie - Verschenen op 15 augustus 2019 | Parlophone UK

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