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Concerten voor blaasinstrumenten - Verschenen op 19 januari 2018 | Accent

Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice
Stefan Temmingh is a member of the new young generation of world-class recorder players. Born in Cape Town, he comes from a Dutch-South-African family of musicians and now lives in Munich. Being an early music specialist, he plays internationally with his baroque ensemble at renowned festivals and concert series, and can also be heard as a member of ensembles of all sizes in Europe, Asia and Africa. His fine playing is regularly compared to the style of the legendary Frans Brüggen. On this collaboration with the Capricornus Consort Basel, he makes use of his wide array of technical and musical resources to render a reference version of Vivaldi’s Recorder Concertos. © Accent
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Klassiek - Verschenen op 16 oktober 2020 | Accent

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The Mediterranean Sea has been the hub of resettlement and migration for centuries. After the fall of the Byzantine Empire, the people who settled in those areas that were depopulated by years of war, expulsion and flight. And in 1492, the Spanish Reconquista led to the expulsion of the Sephardic Jews, who brought their culture to many countries around the Mediterranean. Even today, the Mediterranean again plays an inglorious role in flight and expulsion. The German gambist Friederike Heumann has taken this as an opportunity to present, together with the Turkish singer Nihan Devecioglu and the Spanish guitarist Xavier Díaz-Latorre, the many ancient cultures around the Mediterranean: the tradition of the Sephardic people, songs from Lebanon, Turkey, Armenia and Greece, art music from Venice to Fado in Spain and Portugal, whose influences reach as far as South America. © Accent
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Klassiek - Verschenen op 17 september 2021 | Accent

Booklet
The Thomaskantor position in Leipzig was one of the most important jobs for musicians in Germany in the 18th century. Several important musicians applied to succeed Johann Kuhnau after his death in 1722. In the recruitment process, the Leipzig city council was able to choose from the most famous personalities of the time. The first choice was Georg Philipp Telemann, who declined, however, after he had obtained a decent salary increase at his Hamburg post. The next two candidates were Johann Friedrich Fasch and Christoph Graupner - Fasch, knowing about Telemann's application, had accepted another position and Graupner would have become Thomaskantor, but his employer in Darmstadt would not let him go. Only the third choice, as is generally known, fell on Johann Sebastian Bach ... In his program "Leipzig 1723", Stefan Temmingh recalls this major moment in music history and presents recorder concertos by all four competitors. Excellently accompanied by the Capricornus Consort Basel, he thus creates a panopticon of recorder concertos by the greatest German masters of the time. © Accent
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Klassiek - Verschenen op 18 januari 2019 | Accent

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Klassiek - Verschenen op 6 november 2015 | deutsche harmonia mundi

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Klassiek - Verschenen op 6 november 2015 | deutsche harmonia mundi

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Kamermuziek - Verschenen op 5 augustus 2014 | Oehms Classics

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Kamermuziek - Verschenen op 7 juni 2011 | Oehms Classics

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Klassiek - Verschenen op 24 maart 2014 | deutsche harmonia mundi

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Klassiek - Verschenen op 24 maart 2014 | deutsche harmonia mundi

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Klassiek - Verschenen op 29 april 2016 | Accent

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Kamermuziek - Verschenen op 1 januari 2007 | Oehms Classics

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Kamermuziek - Verschenen op 26 oktober 2010 | Oehms Classics

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