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Originele soundtracks - Verschenen op 12 augustus 2021 | Universal-Island Records Ltd.

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Pop - Verschenen op 1 januari 2007 | Polydor Records

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Pop - Verschenen op 1 januari 2007 | Polydor Records

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Pop - Verschenen op 1 januari 2007 | Polydor Records

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Pop - Verschenen op 1 januari 2007 | Polydor Records

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Pop - Verschenen op 1 januari 2007 | Polydor Records

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Pop - Verschenen op 7 december 2018 | Cooking Vinyl

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Pop - Verschenen op 4 december 2020 | Cooking Vinyl Limited

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House - Verschenen op 20 juni 2011 | Armada Zouk

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House - Verschenen op 13 februari 2012 | Armada Zouk

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Electronic - Verschenen op 27 januari 2017 | EBGB's

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Electronic - Verschenen op 19 juli 2016 | EBGB's

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Electronic - Verschenen op 4 november 2016 | EBGB's

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Pop - Verschenen op 20 januari 2014 | EBGB's

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Pop - Verschenen op 3 september 2001 | Polydor Records

The banal title fronts a disappointing debut from Sophie Ellis-Bextor, fusing Human League synth with beats and cinematic strings ("Take Me Home"/"Murder on the Dancefloor"). Nothing, though, really comes close to matching the shimmering highlight, "Murder on the Dancefloor," which guests bass genius Guy Pratt. "Final Move" is a more subdued version with similar kaleidoscope synth. Another notable is Ellis-Bextor's English accent, particularly on "By Chance." © Kelvin Hayes /TiVo
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Pop - Verschenen op 2 september 2016 | EBGB's

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Pop - Verschenen op 3 november 2014 | EBGB's

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Pop - Verschenen op 21 november 2013 | EBGB's

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Dance - Verschenen op 24 juni 2011 | Armada Music Bundles

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Pop - Verschenen op 15 maart 2019 | Cooking Vinyl Limited

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This new album has created quite a buzz. It covers some of Sophie Ellis-Bextor’s most iconic pieces for symphony orchestra, featuring her three greatest hits Groovejet (by Italian DJ Spiller in 2000), Take Me Home (a cover of a Cher song from 2001) and, of course, the unmistakable Murder on the Dancefloor (2001), whose delightful flamenco rhythms are an added bonus for the listener on top of the incredible string ensemble. The album then unfurls smoothly track after track, providing a rather moving flashback in the long career of the English singer with a porcelain complexion. It captures the depth of Young Blood (whose charming hook in the intro on piano is replaced by strings and clarinet), the cinematic lyricism of Heartbreak and also includes a rendition of her waltz tune Love Is a Camera.Admittedly, the orchestra plays in a very classical rather than daring way, but the huge contrast between some of these versions and the original dance pieces certainly makes for an intriguing listen. As an added bonus, Take Me Home and Murder on the Dancefloor have each been revamped in a combination of styles as the sound of the orchestra is mixed with a disco rhythm, and staying within the disco theme, The Song Diaries also includes the singer’s recent track Love Is You (2018) which brings The Love Boat to mind. © Nicolas Magenham/Qobuz