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Klassiek - Verschenen op 17 maart 2017 | RCA Red Seal

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Concerten voor viool - Verschenen op 6 mei 2016 | RCA Red Seal

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 15 juni 2018 | RCA Red Seal

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Klassiek - Verschenen op 11 januari 2019 | RCA Red Seal

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A student of Zakhar Bron and Robert Zimansky, the young Swiss violinist has seen a rapid rise, taking on roles as different as international soloist and quartettist in the Stradivari Quartet, in which he is second violin. Based in Zurich, he keeps in touch with his native canton of Aargau where he is leading his own series of concerts. After several well-regarded recordings, such as that of Beethoven's Concerto in D Major in an intimate style with the Helvetian ensemble CHAARTS (= CHAmber ARTistS) who play without a conductor, we find him here, still with the RCA, getting into the concertos of Mendelssohn and Britten, with Andrew Litton at the head of Liverpool's Royal Orchestra. Brandishing a magnificent 1776 Guadagini, borrowed from a Swiss patron, Sebastian Bohren flashes a mischievous smile on the album cover, as if to tell us of his joy at joining the hall of fame and producing this extraordinary album. The very famous Concerto in E Minor by Mendelssohn, which the composer would conduct in London in front of Queen Victoria, passed the baton onto the concerto written by the young Britten in 1938 between England and America. While it took time to establish itself, Britten's Concerto Op. 15 slowly made its way into the repertoire of contemporary violinists who have managed to overcome its technical difficulties while perfectly grasping that the point of the piece isn't to shine on stage but to reach into the deepest corners of the mind. © François Hudry/Qobuz
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Klassiek - Verschenen op 8 maart 2019 | RCA Red Seal

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Klassiek - Verschenen op 8 maart 2019 | RCA Red Seal

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Klassiek - Verschenen op 21 september 2018 | RCA Red Seal

Hi-Res Booklet
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Klassiek - Verschenen op 1 december 2017 | Sony Classical

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The cover of this album isn't the clearest but at least the title - Distant Light – is well-chosen. The most legible name is that of Sebastian Bohren - the name of the violinist. The two composers - the Latvian Pēteris Vasks (born a Soviet citizen in 1946) and the Georgian (born a Soviet citizen in 1933), whose names are hardly visible, offer works for violin and orchestra. One of the orchestras, the Georgisches Kammerorchester Ingolstadt, deserves closer attention: it was a wholly "exiled" orchestra – founded in 1964 in Tblisi, it wound up with gear and luggage in Germany in 1990, and set up camp in Ingolstadt, about a hundred kilometres north of Munich. Today, the great majority of the musicians still come from Georgia, or at least from Eastern Europe. Kancheli, like Vasks, has long been working on tonality: Tāla Gaisma – the Distant light in question, a winning and deep work by Vasks (1997) has won him several international prizes; Vox Amoris is a broad field of most intriguing bursts of instrumental brilliance. On the other hand, Chiaroscuro by Kancheli represents, it must be said, something of a neo-soppy, cinematic tendency found among some composers in the post-Soviet world. Note that Kancheli has indeed put his name to a large number of scores for the cinema... © SM/Qobuz
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Klassiek - Verschenen op 27 september 2019 | Sony Classical

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Klassiek - Verschenen op 8 maart 2019 | RCA Red Seal

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