Available languages: EnglishA producer whose skill and fluency with a number of genres makes him that much harder to pin down, RJD2's body of work makes a strong case for ignoring stylistic conventions. Even on his acclaimed 2002 debut album, Dead Ringer, which reflected his strong ties with the underground hip-hop scene, his fondness for cinematic atmosphere and forays into jazz set him apart from the pack. From there, he took one unexpected turn after another, folding '70s pop and rock influences into 2004's Since We Last Spoke, going sample-free on the alt-pop musings of 2007's The Third Hand, and adding his own live drumming to 2010's The Colossus. Along the way, he became an in-demand producer and remixer for a list of clients -- Massive Attack, El-P, Elbow, and Polyphonic Spree -- that was nearly as varied as his own music. In the 2010s and beyond, he found inspiration by returning to the R&B and funk that were his early musical loves. The neo-soul leanings of 2013's More Is Than Isn't and the more vintage shadings of 2016's Dame Fortune and 2020's The Fun Ones made for a slightly more cohesive, but still eclectic, approach from an artist who's still best defined on his own terms. Born Ramble John Krohn in Eugene, Oregon, on May 27, 1976, he moved to Columbus, Ohio, a few years later and was raised there. While growing up, he listened to Led Zeppelin and Jimi Hendrix before falling in love with soul and R&B music. While he was in high school, he attended a music school where he learned music theory, but this training felt too restrictive for him. It wasn't until he discovered his city's thriving hip-hop scene, thanks to a friend who took him to open mic nights and battles in the early '90s, that he found his niche. RJD2 began producing music in 1993, but didn't have the thousands of dollars necessary to buy the gear to take his craft to the next level. When Akai released its entry-level MPC 2000 in 1997, he could finally afford to invest in his music. He spent hours developing his skills, with a win at the 1997 Ohio Hip-Hop Expo DJ battle becoming one of the first rewards for his efforts. As the DJ/producer for the local crew Megahertz, he scored the underground hit "World Premier," one of two singles MHz released on Bobbito Garcia's Fondle 'Em Records. Not long after, RJD2 came to the attention of El-P, and began working with Def Jux in 2000. That year, RJD2 produced Copywrite's debut single, "Holier Than Thou," on Rawkus Records and worked with Poppa Hop as the Dirty Birds on the Pryor Convictions EP. In 2001, he made his first formal appearance as a solo artist on the Def Jux Presents... compilation, proving he could hold his own alongside such luminaries as Company Flow, El-P, Cannibal Ox, and Aesop Rock. While making his debut album, RJD2 sought to create music that fans of rap and instrumental hip-hop could both appreciate. The results were Dead Ringer, which Def Jux released in July 2002. Featuring collaborations with Blueprint and Copywrite and musical sources that ranged from funk to flamenco, it was soon hailed as one of the year's best underground hip-hop releases. He remained busy in 2002 with remixes and productions for Cage, Souls of Mischief, El-P, and Massive Attack among others. The following year, RJD2 issued The Horror EP, which featured Dead Ringer B-sides, and continued to branch out. In addition to production work for Murs, Nightmares on Wax, Elbow, and Aceyalone, he teamed up with Blueprint as Soul Position, who issued the well-received album 8 Million Stories on Rhymesayers Entertainment. On his second album, May 2004's Since We Last Spoke, RJD2 incorporated more elements of '70s pop, rock, and R&B into his music. Along with critical acclaim, the record also met with some chart success; it reached number 128 on the Billboard 200 Albums chart and peaked at number 94 on the U.K. Albums Chart (its single "Exotic Talk" hit number 93 on the U.K. Singles Chart). That year also saw the release of In Rare Form: Unreleased Instrumentals and productions for Vast Aire and Hikaru Utada. After a relatively quiet 2005 that found him working with Leela James and Cage, in 2006 RJD2 and Blueprint reunited for Soul Position's second album, Things Go Better with RJ and Al. He also teamed up with Aceyalone on Magnificent City, which hit number 39 on Billboard's Heatseekers Albums chart and featured the track "A Beautiful Mine," which became the theme song to the AMC television series Mad Men. Later that year, Magnificent City Instrumentals arrived, along with production work for Pigeon John and Cool Calm Pete. For The Third Hand, RJD2 moved to XL. His first album without samples, it found the producer exploring atmospheric, dub-inspired tracks as well as Beatlesque pop. Released in March 2007, The Third Hand reached number five on the Heatseekers Albums chart and 190 on the Billboard 200 Albums chart. That year also saw the release of The Third Hand Instrumentals and production work for Jack Peñate. In 2009, RJD2 founded his own label, RJ's Electrical Connections. After reissuing some of his earlier albums, in January 2010 he released The Colossus. A sample-heavy set featuring contributions from singers including Kenna, Aaron Livingston, and Phonte Coleman and rappers such as Illogic, it peaked at number 30 on the Billboard Top R&B/Hip-Hop Albums chart. Later in the year, he issued a Yo La Tengo remix and Inversions of the Colossus, which contained instrumental versions of The Colossus' vocal tracks and several additional cuts. Aside from production work for J-Live, for much of 2011 RJD2 pursued other projects. Icebird, his project with Colossus collaborator Livingston, released its debut album, The Abandoned Lullaby, that year and he also issued We Are the Doorways, his first album as the Insane Warrior. Arriving in October 2013, More Is Than Isn't reunited RJD2 with Coleman, Livingston, and Blueprint on a neo-soul-tinged set of tracks that hit number 39 on the Billboard Top R&B/Hip-Hop Albums chart. In 2014, he worked with CunninLynguists and Son Little, then collaborated with rapper STS on 2015's STS x RJD2, which continued More Is Than Isn't's R&B and soul flavors. RJD2 recruited Coleman, Blueprint, Jordan Brown, and Son Little for 2016's Dame Fortune, an album that pulled together his various strengths from over the years. That year, he also contributed a remix to Tycho's Awake Remixes and produced the track "Gumshoe" on Homeboy Sandman's Kindness for Weakness. In 2018, the second volume of RJD2's unreleased instrumentals, In Rare Form, Vol. 2, appeared, along with the Insane Warrior album Tendrils. For April 2020's The Fun Ones, RJD2 looked to vintage funk for inspiration and worked with longtime friends and collaborators that included Aceyalone, Coleman, STS, and Khari Mateen.
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Funk - Verschenen op 17 april 2020 | RJ's Electrical Connections
Considered one of the most promising producers in American underground hip-hop and the spearhead of Def Jux, the Brooklyn-based label founded by El P in the early 2000s, RJD2 has never quite gotten the recognition he deserves. No doubt this is due to his desire to stay true to his own ideals and musical quirks, which just so happens to be funk in this newest album. His love of big brass sections became clear in his 2002 hit, Ghostwriter, (from the classic debut album, Deadringer), which sampled Paul Desmond, the Delfonics and Betty Wright, but this time he has sampled funk…to make more funk. Well, almost.Mainly instrumental, The Fun Ones is like a tribute to 70s funk with its snare drums and brass band in No Helmet Up Indianola and its bed of violins in 20 Grand Palace. He teams up with duo Khari Mateen and STS, also from Philadelphia, on Pull Up on Love, a super-funky old-school hip-hop track, while the Californian MC Aceyalone sets the ambience over Meter’s-esque instrumentals in A Genuine Gentleman. Also featured in the album is Homeboy Sandman, a rapper of Dominican origin from Queens and signed by Stones Throw Records, who is completely at ease on the psychedelic One of a Kind. RJD2 wraps up the album with more iridescent synths and vinyl scratches on A Salute to Blood Bowl Legends, which is a reminder of why some people used to say he was the next DJ Shadow. © Smaël Bouaici/Qobuz