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Jazz - Verschenen op 7 september 2012 | ECM

Hi-Res Booklet Onderscheidingen 4F de Télérama - Sélection FIP - Hi-Res Audio
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Jazz - Verschenen op 18 maart 2016 | ECM

Hi-Res Booklet Onderscheidingen Indispensable JAZZ NEWS - L'album du mois JAZZ NEWS
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Jazz - Verschenen op 18 maart 2016 | ECM

Onderscheidingen Indispensable JAZZ NEWS - L'album du mois JAZZ NEWS
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Jazz - Verschenen op 4 mei 2018 | ECM

Hi-Res Booklet Onderscheidingen The Qobuz Ideal Discography
Once again, the spine, if not the heart of Awase isn’t Nik Bärtsch’s piano. Because whenever the Zurich musician gets his band Ronin going, he builds his music as well as his improvisations around Kaspar Rast’s XXL ability on the drums. As often with this self-proclaimed zen funk gang, the hypnotic power of rhythmic motifs gives a supreme unity to this jazz that sounds like no other. The term Awase comes from martial arts, meaning “moving together” in the sense of matching energies. A fitting metaphor for the dynamic precision, tessellated grooves and balletic minimalism of Bärtsch’s crew. Six years have passed since Ronin’s last release, a live recording in Europe and Japan between 2009 and 2011. In the meantime, the quintet has turned into a quartet and integrated a new bassist, Thomy Jordi. A completely new look for Ronin version 2018… A mutation that delivers a new form of freedom and flexibility in their approach to compositions. Their interactions and energy seem to compound! Once again it’s very hard to resist to the hypnotic power of the motifs they string together with superb fluidity over the 65 minutes of Awase. © Max Dembo/Qobuz
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Jazz - Verschenen op 17 september 2010 | ECM

Onderscheidingen Hi-Res Audio
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Jazz - Verschenen op 19 maart 2021 | ECM

Hi-Res Booklet
Baring your soul can sometimes allow you to take stock. The pandemic also plays an obvious introspective role for artists cut off from their audience and the stage. With Entendre, recorded in Lugano in September 2020, Nik Bärtsch sets aside his various outfits (Ronin, Mobile) to find himself alone at the piano. Paradoxically, the Swiss musician finds great freedom in aesthetic restrictions, while seizing the opportunities to take his music to new horizons. That project developed in parallel with his group activities. For Bärtsch, key moments included celebrations of the 50th anniversary of the ECM label at Lincoln Center in New York in 2019, and his collaboration with artist and videographer Sophie Clements. Then there was his 2017 solo piano tour, which took him to Tehran, Alexandria, Cairo, Calcutta and Delhi, which sparked his reflection on the relationship between performance and ritual music in different cultures. Those elements and experiences fed into the preparatory work for Entendre…The numbered pieces entitled Modul, five of the six tracks on the album, seem more like models than fixed, definitive compositions. Bärtsch likens them to “a basic training in martial arts, which can be adapted to all sorts of situations. My way of working is to create new contexts. Each piece plays with the idea of composition, interpretation and improvisation, and is nourished by the same force, yet can create very surprising results”. That is apparent in Modul 58-12, which mixes two old compositions played in group formats, Modul 58 with Ronin on the album Awase (2018) and Modul 12 with Mobile on the album Continuum (2016). “It just developed in that direction in the studio. I didn’t plan it or expect it to open up in that way. The combination of these two pieces is maybe not a coincidence but more of an inner call”. Solo, Bärtsch doesn’t offer a classically jazz piano touch, his style rather intertwining chamber music, solo performance in the classical tradition, but also contemporary and minimalist stylings with a groove. Most interesting of all, Entendre may seem very cerebral but in fact delivers a decidedly carnal collection. It’s a long human adventure with a very narrative approach. At times lyrical, at others refined and minimalist, Entendre ultimately offers a palette as wide as life itself… © Marc Zisman/Qobuz
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Jazz - Verschenen op 17 september 2010 | ECM

Hi-Res Booklet
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Jazz - Verschenen op 15 februari 2008 | ECM

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Jazz - Verschenen op 24 februari 2006 | ECM

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Funk - Verschenen op 1 mei 2004 | Ronin Rhythm Records

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Funk - Verschenen op 1 mei 2002 | Ronin Rhythm Records

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Jazz - Verschenen op 7 september 2012 | ECM

Hi-Res Booklet
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Funk - Verschenen op 1 mei 2004 | Ronin Rhythm Records

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Funk - Verschenen op 1 mei 2001 | Ronin Rhythm Records

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Funk - Verschenen op 1 mei 2002 | Ronin Rhythm Records

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Funk - Verschenen op 1 mei 2003 | Ronin Rhythm Records

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Jazz - Verschenen op 19 maart 2021 | ECM

Booklet
Baring your soul can sometimes allow you to take stock. The pandemic also plays an obvious introspective role for artists cut off from their audience and the stage. With Entendre, recorded in Lugano in September 2020, Nik Bärtsch sets aside his various outfits (Ronin, Mobile) to find himself alone at the piano. Paradoxically, the Swiss musician finds great freedom in aesthetic restrictions, while seizing the opportunities to take his music to new horizons. That project developed in parallel with his group activities. For Bärtsch, key moments included celebrations of the 50th anniversary of the ECM label at Lincoln Center in New York in 2019, and his collaboration with artist and videographer Sophie Clements. Then there was his 2017 solo piano tour, which took him to Tehran, Alexandria, Cairo, Calcutta and Delhi, which sparked his reflection on the relationship between performance and ritual music in different cultures. Those elements and experiences fed into the preparatory work for Entendre…The numbered pieces entitled Modul, five of the six tracks on the album, seem more like models than fixed, definitive compositions. Bärtsch likens them to “a basic training in martial arts, which can be adapted to all sorts of situations. My way of working is to create new contexts. Each piece plays with the idea of composition, interpretation and improvisation, and is nourished by the same force, yet can create very surprising results”. That is apparent in Modul 58-12, which mixes two old compositions played in group formats, Modul 58 with Ronin on the album Awase (2018) and Modul 12 with Mobile on the album Continuum (2016). “It just developed in that direction in the studio. I didn’t plan it or expect it to open up in that way. The combination of these two pieces is maybe not a coincidence but more of an inner call”. Solo, Bärtsch doesn’t offer a classically jazz piano touch, his style rather intertwining chamber music, solo performance in the classical tradition, but also contemporary and minimalist stylings with a groove. Most interesting of all, Entendre may seem very cerebral but in fact delivers a decidedly carnal collection. It’s a long human adventure with a very narrative approach. At times lyrical, at others refined and minimalist, Entendre ultimately offers a palette as wide as life itself… © Marc Zisman/Qobuz
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Moderne jazz - Verschenen op 4 mei 2018 | ECM

Booklet
Once again, the spine, if not the heart of Awase isn’t Nik Bärtsch’s piano. Because whenever the Zurich musician gets his band Ronin going, he builds his music as well as his improvisations around Kaspar Rast’s XXL ability on the drums. As often with this self-proclaimed zen funk gang, the hypnotic power of rhythmic motifs gives a supreme unity to this jazz that sounds like no other. The term Awase comes from martial arts, meaning “moving together” in the sense of matching energies. A fitting metaphor for the dynamic precision, tessellated grooves and balletic minimalism of Bärtsch’s crew. Six years have passed since Ronin’s last release, a live recording in Europe and Japan between 2009 and 2011. In the meantime, the quintet has turned into a quartet and integrated a new bassist, Thomy Jordi. A completely new look for Ronin version 2018… A mutation that delivers a new form of freedom and flexibility in their approach to compositions. Their interactions and energy seem to compound! Once again it’s very hard to resist to the hypnotic power of the motifs they string together with superb fluidity over the 65 minutes of Awase. © Max Dembo/Qobuz
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Jazz - Verschenen op 6 april 2018 | ECM