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Jazz - Verschenen op 1 januari 2001 | Decca

Onderscheidingen The Qobuz Ideal Discography - Qobuz Referentie
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Jazz - Verschenen op 1 januari 1961 | Parlophone UK

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 3 augustus 2009 | Fremeaux Heritage

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 22 augustus 2000 | Columbia - Legacy

Onderscheidingen Qobuz Referentie
This four-CD set brings together all the recordings made during the period of the Hot Five and Hot Sevens along with all the attendant recordings that Armstrong was involved in during this breakthrough period. Although this material has been around the block several times before -- and continues to be available in packages greatly varying in transfer quality -- this is truly the way to go, and certainly the most deluxe packaging this material has ever received with the greatest sound retrieval yet employed. In addition to sounding better than the competition, it also sensibly lays out all the recordings Satchmo made during this period, grouping all the original Hot Five recordings from 1925 to 1927 (and all attendant material) together on the first two discs, all of the Hot Sevens on disc three, with the final disc devoted to the second coming of the Hot Five in 1928 along with the attendant material from the following year. There are also several categories of "bonus tracks" aboard this deluxe set, including the "Lil's Hot Shots" 1926 Hot Five Vocalion recordings, a 1927 Johnny Dodds session that became the prototype for the Hot Seven recordings that soon followed, and the only known alternate take of "I Can't Give You Anything but Love." You can't have a Louis Armstrong collection without this historic set. Come to think of it, you can't have any kind of respectable jazz collection without it, either. Beyond indispensable. © Cub Koda /TiVo
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Jazz - Verschenen op 1 juni 1956 | Columbia - Legacy

Onderscheidingen Qobuz Referentie
Originally out on a double LP, this is a definitive set of the Louis Armstrong All-Stars of 1956. The music and many of the solos will be familiar to longtime Armstrong fans, but whether it be "Struttin' with Some Barbecue," "Basin Street," or his then-new hit, "Mack the Knife," the spirit and enthusiasm of this music is irresistible. This is his best live set in the '50s. The CD reissue, a two-CD set, is slightly more complete than the two-fer LP in that it adds a version of Armstrong's theme song, "When It's Sleepy Time Down South," a closing "Saints" that allows Satch to introduce his band, and a straightforward rendition of "The Star Spangled Banner." © Scott Yanow /TiVo
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Jazz - Verschenen op 21 december 2004 | Columbia Jazz Masterpieces

Onderscheidingen Qobuz Referentie
It can easily be argued that Louis Armstrong was at his most advanced during the 1928 recordings that featured him with the Savoy Ballroom Five. Constantly challenged by the equally adventurous pianist Earl Hines, Armstrong is consistently remarkable throughout the 18 selections that are on this CD. First there are three tracks with big bands during 1927-1928 ("Chicago Breakdown," "Symphonic Raps," and "Savoyagers' Stomp") that also include Hines; then the chronology picks up where Vol. 3 left off. The startling "West End Blues" (with its classic trumpet cadenza) was always Armstrong's personal favorite recording, "Weather Bird" is a hair-raising duet with Hines, and other highlights include "Sugar Foot Strut," "Beau Koo Jack," and the earliest recorded versions of "Basin Street Blues" and "St. James Infirmary." Although the other musicians in the Savoy Ballroom Five (trombonist Fred Robinson, Jimmy Strong on clarinet and tenor, banjoist Mancy Cara, and, for some selections, Don Redman on clarinet and alto) is excellent, it is the interplay between Hines, drummer Zutty Singleton, and Satch that really makes the music classic. The first four volumes in this series are essential for all serious jazz collections. © Scott Yanow /TiVo
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Jazz - Verschenen op 12 december 2006 | Fremeaux Heritage

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 1 januari 1956 | Columbia

Onderscheidingen Qobuz Referentie
In 1956 Edward R. Murrow narrated a feature film, Satchmo the Great, that contained highlights from some of Louis Armstrong's world tours. This soundtrack has some narration by Murrow between songs plus an interview with Armstrong. Musically there are renditions of "When It's Sleepy Time Down South," "Indiana," "Oh Didn't He Ramble," "Mack the Knife," "Mahogany Hall Stomp" and "Black and Blue" that add little to the more familiar versions. Most interesting is a lengthy "St. Louis Blues" that teams Armstrong and his All-Stars with Leonard Bernstein and a symphony orchestra. © Scott Yanow /TiVo
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Jazz - Verschenen op 1 januari 1955 | Columbia - Legacy

Onderscheidingen Qobuz Referentie
Louis Armstrong and Fats Waller only worked together twice, briefly in 1925 in Erskine Tate's band and four years later in the New York revue Connie's Hot Chocolates. But Waller made an indelible enough impression for Satchmo to record the tribute album Satch Plays Fats: The Music of Fats Waller in 1955, when such ideas were new. The nine tracks feature Armstrong ably supported by his All-Stars on such classics as "Honeysuckle Rose," "Squeeze Me," and "Ain't Misbehavin'." The mid-'50s was a fertile time for Armstrong, and this makes for a stellar package. © Cub Koda /TiVo
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Jazz - Verschenen op 20 december 2010 | Fremeaux Heritage

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 1 januari 2000 | Verve

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 2 april 1993 | Legacy - Columbia

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 1 januari 2001 | Geffen*

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 22 maart 1991 | Columbia

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 25 juni 2012 | Fremeaux Heritage

Onderscheidingen Choc de Classica

Jazz - Verschenen op 7 maart 2000 | RCA Bluebird

Onderscheidingen Qobuz Referentie
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Most of the music on this four-CD set from 1997 has been reissued many times, both on LP and CD, but this is the most "complete" set thus far. Louis Armstrong recorded for RCA during two separate times. During 1932-1933, he led an erratic (and under-rehearsed) big band on a series of numbers, but all of the selections have their moments of interest. Although not up to the level of his Hot Five and Seven recordings of five years earlier, these spirited tracks find Armstrong mostly in excellent form both instrumentally and vocally, and the reissue has four alternate takes never released before. Highlights include the two-part "Hits Medley," "That's My Home," "I've Got the World on a String," "There's a Cabin in the Pines," "Hustlin' and Bustlin' for Baby," a unique 1930 collaboration with country singer Jimmie Rodgers, and the two bizarre versions of "Laughin' Louis." The second half of the reissue features Armstrong during 1946-1947, including appearances with the Esquire poll winners (Louis takes a surprisingly modern solo on "Snafu"), the last titles by his big band, a few wonderful combo performances (including the classic "Jack-Armstrong Blues"), and the first songs by Armstrong's All-Stars (co-starring Jack Teagarden); this collection concludes with two unrelated 1956 orchestral tracks. Overall, this is wonderful music, although collectors who already have everything other than the alternates have a right to hesitate. © Scott Yanow /TiVo
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Jazz - Verschenen op 24 maart 1989 | Columbia

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 1 maart 2013 | Fremeaux Heritage

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 21 september 1990 | Columbia Jazz Masterpieces

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 1 juni 1956 | Columbia - Legacy

Onderscheidingen Qobuz Referentie
Originally out on a double LP, this is a definitive set of the Louis Armstrong All-Stars of 1956. The music and many of the solos will be familiar to longtime Armstrong fans, but whether it be "Struttin' with Some Barbecue," "Basin Street," or his then-new hit, "Mack the Knife," the spirit and enthusiasm of this music is irresistible. This is his best live set in the '50s. The CD reissue, a two-CD set, is slightly more complete than the two-fer LP in that it adds a version of Armstrong's theme song, "When It's Sleepy Time Down South," a closing "Saints" that allows Satch to introduce his band, and a straightforward rendition of "The Star Spangled Banner." © Scott Yanow /TiVo