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Jazz - Verschenen op 24 oktober 2014 | Nonesuch

Hi-Res Booklet Onderscheidingen 4F de Télérama - 5 Sterne Fono Forum Jazz
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Jazz - Verschenen op 4 oktober 2019 | Nonesuch

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Jazz
With Walking Shadows in 2013, Joshua Redman submerged his saxophone in a beautiful orchestral arrangement by the composer Patrick Zimmerli. Six years later, we find the two men together again on Sun on Sand, a dense suite in which each movement is, according to their author Zimmerli, an “expression of light”. Redman is accompanied by the Brooklyn Rider Ensemble, bassist Scott Colley and percussionist Satoshi Takeishi. Together, they blur the boundaries between jazz and contemporary music thanks to an unusual combination of pieces by George Russell, Milton Babbitt, Michael Nyman and even Frank Zappa. The light found here comes in all kinds of tones. Going from chiaroscuro to bright sunlight, Joshua Redman and Patrick Zimmerli’s record is like a colour chart made up of very original shades. In 2019, orchestral jazz is far from being an over-crowded genre, so this excellent project deserves some attention. © Max Dembo/Qobuz
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Jazz - Verschenen op 26 mei 2015 | Nonesuch

Hi-Res Booklet Onderscheidingen Sélection JAZZ NEWS
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Jazz - Verschenen op 25 mei 2018 | Nonesuch

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Jazz
Transmission and legacy are at the heart of jazz. Even in the more radical moments, or even the revolutionary ones, jazz musicians have always, one way or another, paid tribute to their elders. With Still Dreaming, Joshua Redman only confirms that. With trumpet player Ron Miles, bass player Scott Colley and drummer Brian Blade, the saxophonist drives a quartet which pays homage to Old and New Dreams, a band carried between 1975 and 1987 by his late father, the saxophonist Dewey Redman. A formation then composed of double bass player Charlie Haden, trumpet player Don Cherry and drummer Ed Blackwell, all former bodyguards of Ornette Coleman… But if this story about transmission and legacy is at the heart of the music of Joshua Redman and his friends, everything here is all invention and creation. These four don’t intend to take us to the museum! Even when they reinterpret compositions such as Charlie Haden’s Playing or Ornette Coleman’s Comme il faut and The Rest, their approach isn’t some kind of basic sanctification. On the contrary! We are here in the presence of four virtuoso, each being among the best in their area. As for Redman, he has rarely played that well. He’s often economic in his play. His breath, never wordy, is the one of almost mystical incantations that Colley’s and Blade’s rhythms make even more majestic. And then there is Brian Blade, this drummer performing with feathers in his hands. He’s an impressive colorist who radiates on everything he touches… In short, this is a masterful disc for sophisticated ears. © Marc Zisman/Qobuz
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Bebop - Verschenen op 7 mei 2013 | Nonesuch

Hi-Res Onderscheidingen Hi-Res Audio
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Jazz - Verschenen op 9 september 2016 | Nonesuch

Hi-Res Booklet Onderscheidingen Indispensable JAZZ NEWS
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Jazz - Verschenen op 22 april 2011 | Nonesuch

Booklet Onderscheidingen 4F de Télérama
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Bebop - Verschenen op 16 juni 2014 | Nonesuch

Hi-Res Booklet Onderscheidingen Indispensable JAZZ NEWS
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Bebop - Verschenen op 16 juni 2014 | Nonesuch

Hi-Res Booklet Onderscheidingen Indispensable JAZZ NEWS
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Bebop - Verschenen op 17 juni 2014 | Nonesuch

Booklet Onderscheidingen Indispensable JAZZ NEWS
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Jazz - Verschenen op 10 juli 2020 | Nonesuch

Hi-Res Booklet
Joshua Redman, Brad Mehldau, Christian McBride and Brian Blade. A mere glance at RoundAgain’s line-up is enough to arouse a sense of collective hysteria among jazz fans. The original members of Joshua Redman's first quartet haven’t recorded together since MoodWing was released in 1994. “We would have done it ten years ago if it were up to me”, explains Mehldau, “Josh, Christian and Brian are all my heroes. It’s like playing with The Avengers!” It’s a worthy comparison seeing as these four really are considered superheroes in today’s jazzosphere. In almost a quarter of a century, their aura and playing has developed in an exponential way, to the point that the quartet has achieved an irrevocable spiritual chemistry. On this brand-new album (three compositions by Redman, two by Mehldau, and one each for McBride and Blade), they immediately show off a bond which allows them to perform extraordinary and colossal swing. Under the hood of this sparkling, perplexing yet vintage Rolls Royce of a record, RoundAgain is a meaningful four-way conversation. From beginning (Undertow) to end (Your Part to Play), mutual respect is at the heart of their drive and direction; even Redman’s verbose saxophone never steals the spotlight. Let’s just hope that we won’t have to wait another 26 years before they do it all again… © Marc Zisman/Qobuz
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Jazz - Verschenen op 29 maart 2019 | Nonesuch

Hi-Res Booklet
Album titles can be throwaways, shockers or in the case of Joshua Redman’s latest, a statement of an overarching philosophy. Few jazz players on any instrument have fashioned a career as stable or respected as the one that saxophonist and composer Redman has carefully built since breaking on the scene with his 1993 self-titled debut (which earned him his first Grammy nomination). Since then, through a shifting array of ensembles, an unmistakable gift for lyricism, a recognizable saxophone tone and gift for choosing classy material and collaborators, Redman has become an eloquent, stylish purveyor of a coherent and melodic variety of improvisational jazz. Come What May's seven original compositions are more of the same, working in an engaging middle ground, somewhere between cloying smooth jazz and the jagged-edges of the avant-garde. While this may sound too mainstream for some, tunes like the wistful ballad that is the title track, the piano-driven push-pull groove of “Stagger Bear” or the fast, funk-inflected background of “I’ll Go Mine,” have a wonderfully seasoned artistry and undeniable instrumental virtuosity that makes this yet another pleasurable outing from a towering figure in modern straight-ahead jazz. Redman is mightily assisted by his touring Quartet of pianist Aaron Goldberg, bassist Reuben Rogers and drummer Gregory Hutchinson who somehow have not made an album together since 2001’s Passage of Time. Polished and practiced, this foursome epitomizes trust and conviction, generating soul and heart in the interplay between Redman’s deceptively emotional saxophone and Goldberg’s rhythmically inventive piano lines. Gorgeously rich and present sonics complete the latest triumph in a career focused on elegance and consummate taste. © Robert Baird / Qobuz
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Jazz - Verschenen op 9 september 1994 | Nonesuch

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Jazz - Verschenen op 21 januari 1993 | Warner Jazz

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Jazz - Verschenen op 6 mei 2020 | Nonesuch

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Jazz - Verschenen op 18 maart 2020 | Nonesuch

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Jazz - Verschenen op 24 september 1996 | Warner Records

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Jazz - Verschenen op 18 februari 2009 | Warner Jazz

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Bebop - Verschenen op 15 februari 2007 | Nonesuch

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Jazz - Verschenen op 25 augustus 1995 | Warner Jazz