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Folk - Verschenen op 15 maart 2011 | Mute

Josh T. Pearson's Last of the Country Gentlemen is a nakedly confessional, unflinchingly honest, sometimes suffocatingly intimate album. It profiles the desperation of one who desires deliverance from tormented obsession and self-destructive behavior, yet can find neither rest nor redemption. Pearson expresses this without megalomania or self-pity. He's fronted by Texas trio Lift to Experience, who released a single album a decade ago, The Texas-Jerusalem Crossroads, which married the beautiful, overdriven sonics of My Bloody Valentine to Americana with Biblical-scale spiritual visions. But Pearson's lived hard and wild in the ensuing decade. Last of the Country Gentlemen reveals that he still believes in his God, but he's been also torn apart by love, drink, and a past he cannot reconcile, but which he accepts full responsibility for. Recorded over two nights in Berlin, the disc contains seven songs -- four over ten minutes long -- usually skeletally adorned by his voice and elliptical guitar playing. (The latter is sometimes a device he'll employ for long stretches, seemingly to summon the courage to continue to sing). These songs are direct lyrically, and often repetitive, but seldom do they offer resolution. They can make monumental leaps in narrative and emotion: one moment he's expressing naked tenderness, the next drunken brutality, and in a flash, he shifts back. Opener "Thou Art Loosed" features Pearson's beautiful falsetto in a wished-for bravado he doesn't possess: "Don't cry for me baby/You'll learn to live without me/Don't cry for me baby/I'll learn to live without you," before truthfully snarling the delusional, "I'm off to save the world/At least I can hope," at song's end. "Sweetheart I Aint Your Christ," spurns a lover's enormous need because it terrifies him. His own hunger appears later in "Sorry with a Song." "Woman When I've Raised Hell" (which features a small string section that includes Warren Ellis) demands acceptance of his alcoholism, because refusal would result in violent consequence. The hinge piece, "Honeymoon's Great! Wish You Were Here," is a tormented confession revealing his love for a woman he isn't marrying. Its lyrics are too profound to excerpt; it's the most loaded (and finest) song in this collection. That woman returns three songs later in closer "Drive Her Out," which is a truer alter-ego of "Thou Art Loosed." Last of the Country Gentlemen is a demanding listen; its wandering pace, its startling, emotionally jarring terrain of uncalculated honesty, and its obsession can be uncomfortable. That said, it is a recording of surprising originality and great beauty. © Thom Jurek /TiVo
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Alternative en Indie - Verschenen op 13 april 2018 | Mute

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Josh T. Pearson picked up pared-down rock’n’roll just where it had been left by Jeffrey Lee Pierce of the Gun Club and the Nick Cave of the Bad Seeds. Up until now, Pearson has been defined for many by his masterpiece, the double-barrelled, messianic work, The Texas-Jerusalem Crossroads that he brought out in 2001 with his trio Lift To Experience. He brought out other pieces as part of the same outfit, and also some solo works (Last Of The Country Gentlemen en 2011), but that was really his moment of glory. With The Straight Hits! (every track has the word "straight" in it), which he says he recorded in just a few days, Josh T. Pearson is returning to rock'n'roll with a Bible in his left hand and a guitar in his right. Like a man possessed, the Texan vomits out blues, rockabilly, psychedelia, country and plenty of other gobbets of whatever he has been digesting. What's more, he loves to quote scripture (surely quite without realising...), like on Give It To Me Straight where he apes the Jagger of Rocks Off or on Straight At Me where he takes off 96 Tears by ? And The Mysterians. But it's not all sound and fury, and Pearson throws in a good brace of depressive, beautiful ballads (Straight Down Again, Whiskey Straight Love and A Love Song (Set Me Straight)) which lend even more credibility to this finely-played and written rock'n'roll project without sugaring the pill or rounding off the hard edges. © Marc Zisman/Qobuz
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Alternative en Indie - Verschenen op 29 november 2018 | Mute

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Seven months after releasing the outstanding The Straight Hits!, Josh T. Pearson released this 26-minute EP recorded on May 21st for BBC 6. Joined by drummer Andy Young, bassist Aaron McClellan and Andy Melvin on piano and trumpet, the rock’n’roll animal covers Woman, When I’ve Raised Hell and Sweetheart I Ain’t Your Christ, excerpts from his album Last of the Country Gentleman, as well as Loved Straight To Hell and Straight At Me from the album The Straight Hits!. The possessed Texan performs his rock without the niceties like a real die-hard punk in an atmosphere that is shamanic and lively despite being a live recording. It’s as if Pearson drank a cocktail of blues, rockabilly, psychedelic, country and many other genres, digested it perfectly and this performance was him vomiting it all out. Four versions of the album were released, all aimed at his hard-core fans. © Marc Zisman/Qobuz
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Alternative en Indie - Verschenen op 21 augustus 2018 | Mute

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Alternative en Indie - Verschenen op 17 januari 2018 | Mute

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Alternative en Indie - Verschenen op 20 februari 2018 | Mute

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Alternative en Indie - Verschenen op 26 juli 2018 | Mute

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Folk - Verschenen op 10 mei 2011 | Mute

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Folk - Verschenen op 2 februari 2011 | Mute

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Folk - Verschenen op 3 oktober 2011 | Mute