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Pop/Rock - Verschenen op 24 juli 2012 | Epic

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Pop - Verschenen op 23 januari 2001 | Epic

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Pop - Verschenen op 1 januari 2011 | Nuyorican Productions - IDJ

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Pop - Verschenen op 1 juni 1999 | Work

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Pop - Verschenen op 7 april 2016 | Epic - Nuyorican Productions

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Pop - Verschenen op 1 januari 2011 | Nuyorican Productions - IDJ

Nadat ze van label veranderde, en gepromoveerd werd tot de Paula Abdul stoel in American Idol, keerde ze eindelijk naar behoren terug met Love?, een diep persoonlijk album waarop samenwerkingen te horen zijn met producers the-Dream en Tricky Stewart (Rihannas “Umbrella”), Pitbull, en RedOne (LadyGaga). © Andy Kellman /TiVo
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Pop - Verschenen op 20 april 1999 | Work

Latijns-Amerika - Verschenen op 24 september 2020 | Sony Music Latin

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Pop - Verschenen op 19 november 2002 | Epic

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Pop - Verschenen op 9 juni 2000 | Columbia

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Pop - Verschenen op 27 november 2020 | HITCO

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Pop - Verschenen op 1 januari 2001 | Epic

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Pop - Verschenen op 5 februari 2002 | Epic

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Pop - Verschenen op 1 maart 2005 | Epic

The last time Jennifer Lopez made an album -- 2002's This Is Me... Then -- she was deeply love with actor/Academy Award-winning screenwriter Ben Affleck, a relationship immortalized in the video for "Jenny From the Block" and "Dear Ben," a ballad that rivals Billy Bob Thornton's "Angelina" as the greatest celebrity love song of the 2000s. Of course, the relationship was also immortalized in the notorious Martin Brest disaster Gigli, released eight months after This Is Me, and that film's abysmal box office was the beginning of the end for the couple, whose engagement was called off in early 2004. Lopez rebounded quickly with a marriage to Latin pop singer Marc Anthony and with the new romance came an opportunity to restart her career -- hence Rebirth, the title of her fourth album. While she doesn't avoid the subject of her highly publicized romantic life, she does bury two seemingly confessional ballads at the end of the record (not counting the album-concluding reprise of the opening single, "Get Right"). Voyeurs may find interest in "He'll Be Back" (a tune not written by Lopez, but a breakup song that certainly recalls the Bennifer saga) and "(Can't Believe) This Is Me" -- a collaboration with her new husband that suggests Lopez may not have learned the lesson of Gigli -- but they're easily the worst moments on an album that's otherwise a sleek, sexy blast. Apart from those turgid ballads, Rebirth is a straight-ahead dance album, alternating between sweet, breezy pop tunes like the irresistible "Still Around" and hard-driving club tracks like the surprisingly heavy, infectious "Cherry Pie." Lopez may not be a flashy singer, but she's appealing on record precisely because she and her collaborators -- chief among them executive producer Cory Rooney -- know those limitations and present them in tuneful packages with big, exciting beats. Since it doesn't deviate from the blueprint she's followed on her first three albums, it's hard to call this record a literal creative rebirth, but song for song, Rebirth has more energy and better hooks than her other albums. It may not be deep, but it sure is fun -- and after the tumult of 2003 and 2004, Lopez sure does deserve to have a little fun. © Stephen Thomas Erlewine /TiVo
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Pop - Verschenen op 1 januari 2011 | Nuyorican Productions - IDJ

Nadat ze van label veranderde, en gepromoveerd werd tot de Paula Abdul stoel in American Idol, keerde ze eindelijk naar behoren terug met Love?, een diep persoonlijk album waarop samenwerkingen te horen zijn met producers the-Dream en Tricky Stewart (Rihannas “Umbrella”), Pitbull, en RedOne (LadyGaga). © Andy Kellman /TiVo
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Latijns-Amerika - Verschenen op 11 oktober 2019 | Sony Music Latin

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Pop - Verschenen op 17 juni 2014 | Nuyorican Productions, Inc.

Op haar achtste studioalbum A.K.A. (2014) biedt de Amerikaanse zangeres/actrice Jennifer Lopez wat we van haar verwachten: een gelikte mix van R&B, dance, pop, hiphop en Latin. Aan het album werken vele bekende rappers mee, zoals Pitbull die met Lopez van "Booty" een van de meest aanstekelijke nummers van het album maakt. In commercieel opzicht gooit A.K.A. geen hoge ogen, met matige verkoopcijfers in de week van de officiële release. © TiVo
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Pop - Verschenen op 27 maart 2007 | Epic

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Latijns-Amerika - Verschenen op 17 november 2016 | Sony Music Latin

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Pop - Verschenen op 1 maart 2005 | Epic

The last time Jennifer Lopez made an album -- 2002's This Is Me... Then -- she was deeply love with actor/Academy Award-winning screenwriter Ben Affleck, a relationship immortalized in the video for "Jenny From the Block" and "Dear Ben," a ballad that rivals Billy Bob Thornton's "Angelina" as the greatest celebrity love song of the 2000s. Of course, the relationship was also immortalized in the notorious Martin Brest disaster Gigli, released eight months after This Is Me, and that film's abysmal box office was the beginning of the end for the couple, whose engagement was called off in early 2004. Lopez rebounded quickly with a marriage to Latin pop singer Marc Anthony and with the new romance came an opportunity to restart her career -- hence Rebirth, the title of her fourth album. While she doesn't avoid the subject of her highly publicized romantic life, she does bury two seemingly confessional ballads at the end of the record (not counting the album-concluding reprise of the opening single, "Get Right"). Voyeurs may find interest in "He'll Be Back" (a tune not written by Lopez, but a breakup song that certainly recalls the Bennifer saga) and "(Can't Believe) This Is Me" -- a collaboration with her new husband that suggests Lopez may not have learned the lesson of Gigli -- but they're easily the worst moments on an album that's otherwise a sleek, sexy blast. Apart from those turgid ballads, Rebirth is a straight-ahead dance album, alternating between sweet, breezy pop tunes like the irresistible "Still Around" and hard-driving club tracks like the surprisingly heavy, infectious "Cherry Pie." Lopez may not be a flashy singer, but she's appealing on record precisely because she and her collaborators -- chief among them executive producer Cory Rooney -- know those limitations and present them in tuneful packages with big, exciting beats. Since it doesn't deviate from the blueprint she's followed on her first three albums, it's hard to call this record a literal creative rebirth, but song for song, Rebirth has more energy and better hooks than her other albums. It may not be deep, but it sure is fun -- and after the tumult of 2003 and 2004, Lopez sure does deserve to have a little fun. © Stephen Thomas Erlewine /TiVo

Artiest

Jennifer Lopez in het magazine