Grimes

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Visions

Electronic - Verschenen op 12 maart 2012 | 4AD

Onderscheidingen The Qobuz Ideal Discography - Pitchfork: Best New Music - Sélection Les Inrocks - Stereophile: Record To Die For

Grimes Miss Anthropocene (Deluxe Edition)

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Miss Anthropocene (Deluxe Edition)

Grimes

Electronic - Verschenen op 21 februari 2020 | 4AD

Hi-Res Onderscheidingen Pitchfork: Best New Music

Rising from the darkness of the Canadian rave scene at the start of the 2010s, Grimes quickly made her way up the ladder of success. Her synthetic hit Vanessa allowed her to amass a fanbase that was obsessed with her post-teenage voice and elfish look, and at the end of the 2010s, Pitchfork named Oblivion (written following a sexual assault and taken from her 2012 album Vision) the second-best song of the entire decade. It’s this kind of distinction that reminds us that she is an artist that knows exactly how to transcribe emotions into songs, and not just the girlfriend of multi-billionaire Elon Musk. Miss Anthropocene sees Grimes morph into a climate supervillain, a ‘goddess of plastic’ that’s here to take some of the heat off climate change. Musically, Grimes has not drastically changed, with a signature synth-pop sound that borrows from rock on My Name Is Dark, drum’n’bass on the excellent 4ÆM or trip-hop on So Heavy (I Fell Through the Earth), which reminds you of Massive Attack or Transglobal Underground. Well inspired, Grimes continues to hit the mark. © Smaël Bouaici/Qobuz

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Art Angels

Grimes

Electronic - Verschenen op 6 november 2015 | 4AD

Hi-Res Onderscheidingen Pitchfork: Best New Music

Her album Visions illuminated 2012. With her 4th studio album Art Angels, Grimes succeeds once again - excelling in the field of electro pop and ferverish eclecticism. This time the Canadian rounds off a few more angles, producing a range of melodies that are undeniably more 'pop', but also irresistibly catchy. The result is a diluted and diverse experience compared with past efforts, but without losing her unique identity and artistic singularity. Indeed, Grimes does not do electro pop like her counterparts. Each song from Art Angels comes with a slight twist or the vital dose of quirkiness necessary to makes it a fascinating composition. Note the presence of Janelle Monáe on one of the tracks. © MD / Qobuz

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Miss Anthropocene (Rave Edition)

Grimes

Electronic - Verschenen op 1 januari 2021 | 4AD

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Miss Anthropocene

Grimes

Electronic - Verschenen op 21 februari 2020 | 4AD

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Rising from the darkness of the Canadian rave scene at the start of the 2010s, Grimes quickly made her way up the ladder of success. Her synthetic hit Vanessa allowed her to amass a fanbase that was obsessed with her post-teenage voice and elfish look, and at the end of the 2010s, Pitchfork named Oblivion (written following a sexual assault and taken from her 2012 album Vision) the second-best song of the entire decade. It’s this kind of distinction that reminds us that she is an artist that knows exactly how to transcribe emotions into songs, and not just the girlfriend of multi-billionaire Elon Musk. Miss Anthropocene sees Grimes morph into a climate supervillain, a ‘goddess of plastic’ that’s here to take some of the heat off climate change. Musically, Grimes has not drastically changed, with a signature synth-pop sound that borrows from rock on My Name Is Dark, drum’n’bass on the excellent 4ÆM or trip-hop on So Heavy (I Fell Through the Earth), which reminds you of Massive Attack or Transglobal Underground. Well inspired, Grimes continues to hit the mark. © Smaël Bouaici/Qobuz