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Klassiek - Verschenen op 3 mei 2019 | Carus

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
Beethoven repeatedly described the Missa solemnis as his greatest work, intended to affect and move people. His labor on the composition was long and intense; the work is not regarded as the most important mass setting of the 19th century in vain. In terms of its scope and musical demands, it reaches far beyond what is liturgically usual – not without reason did the premiere take place in a concert hall. The Kammerchor Stuttgart and the Hofkapelle Stuttgart under the leadership of Frieder Bernius master the challenges of the Missa with bravura. All the sonorous groups work together intensively, creating an organic and homogeneous flow of interpretation. The young quartet of soloists Johanna Winkel, Sophie Harmsen, Sebastian Kohlhepp and Arttu Kataja complement the ensembles. © Carus
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Religieuze vocale muziek - Verschenen op 1 november 2010 | Carus

Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Klassiek - Verschenen op 27 augustus 2009 | deutsche harmonia mundi

Onderscheidingen Diapason d'or - The Qobuz Ideal Discography
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Missen, passies, requiems - Verschenen op 2 november 2018 | Carus

Hi-Res Booklet Onderscheidingen Diapason d'or
Of Zelenka's known works (roughly two hundred pieces) only about a dozen are not religious. And so it's no surprise that the catalogue contains heaps of masses, oratorios, requiems, psalms, litanies, Te Deums and Magnificats. He wrote all these marvels while working at the court of Dresden, where he spent the best part of his life, from 1710 until his death 35 years later. By all indications, the two successive monarchs he served liked his work a lot; but they were not his only fans. One Johann Sebastian Bach admired him enough to invite him to stay now and again, and to copy (or rather, to have his sons copy) several of Zelenka's works. His work would only come back into fashion after his death, thanks in particualr to the efforts of Smetana, who wanted to honour musicians of Czech origin, of whom Zelenka was one. The writing still shows great harmonic daring, stuffed to the brim with unusual chromaticisms in a great melting pot of national influences: there's North German counter-punctual rigour, of course, and Italian melodic flair – but then there is also something rarer: Bohemian and Moravian melismas, which are normally only found in the works of consciously "national" Czech composers, foremost of whom Smetana. Here we find his Mass of St Joseph, written in 1732 – making it a mature work of his – as well as some highly original psalms from the mid-1720s. The exceptional Frieder Bernius leads his his Stuttgart ensembles, the local Chamber Choir and Baroque Orchestra, which he has raised up to an international standard. This is the world's first-ever recording of this mass. © SM/Qobuz
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Missen, passies, requiems - Verschenen op 1 januari 2000 | Carus

Onderscheidingen The Qobuz Ideal Discography
Although he was a contemporary and friend of Bach’s, Zelenka wrote his music in a comprehensively different style; his few years of study in Venice surely took his style off in a more flamboyant, extroverted direction. This is his monumental Missa Dei Patris ("Mass for God the Father", a sweeping title), written right at the end of his life – a life spent mostly in Dresden, where he was first a bass player and then a court composer – in a flamboyant style. The work has a refined orchestration and an impressive scope that moves from large choirs to solos, vocal ensembles, choruses and soloists, and a capella passages – in other words, all conceivable combinations, making it a must-listen that clocks in at over an hour. This recording, carried out by the now-famous Frieder Bernius and his Stuttgart Chamber Choir (backed up by the Stuttgart Baroque Orchestra), came to be in the year 2000, but has since lost none of its vigour or force. In Bernius’ hands, Zelenka takes his place in the baroque concert of nations. © SM/Qobuz
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Religieuze vocale muziek - Verschenen op 1 november 2019 | Carus

Hi-Res Booklet Onderscheidingen 5 de Diapason
During his lifetime Hans Fährmann was known as “the Richard Strauss of the organ.” Today the compositions of this composer and organist, who was born in 1860 in Beicha, Saxony, are largely unknown. Frieder Bernius has now devoted himself to Fährmann's sacred vocal works and has found the SWR Vokalensemble to be the ideal partner for these late romantic a cappella works, whose demanding harmonies also demand professional ensembles. The SWR vocal ensemble has mastered this challenge brilliantly. For Frieder Bernius, a conductor always on the lookout for exciting choral literature, Fährmann’s compositions represent “an indispensable and very welcome enrichment of the late romantic repertoire.” How true! © Carus-Verlag
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Symfonieën - Verschenen op 1 januari 2016 | Orfeo

Onderscheidingen 5 de Diapason
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Koormuziek - Verschenen op 7 oktober 2014 | Carus

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Koormuziek - Verschenen op 14 juni 2019 | haenssler CLASSIC

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 6 mei 2014 | Carus

Onderscheidingen 4 étoiles Classica
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Symfonische muziek - Verschenen op 1 april 2010 | Carus

Onderscheidingen Diapason d'or
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Religieuze koormuziek - Verschenen op 3 juli 2012 | Carus

Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 4 november 2016 | Carus

Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 17 april 2020 | Carus

Booklet
Goethe’s dramatic ballad Die erste Walpurgisnacht inspired Mendelssohn to compose a magnificent and vivid portrayal of the conflict between an old pagan community and the new aspirations of Christianization, between belief and superstition and the witches’ sabbath, steeped in legend. The composition became one of his most successful choral works. Now Frieder Bernius has recorded the work with the Kammerchor Stuttgart, the Deutsche Kammerphilharmonie Bremen, and Renée Morloc, David Fischer, Stephan Genz, and David Jerusalem in the solo parts. The recording also includes excerpts from Mendelssohn’s incidental music Oedipus at Colonos to Sophocles’ tragedy. With this recording Frieder Bernius once again demonstrates why his Mendelssohn recordings have achieved benchmark status worldwide. © Carus
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Klassiek - Verschenen op 5 juni 2012 | Carus

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Sacred Oratorios - Verschenen op 7 april 2015 | Carus

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Missen, passies, requiems - Verschenen op 23 april 2010 | Sony Classical