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Rock - Verschenen op 5 februari 2013 | Rhino - Warner Records

Onderscheidingen Album du mois Magic - The Qobuz Ideal Discography - Pitchfork: Best New Reissue
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Rock - Verschenen op 4 februari 1977 | Rhino - Warner Records

Onderscheidingen Album du mois Magic - The Qobuz Ideal Discography
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Rock - Verschenen op 4 februari 1977 | Rhino - Warner Records

Hi-Res Onderscheidingen The Qobuz Ideal Discography
In 1977 brengt de Brits-Amerikaanse formatie Fleetwood Mac het album Rumours uit. Het is de elfde plaat van de groep en tevens het album dat de band onsterfelijk zal maken. Rumours wordt in tal van landen een nummer 1-album en kent vele inmiddels klassieke popnummers zoals "Don't Stop" en "Go Your Own Way". In de loop der jaren groeit Rumours uit tot een van de meest invloedrijke en geliefde popalbums. © TiVo
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Rock - Verschenen op 23 september 2016 | Rhino - Warner Records

Hi-Res Onderscheidingen Best New Reissue
Completing the trilogy begun by Rumours (1977) and Tusk (1979), Fleetwood Mac recorded Mirage between 1981 and 1982 at the famous Château d'Hérouville. The acoustics of the venue have been compared to Abbey Road studios and the likes of Bowie, Iggy Pop, Cat Stevens and a bunch of others have all passed through. After a hiatus where they followed their own personal ambitions, the quintet returned to the studio. In the meantime, Stevie Nicks, Mick Fleetwood and Lindsey Buckingham had set off on their solo careers. And Nicks' Bella Donna, released a year earlier, produced by Tom Petty and Jimmy Iovine, was at the top of the charts, selling 8 million copies. Enough to overshadow this Mirage... However, there was no way she was leaving Fleetwood Mac. The beautiful girl whose voice had been roughened by dope signed off on two songs: Gypsy, a nostalgic ballad which she dedicated to her friend Robyn Snider Anderson, and Straight Back. Christine McVie composed Hold Me, Love in Store, one of the hits on the opus, as well as Wish You Were Here and Only Over You. In fact, it was Buckingham, in the same vein as Tusk, who wrote most of the songs.Less experimental than Tusk but less obvious than Rumours in its melodic writing, Mirage closes Fleetwood Mac's golden period. Dominating the work, McVie's kitschy synthesizers print an antiquated eighties sound onto the intros of Can't Go Back and Oh Diane, giving the work a flaky pop varnish. It was not until Tango In The Night, five years later, that the FM sound was back. Within this Deluxe version, we find a live performance at the Los Angeles Forum in 1982 where we hear Buckingham's bluesy guitars, unpublished versions, B-sides and a cover of Fats Domino's Blue Monday. © Charlotte Saintoin/Qobuz
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Rock - Verschenen op 12 oktober 1979 | Rhino - Warner Records

Hi-Res Onderscheidingen The Qobuz Ideal Discography
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Rock - Verschenen op 30 april 2013 | Rhino - Warner Records

Hi-Res Onderscheidingen Hi-Res Audio
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Rock - Verschenen op 23 september 2016 | Rhino - Warner Records

Onderscheidingen Best New Reissue
Completing the trilogy begun by Rumours (1977) and Tusk (1979), Fleetwood Mac recorded Mirage between 1981 and 1982 at the famous Château d'Hérouville. The acoustics of the venue have been compared to Abbey Road studios and the likes of Bowie, Iggy Pop, Cat Stevens and a bunch of others have all passed through. After a hiatus where they followed their own personal ambitions, the quintet returned to the studio. In the meantime, Stevie Nicks, Mick Fleetwood and Lindsey Buckingham had set off on their solo careers. And Nicks' Bella Donna, released a year earlier, produced by Tom Petty and Jimmy Iovine, was at the top of the charts, selling 8 million copies. Enough to overshadow this Mirage... However, there was no way she was leaving Fleetwood Mac. The beautiful girl whose voice had been roughened by dope signed off on two songs: Gypsy, a nostalgic ballad which she dedicated to her friend Robyn Snider Anderson, and Straight Back. Christine McVie composed Hold Me, Love in Store, one of the hits on the opus, as well as Wish You Were Here and Only Over You. In fact, it was Buckingham, in the same vein as Tusk, who wrote most of the songs.Less experimental than Tusk but less obvious than Rumours in its melodic writing, Mirage closes Fleetwood Mac's golden period. Dominating the work, McVie's kitschy synthesizers print an antiquated eighties sound onto the intros of Can't Go Back and Oh Diane, giving the work a flaky pop varnish. It was not until Tango In The Night, five years later, that the FM sound was back. Within this Deluxe version, we find a live performance at the Los Angeles Forum in 1982 where we hear Buckingham's bluesy guitars, unpublished versions, B-sides and a cover of Fats Domino's Blue Monday. © Charlotte Saintoin/Qobuz
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Rock - Verschenen op 15 november 2019 | Sony Music CG

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Before The Beginning? Fleetwood Mac gab es schon, noch bevor ihre bekannteste Version (nachdem Lindsey Buckingham, Stevie Nicks und Christine McVie dazugekommen waren) 1968 in allen Sendestationen ununterbrochen zu hören war. Die aus den Resten der Bluesbreakers hervorgegangene Gruppe – dank des genialen Peter Green (zusammen mit zwei weiteren Gitarristen, Jeremy Spencer und dem noch ganz jungen Danny Kirwan, sowie dem Schlagzeuger Mick Fleetwood und dem Bassisten John McVie) – schöpft aus dem Delta-Blues, indem sie dessen Legenden wie Robert Johnson, Elmore James, T-Bone Walker covert… Mit drei Alben erweckt Sony an die dreißig, erstmals veröffentlichte Live-Mitschnitte aus den Jahren 1968 und 1970 zu neuem Leben – darunter vier Demoversionen. Dass es diese Mitschnitte gibt, ist ein kleines Wunder, denn ohne irgendein Label sind sie durch die gnädigen Hände ihresgleichen gegangen, sodass wir nun eine recht kontrastreiche Vision vorliegen haben. Erste Anzeichen der 68er mit unterwürfigen, aber schwungvollen Gitarren. Dann die ausgeflippten 70er und die unterschwellige Implosion mit Greens langen, leidenschaftlich besessenen Instrumentaleinlagen wie etwa dieser 13-minütige erschütternde Rattlesnake Shake, dieser fuchsteufelswilde Oh Well oder der berühmte, schmachtende Albatross. Es handelt sich um schematische, weniger ausgearbeitete, ungeschliffene Versionen. Spencer sollte später zu den Children of God überlaufen, Kirwan wegen Alkoholproblemen hinausgeworfen werden und den genialen Peter Green treibt es endgültig in den Wahnsinn. Ein wahres Stück britischer Geschichte. © Charlotte Saintoin/Qobuz
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Rock - Verschenen op 19 januari 2018 | Rhino - Warner Records

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Rock - Verschenen op 11 juli 1975 | Rhino - Warner Records

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Rock - Verschenen op 31 maart 2017 | Rhino - Warner Records

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Rock - Verschenen op 19 september 1969 | Rhino - Warner Records

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Rock - Verschenen op 14 april 1987 | Rhino - Warner Records

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Rock - Verschenen op 4 december 2015 | Rhino - Warner Records

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Rock - Verschenen op 4 december 2015 | Rhino - Warner Records

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Pop - Verschenen op 21 november 1988 | Warner Records

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Rock - Verschenen op 12 oktober 2002 | Rhino - Warner Records

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Pop - Verschenen op 2 november 2004 | Columbia

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Rock - Verschenen op 31 maart 2017 | Rhino - Warner Records

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Rock - Verschenen op 22 april 2004 | Columbia

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Fleetwood Mac in het magazine