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Alternative en Indie - Verschenen op 22 september 2020 | Anti - Epitaph

Hi-Res Onderscheidingen Pitchfork: Best New Music
The world changes. Fleet Foxes doesn’t. Which isn’t such a bad thing, seeing as Robin Pecknold and his hairy band members have mastered their craft. With this fourth album, coming fifteen years into their career, the sound is still the same for the Seattle-based harmonies-obsessed neo-folk group. Pecknold carries on the legacy of Crosby Stills Nash & Young, the Byrds and the Beach Boys on this album. More than he ever has before. But his distinguishable voice - and the almost spiritual reverb that surrounds it - is now a recognized and rather unique hallmark of his era. To prove he’s not a dictator, he hands the mic over to the young and little-known 21-year-old Uwade Akhere on the opening track Wading In Waist-High Water for a delicate and delicious antipasti. Though what follows, for the next hour, is pure Robin Pecknold. It’s a symphony that combines a solid Brian Wilson production with subtle songs with David Crosby-esque harmonic overtones (from the If I Could Only Remember My Name era, his crazy solo album). Shore doesn't change a thing. It simply comforts Fleet Foxes’ fans... and their foes at that. © Marc Zisman/Qobuz
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Alternative en Indie - Verschenen op 16 juni 2017 | Nonesuch

Hi-Res Booklet Onderscheidingen Pitchfork: Best New Music
Zes jaar na het bejubelde Helplessness Blues komt de formatie Fleet Foxes met de opvolger Crack-Up (2017). Het album wordt geproduceerd door Robin Pecknold en Skyler Skjelset en laat zich kennen door orkestrale en ambitieuze composities. Voorafgegaan door de single "Third Of May/Ōdaigahara" klinken de Foxes donkerder dan voorheen, zonder de rijkdom van hun folkpop geheel los te laten. © TiVo

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Fleet Foxes in het magazine
  • An Insight into an Evolution
    An Insight into an Evolution It’s already been ten years since the Fleet Foxes’ debut eponymous album and the birth of their pop-folk vocal harmonics.