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Booklet Onderscheidingen 5/6 de Magic - Sélection Les Inrocks
Metals is het vierde studioalbum van de Canadese zangeres en songwriter Feist. In de aanloop naar de release toe, kwamen verscheidene virale videos met gedeeltes van nummers van het album tevoorschijn tijdens een online competitie voor fans, ze werden aangemoedigd om met een patroon van het artwork zelf een design te maken. Het winnende design werd gekozen als de uiteindelijke cover van het album. In samenwerking met Chilly Gonzales, Mocky en producer Valgeir Sigurðsson is de eerste single “How Come You Never Go There” de belichaming van de intensiteit en kalmte waartoe Feist in staat is. © TiVo
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Hi-Res Booklet Onderscheidingen Hi-Res Audio
Metals is het vierde studioalbum van de Canadese zangeres en songwriter Feist. In de aanloop naar de release toe, kwamen verscheidene virale videos met gedeeltes van nummers van het album tevoorschijn tijdens een online competitie voor fans, ze werden aangemoedigd om met een patroon van het artwork zelf een design te maken. Het winnende design werd gekozen als de uiteindelijke cover van het album. In samenwerking met Chilly Gonzales, Mocky en producer Valgeir Sigurðsson is de eerste single “How Come You Never Go There” de belichaming van de intensiteit en kalmte waartoe Feist in staat is. © TiVo
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Pop - Verschenen op 1 januari 2007 | Universal Music Division Polydor

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Pop - Verschenen op 28 april 2017 | Universal Music Division Polydor

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Naar het vijfde studioalbum van de Canadese singer-songwriter Feist is door de fans reikhalzend uitgekeken. In 2017 ligt Pleasure in de schappen en het album laat zich beluisteren als een onderzoek van de menselijke emoties. Daarbij bedient de zangeres uit Alberta zich wederom van een spannende mix van inventieve indiepop en folk. © TiVo
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Pop - Verschenen op 1 januari 2004 | Universal Music Division Polydor

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Pop - Verschenen op 25 april 2006 | Universal Music Division Polydor

Though Leslie Feist declares in the liner notes to Open Season that initially she "didn't really understand what remixes were," she obviously was quickly acquainted with them and the potential they could hold by the time she started putting her album together. Open Season, a collection of remixes of some songs from Let It Die as well as collaborations with others, provides an interesting look into the possibilities of Feist's music. With help from artists like K-Os, the Postal Service, Mocky, and songwriting partner Gonzales, Feist's songs are reconstructed using new drumbeats, added instrumentation, and vocal effects, with each producer choosing certain aspects and emotions of the original to emphasize. Sometimes, like in Julian Brown's "Apostle of Hustle Unmix" of "Inside and Out," the results are sparse and haunting, while other times what is produced -- the Postal Service's version of "Mushaboom," complete with a Ben Gibbard vocal track -- is much more intricate and intense than the sweet daydreams of the Let It Die version. Usually these reworkings turn out quite nicely, exploiting the different facets of the songs for what they're worth. Only toward the end of Open Season, when production team VV (Gonzales and Renaud Letang, who also worked on Let It Die) take over and add dancey, almost house-like elements to "One Evening," "When I Was a Young Girl," and "Mushaboom," do things begin to sound a little cheesy and unnecessary, over-produced in that campy way, which is unfortunate, because most of the record is really quite good, including her performances with other artists. Her duet with Jane Birkin, for example, "The Simple Story" (which is also found on Birkin's 2004 album, Rendez-Vous), is lovely with its lush strings and chorus, and sounds very much like something Birkin would have sung in the 1970s. But more than its individual parts, Open Season as an album shows the versatility of Feist's music and voice, how it can move from near trip-hop to French cabaret and all those delicate spaces in between, and almost always sound just right. © Marisa Brown /TiVo
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Pop - Verschenen op 3 november 2017 | Universal Music Division Polydor

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Somewhere in between living with Peaches, playing guitar with By Divine Right, rapping with Chilly Gonzales, and singing with Broken Social Scene and Apostle of Hustle, Canadian songstress Feist started a solo career. Following up 1999's self-released Monarch, Let It Die was recorded in Paris between 2002 and 2003. The romance of the City of Lights glows throughout as a combination of folk, bossa nova, jazz-pop, and indie rock finds its place among the 11-track song list. She'll woo you with her sultry vocals throughout, a delicate and sweet voice that feels cozy. From the warm shimmy and shake of "Gatekeeper" and "Mushaboom" to the classy R&B grooves of "One Evening" and "Leisure Suite," Feist explores various musical worlds without getting lost. She reels you into different soundscapes and it's an exciting adventure. Dare yourself to imagine Patrice Rushen, Ivy's Dominique Durand, and Astrud Gilberto in a group, and that's basically the beginning threads of Let It Die. Feist never holds back sonically or musically; however, Let It Die isn't an extravagant first album. She's playful with her design and the overall composition flows nicely. Feist has varied styles and sounds just right, and that's what makes Let It Die the secret treasure that it is. Her rendition of Ron Sexsmith's "Secret Heart" is a cinematic outing for a dewy spring day. The Bee Gees' "Inside and Out" gets a foxy makeover for what is probably the album's finest moment. Feist's soft touch makes magic on these particular covers, and the bittersweet loveliness of Blossom Dearie's "Now at Last" ties it all together to make Let It Die a storybook romance. © MacKenzie Wilson /TiVo
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Booklet
Naar het vijfde studioalbum van de Canadese singer-songwriter Feist is door de fans reikhalzend uitgekeken. In 2017 ligt Pleasure in de schappen en het album laat zich beluisteren als een onderzoek van de menselijke emoties. Daarbij bedient de zangeres uit Alberta zich wederom van een spannende mix van inventieve indiepop en folk. © TiVo
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Pop - Verschenen op 1 januari 2007 | Universal Music Division Polydor

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Pop - Verschenen op 3 november 2017 | Universal Music Division Polydor

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Pop - Verschenen op 1 januari 2007 | Universal Music Division Polydor