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Jazz - Verschenen op 23 maart 2007 | ECM

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Jazz - Verschenen op 6 november 2020 | ECM

Hi-Res Booklet
Dino Saluzzi on record is rather uncommon, and Dino Saluzzi playing his bandoneon solo is even rarer.So, Albores is a real treat for aficionados of the Argentinian master. Recorded between February and June 2019 in his Buenos Aires studio, these nine tracks demonstrate how, even with the simplest of instruments, his music is an infinite wellspring of stories. A musical storyteller, Saluzzi renders the most intimate, even personal stories accessible to all. For example, he recounts the work of his composer father Cayetano Saluzzi on Don Caye and on Adiós Maestro Kancheli he pays homage to the Georgian composer Giya Kancheli who died in 2019 and whose repertoire he covered in 2010 on Giya Kancheli: Themes From The Songbook with Gidon Kremer and Andrei Pushkarev. More so than on his previous solo albums released under ECM such as Kultrum (1982) and Andina (1988), Albores completely breaks down the borders between Argentine folklore, jazz, contemporary music and improvised music. The minimalist soliloquies resonate his voice, and his bandoneon seems to play to the rhythm of passing time, drawing the contours of the end of a road that inevitably looms closer at the age of 85. Even in those moments of silence and space in the music, Saluzzi is as charismatic and untouchable as a bard. © Marc Zisman/Qobuz
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Jazz - Verschenen op 17 maart 1997 | ECM

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Jazz - Verschenen op 23 maart 2007 | ECM

Hi-Res Booklet
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Jazz - Verschenen op 26 augustus 2011 | ECM

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Klassiek - Verschenen op 15 oktober 2010 | ECM

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Jazz - Verschenen op 27 januari 2003 | ECM

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Jazz - Verschenen op 10 juli 2009 | Intuition

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Jazz - Verschenen op 1 september 1983 | ECM

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Jazz - Verschenen op 1 februari 1989 | ECM

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Jazz - Verschenen op 1 maart 1986 | ECM

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Klassiek - Verschenen op 19 oktober 1998 | ECM New Series

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Jazz - Verschenen op 7 maart 2005 | ECM

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Jazz - Verschenen op 6 november 2020 | ECM

Booklet
Dino Saluzzi on record is rather uncommon, and Dino Saluzzi playing his bandoneon solo is even rarer.So, Albores is a real treat for aficionados of the Argentinian master. Recorded between February and June 2019 in his Buenos Aires studio, these nine tracks demonstrate how, even with the simplest of instruments, his music is an infinite wellspring of stories. A musical storyteller, Saluzzi renders the most intimate, even personal stories accessible to all. For example, he recounts the work of his composer father Cayetano Saluzzi on Don Caye and on Adiós Maestro Kancheli he pays homage to the Georgian composer Giya Kancheli who died in 2019 and whose repertoire he covered in 2010 on Giya Kancheli: Themes From The Songbook with Gidon Kremer and Andrei Pushkarev. More so than on his previous solo albums released under ECM such as Kultrum (1982) and Andina (1988), Albores completely breaks down the borders between Argentine folklore, jazz, contemporary music and improvised music. The minimalist soliloquies resonate his voice, and his bandoneon seems to play to the rhythm of passing time, drawing the contours of the end of a road that inevitably looms closer at the age of 85. Even in those moments of silence and space in the music, Saluzzi is as charismatic and untouchable as a bard. © Marc Zisman/Qobuz
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Jazz - Verschenen op 14 mei 2010 | ECM

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Pop/Rock - Verschenen op 27 april 2001 | RCA Victor

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Wereldmuziek - Verschenen op 15 juli 1980 | Microfon

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Folk - Verschenen op 1 maart 1978 | RP Music

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Jazz - Verschenen op 1 augustus 2008 | West Wind