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Klassiek - Verschenen op 19 oktober 2018 | Glossa

Hi-Res Booklet Onderscheidingen 4F de Télérama - Gramophone Editor's Choice
One of the great composing figures from the French Baroque, Michel-Richard de Lalande is starting to receive his just dues through modern recordings, and Glossa is happy to unveil a new release featuring Olivier Schneebeli directing Les Pages et Les Chantres du Centre de Musique Baroque de Versailles in three of Lalande’s sumptuous “grands motets”. Very much a favoured composer during the reign of Louis XIV, Lalande progressively assumed – from the 1680s onwards – more and more of the principal court offices, and was called upon to provide sacred music for the Chapelle Royale within the Château de Versailles. Although the new (and ‘definitive’) chapel was not consecrated until 1710, the trio of “grands motets” (extended multi-movement choral and solo settings, typically of Psalms, with instrumental accompaniment) recorded here will have been conceived of according to the chapel’s architectural and acoustical characteristics. Thomas Leconte, from the CMBV, provides an illuminating historical backdrop in his booklet essay. Much detailed performing information from Lalande’s time is known today – including number of instrumental forces used and about the composer’s later revisions of his scores – and Venite, exultemus Domino, De profundis and Dominus regnavit all receive expressive and meticulously-prepared performances within the Chapelle Royale itself. To the quality of preparation of the CMBV “maîtrise” can be added the presence of a quartet of vocal soloists deeply experienced in the style of music from this time: Chantal Santon-Jeffery, Reinoud Van Mechelen, François Joron and Lisandro Abadie. Likewise, the contribution of Jana Semerádová’s Collegium Marianum provides exemplary instrumental support to Schneebeli’s direction in this new CMBV production. © Glossa
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Klassiek - Verschenen op 31 januari 2020 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 22 september 2017 | Alpha Classics

Hi-Res Booklet
The life of Stradella, murdered on a Genoese piazza at the age of forty-two on the orders of a jealous rival in love, has achieved mythical status and inspired several novels and operas featuring Stradella the adventurer, the rebel and above all Stradella the Don Juan, whose amorous escapades, from abducting a novice from a convent in Florence to a flight across Italy with the high-born fiancée of a senator, were never a hindrance to his flourishing musical career. It is easy to imagine that Stradella’s hectic life provided the inspiration for the captivating female figures who abound in his output, exalted by technically redoubtable vocal writing, as exuberant and virtuosic as it can sometimes be sober and ethereal, and supported by remarkably skilled recitatives, a genuine verbal theatre that offers the singer infinite scope for expression. From the demonic Salome to Ariadne, the model wife turned into a Fury by despair; from Pelagia, the repentant sinner who ends her days living in a cave disguised as a man, to Susanna, the very image of innocence and purity, this programme presents a series of portraits of women whom Chantal Santon embodies in their turn with all her artistry, her intimate knowledge of this repertory and her sense of theatre. © Alpha Classics