Available languages: EnglishA sophisticated, exploratory jazz pianist, France's Baptiste Trotignon is a highly regarded performer known for his harmonically inventive style. Born in a suburb of Paris in 1974, Trotignon was raised in the Loire region near Saumur. He started out on the violin at age six, and moved to piano a few years later. Growing up, he studied at the Nantes Conservatory, where he won accolades for his playing. As a teenager, he developed a love of jazz, and by age 16 was playing his own shows. An opportunity to play a musician in director Alain Corneau's 1994 film Le Nouveau Monde spurred his decision to move to Paris the following year. From the late '90s onward, he led his own trio featuring bassist Clovis Nicolas and drummer Tony Rabeson. In 2000, he made his solo debut with Fluide, which garnered praise and took home the Django d'Or for Best First Record. Sightseeing arrived in 2001, and helped earn Trotignon the Jazz Academy's Prix Django Reinhardt, marking him as France's jazz musician of the year. More awards followed, including 2002's Grand Prix de la Ville de Paris from the Martial Solal International Jazz Competition, and 2003's French Newcomer of the Year honor at the Victoires du Jazz. In 2003, Trotignon released his third studio album, Solo, which found him working in a solo piano setting. He then paired with saxophonist David El-Malek on the 2005 quartet effort Trintigon-El-Malek, and returned the same year with another well-regarded solo piano album, Solo II. Concerts followed, including performances with drummer Aldo Romano and bassist Remi Vignolo. The trio was was again featured on the 2006 collaboration Flower Power, which found them reworking songs by Led Zeppelin, Pink Floyd, Bob Dylan, and others. Trotignon then rejoined El-Malek for 2007's Fool Time. That same year, he moved to the Hammond B-3 organ for saxophonist Stefano di Battista's Trouble Shootin', playing alongside trumpeter Fabrizio Bosso, drummer Eric Harland, and guitarist Russell Malone. The pianist then traveled to New York to record 2009's Share, which featured contributions from trumpeter Tom Harrell, saxophonist Mark Turner, bassist Matt Penman, and more. A tour followed, resulting in the 2010 live album Suite..., with trumpeter Jeremy Pelt taking over for Harrell. Two years later, he delivered the ambitious Song Song Song, which featured collaborations with a handful guest artists including vocalists Melody Gardot, Monica Passos, Jeanne Added, and others. The ruminative, ballad-heavy duet effort with Mark Turner, Dusk Is a Quiet Place, followed in 2013 Around the same time, Trotignon won praise for his classical composition Piano Concerto ("Different Spaces") (featured on 2015's Baptiste Trotignon: Concerto pour piano; Different Spaces). Commissioned by Orchestre National de Bordeaux, and debuted by pianist Nicholas Angelich, the major orchestral work earned Trotignon a nomination for Composer of the Year at the 2014 Victoires de La Musique Classique. Also in 2014, he delivered the trio album Hit, with bassist Thomas Bramerie, and drummer Jeff Ballard. A year later, he paired with Argentinian percussionist Minino Garay for the duet album, Chimichurri, on Okeh Records. In 2017, the pianist collaborated with soprano vocalist Kate Lindsey on the album Thousands of Miles.
© Matt Collar /TiVo
25 albums gesorteerd op Meest aanbevolen
Mijn zoekopdracht verfijnen
Jazz - Verschenen op 8 november 2019 | Okeh
You’ve changed. Naming his album thus, Baptiste Trotignon foretells both a personal and an artistic transformation. In the booklet of the album, the pianist even writes: “This album tells a story. The story of an evolution, an inner transformation, a kind of a chrysalis… After several albums where I wanted to emphasise percussion, not only the piano percussion but also the one from the groove masters with whom it was recorded, I wanted to return to my first love: the purity and authenticity of an acoustic sound, the raw sound in its obviousness.” It’s not surprising therefore that You’ve Changed offers the listener an intimate hour where purity, silence, space and an emphasis on tone reign above all else. The saying less is more certainly rings true here… Ten out of the sixteen tracks are played solo on the piano, a setup which Trotignon has not revisited on an album in fifteen years. Extending from September 2017 to February 2019, the album was recorded, depending on the tracks, with Camélia Jordana and Thomas Pourquery on vocals, Ibrahim Maalouf and Avishai Cohen on trumpets, Joe Lovano on the tenor saxophone and Vincent Ségal on the cello. A select group of friends to stand by the master of ceremonies as he experiences some changes in his life but also to emphasise the special relationship he holds with music and the human voice. His emotional state is one of a certain melancholy (even if the well-named Speed is an impressive three-minute-long car chase of a track). With few words, Baptiste Trotignon manages to say a lot. His version of jazz, multifaceted in its programme - his compositions touch on Bach, Sixto Rodriguez, The Beatles, and standards like These Foolish Things and I’m a Fool to Want You - and in its references to the jazz of the former European greats, is certainly the work of a virtuoso who has no interest in smoke and mirrors but rather a continuous thread of comprehensive music. An album so poignant that Trotignon himself writes, still in the same notes in the album cover, that this music represents “a rebirth, a direction to approach the second part of my life.” © Marc Zisman/Qobuz
Newsfeed Vor. Volg.
gisteren Qobuz | Artemis: The Jazz Goddessesdo Qobuz | Bruce Hornsby: Non-Secure Connectionwo Qobuz | The Flaming Lips: Sunset Youth in Oklahoma
di Qobuz | Igor Levit Lock-down Recitaldo Qobuz | Declan McKenna, the voice of a generation
di Qobuz | Auralic Altair G1: the digital pre-amplifier and Hi-Res streamer that brings you one step closer to audio perfection.vr Qobuz | Back in Black is 40!
wo Qobuz | Sticky Fingers Finally in Hi-Res !
Baptiste Trotignon in het magazine