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Rock - Verschenen op 20 april 1993 | Geffen

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Coming on the heels of the commercially and artistically successful Pump, the fitfully entertaining Get a Grip doesn't match its predecessor's musical diversity, but it's not for lack of trying. In fact, Aerosmith try too hard, making a stab at social commentary ("Livin' on the Edge") while keeping adolescent fans in their corner with their trademark raunch-rock ("Get a Grip" and "Eat the Rich"), as well as having radio-ready hit ballads ("Cryin'," "Amazing," and "Crazy"). It might be a studied performance, but since the album sounds good, many listeners will be willing to overlook those flaws and simply enjoy the ride. © Stephen Thomas Erlewine /TiVo
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Rock - Verschenen op 1 september 1989 | Geffen

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Where Permanent Vacation seemed a little overwhelmed by its pop concessions, Pump revels in them without ever losing sight of Aerosmith's dirty hard rock core. Which doesn't mean the record is a sellout -- "What It Takes" has more emotion and grit than any of their other power ballads; "Janie's Got a Gun" tackles more complex territory than most previous songs; and "The Other Side" and "Love in an Elevator" rock relentlessly, no matter how many horns and synths fight with the guitars. Such ambition and successful musical eclecticism make Pump rank with Rocks and Toys in the Attic. © Stephen Thomas Erlewine /TiVo
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Rock - Verschenen op 1 augustus 1987 | Geffen

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The much-ballyhooed reunion of the original Aerosmith lineup had pretty much fallen flat on its face after 1985's hit-and-miss Done With Mirrors. Realizing that the band simply couldn't do it alone, A&R guru John Kalodner capitalized on the runaway success of Run-D.M.C.'s cover of "Walk This Way" and decided to draft in the day's top hired hands, including knob-twiddler extraordinaire Bruce Fairbairn and career-revitalizing song doctors Desmond Child and Jim Vallance. Together, they would help craft Permanent Vacation, the album which would reinvent Aerosmith as '80s and '90s superstars. Yet, despite the mostly stellar songwriting, which makes it a strong effort overall, some of the album's nooks and crannies haven't aged all that well because of Fairbairn's overwrought production, featuring an exaggerated sleekness typical of most mid-'80s pop-metal albums. Furthermore, Desmond Child's pedantic writing often compromises the timeliness of even the best material. On the other hand, pre-fab radio gems like "Rag Doll" and "Dude (Looks Like a Lady)" remain largely unassailable from a "delivering the goods" perspective. But remember kids, this is Aerosmith, so that can only mean one thing: a guaranteed number of incredible tracks for any time and place. These include the earthy voodoo blues of "St. John" and the excellent hobo-harmonica fable of "Hangman Jury." And, although some of the remaining cuts lean to the filler side, both the awkwardly Caribbean title track and the cover of the Beatles' "I'm Down" are well executed. Finally, the crowd-pleasing schmaltz of "Angel" showcases the band at the peak of its power ballad cheese. A valiant effort, this album proved to be the crucial catalyst in reintroducing Aerosmith to the masses, but if you're looking for an even better example of the band's renewed strength, check out Pump first. © John Franck & Ed Rivadavia /TiVo
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Rock - Verschenen op 1 november 1985 | Geffen

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Joe Perry returned to the fold in 1985, and Aerosmith turned out their finest record since Rocks. Unlike the records that preceded it, Done with Mirrors is powered by the same smart-assed lyrics and filthy guitars that formed the core of Aerosmith's best songs. It didn't receive the commercial or critical attention that Permanent Vacation did two years later, but Done With Mirrors is the better album; it marks the beginning of their remarkable comeback. © Stephen Thomas Erlewine /TiVo
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Pop/Rock - Verschenen op 8 april 1975 | Columbia

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Pop/Rock - Verschenen op 5 januari 1973 | Columbia

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Rock - Verschenen op 11 november 1980 | Columbia - Legacy

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Hardrock - Verschenen op 14 mei 1976 | Columbia

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Pop/Rock - Verschenen op 15 maart 1974 | Columbia

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Rock - Verschenen op 20 april 1993 | Geffen

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Coming on the heels of the commercially and artistically successful Pump, the fitfully entertaining Get a Grip doesn't match its predecessor's musical diversity, but it's not for lack of trying. In fact, Aerosmith try too hard, making a stab at social commentary ("Livin' on the Edge") while keeping adolescent fans in their corner with their trademark raunch-rock ("Get a Grip" and "Eat the Rich"), as well as having radio-ready hit ballads ("Cryin'," "Amazing," and "Crazy"). It might be a studied performance, but since the album sounds good, many listeners will be willing to overlook those flaws and simply enjoy the ride. © Stephen Thomas Erlewine /TiVo
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Pop/Rock - Verschenen op 7 april 1986 | Columbia

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Pop/Rock - Verschenen op 1 juni 1987 | Columbia

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Rock - Verschenen op 6 november 2012 | Columbia

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Pop - Verschenen op 1 januari 1994 | Geffen

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Hardrock - Verschenen op 17 oktober 2006 | Columbia - Legacy

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Hardrock - Verschenen op 1 december 1977 | Columbia

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Pop/Rock - Verschenen op 18 maart 1997 | Columbia

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Rock - Verschenen op 2 juli 2002 | Columbia - Legacy

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Pop/Rock - Verschenen op 25 maart 2003 | Columbia

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