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Jazz - Verschenen op 29 september 2020 | Turnstile

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Jazz - Verschenen op 25 augustus 2020 | Music Manager

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Jazz fusion en jazz rock - Verschenen op 20 juli 2020 | EE Bolivia

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Jazz - Verschenen op 1 juli 2020 | Pacific Standard Time

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Jazz - Verschenen op 15 april 2020 | UNIVERSAL MUSIC LLC

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Jazz - Verschenen op 15 april 2020 | UNIVERSAL MUSIC LLC

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Traditionele jazz en dixieland - Verschenen op 31 maart 2020 | Digital World Contents S.A.S.

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Jazz - Verschenen op 21 februari 2020 | Nonesuch

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According to Pat Metheny, From This Place is not just another album to add to his already super-size discography. “I have been waiting my whole life to make this record,” the guitarist from Missouri says outright. “It’s a kind of musical culmination, reflecting a wide range of expressions that have interested me over the years, scaled across a large canvas, presented in a way that offers the kind of opportunities for communication that can only be earned with a group of musicians who have spent hundreds of nights together on the bandstand.” With his longtime collaborator, drummer Antonio Sanchez along with bassist Linda May Han Oh, pianist Gwilym Simcock and the Hollywood Studio Symphony conducted by Joel McNeely, Metheny begins his ambitious project with a composition of over thirteen minutes, America Undefined, centred around a beautiful arrangement by Gil Goldstein. The lyricism of the theme, the theatrical arches and the inspired but never over zealous interjections from the guitar come together to form this majestic landscape. Pat Metheny manages to avoid falling into the classic traps of symphonic jazz, instead proving to be quite the master of creating an amazing melodic line. This is not surprising, as already with the release of As Falls Wichita, So Falls Wichita Falls with ECM in 1981, an album he made with keyboard player Lyle Mays (who passed away 15 days before the release of From This Place), he excelled in perfectly calibrated lyrical narration. This level of craftsmanship returns on Same River, a prime example of the kind of composition that could easily fall into the banal or the tear-jerking but manages to remain purely beautiful. With Meshell Ndegeocello on vocals, Grégoire Maret on the harmonica and Luis Conte on percussion for certain tracks, the American guitarist has carefully chosen his guests, whose contributions only serve to confirm the precision of Metheny’s vision, a concept much more easily understood after listening to the album in full. © Max Dembo/Qobuz
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Jazz - Verschenen op 13 februari 2020 | Nonesuch

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Jazz - Verschenen op 7 februari 2020 | Parallel Records

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Jazz - Verschenen op 29 januari 2020 | Yama Records

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Jazz - Verschenen op 15 januari 2020 | Nonesuch

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Jazz - Verschenen op 10 januari 2020 | Incipit Records

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Jazz - Verschenen op 17 december 2019 | Hunnia Records

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Jazz - Verschenen op 5 december 2019 | Nonesuch

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Jazz - Verschenen op 14 november 2019 | Nonesuch

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Jazz - Verschenen op 1 november 2019 | ECM

Hi-Res Booklet
Each time she releases a new album, we find ourselves asking the same question: why aren’t there more musician like Julia Hülsmann? Of course, the jazz world is saturated with tons of great pianists, though the German pianist (who already has ten albums to her name) possesses a truly unique touch. With Not Far From Here, her chamber jazz fuses beautifully with the ECM sound, her record label since 2008. The album is wonderfully energetic and eclectic, largely thanks to the presence of the Berlin-born saxophonist Uli Kempendorff. Playing in quartet with her faithful rhythm section (composed of drummer Heinrich Köbberling and her double bassist and husband Marc Muellbauer), Hülsmann finds in Kempendorff a partner who stimulates both her compositions and performances. The quartet’s improvisations go from a cool sixties-style jazz to a more avant-garde style and outright playful sequences. United like never before, the group reveal a vast yet cohesive colour palette. The beautiful oddity of this record is a surprise cover of This Is Not America which David Bowie recorded in 1985 with the Pat Metheny Group. © Marc Zisman/Qobuz
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Jazz - Verschenen op 1 november 2019 | ECM

Booklet
Each time she releases a new album, we find ourselves asking the same question: why aren’t there more musician like Julia Hülsmann? Of course, the jazz world is saturated with tons of great pianists, though the German pianist (who already has ten albums to her name) possesses a truly unique touch. With Not Far From Here, her chamber jazz fuses beautifully with the ECM sound, her record label since 2008. The album is wonderfully energetic and eclectic, largely thanks to the presence of the Berlin-born saxophonist Uli Kempendorff. Playing in quartet with her faithful rhythm section (composed of drummer Heinrich Köbberling and her double bassist and husband Marc Muellbauer), Hülsmann finds in Kempendorff a partner who stimulates both her compositions and performances. The quartet’s improvisations go from a cool sixties-style jazz to a more avant-garde style and outright playful sequences. United like never before, the group reveal a vast yet cohesive colour palette. The beautiful oddity of this record is a surprise cover of This Is Not America which David Bowie recorded in 1985 with the Pat Metheny Group. © Marc Zisman/Qobuz
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Jazz - Verschenen op 4 oktober 2019 | ECM

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Jazz fusion en jazz rock - Verschenen op 30 september 2019 | Jooles

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Jazz in het magazine