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Free jazz & Avant-garde jazz - Verschenen op 22 september 2014 | Strut

Onderscheidingen Sélection JAZZ NEWS - Pitchfork: Best New Reissue
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Free jazz & Avant-garde jazz - Verschenen op 15 juni 2018 | Big Dada

Hi-Res Onderscheidingen Indispensable JAZZ NEWS - L'album du mois JAZZ NEWS
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Free jazz & Avant-garde jazz - Verschenen op 25 januari 2019 | Resonance Records

Onderscheidingen Pitchfork: Best New Reissue
Experts in quality archives, Resonance Records, have dug up an essential Eric Dolphy gem. After leaving Prestige/New Jazz Records, the saxophonist worked during the summer of ‘63 with producer Alan Douglas (famous not only for his recordings with Jimi Hendrix but also for being behind the glass for the album Money Jungle with Duke Ellington, Charles Mingus and Max Roach). This meeting resulted in two albums: Iron Man and Conversations. The sessions were concocted with the crème de la crème of avant-garde jazz at that time: William "Prince" Lasha on flute, Huey "Sonny" Simmons on alto saxophone, Clifford Jordan on soprano saxophone, Woody Shaw on trumpet, Garvin Bushell on bassoon, Bobby Hutcherson on vibraphone, Richard Davis and Eddie Kahn on double bass and J.C. Moses and Charles Moffett on drums. Fast forward to January 2019: all the sessions from 1st and 3rd June 1963 have resurfaced, including some alternate takes. The tapes had been stored in a suitcase by Dolphy himself with other personal belongings just before he flew off on his last European tour, during which he died in Berlin on June 29th 1964 at the age of 36. The Californian had entrusted the suitcase to friends. Years later, it was recovered by flautist James Newton, who went through its content with Zev Feldman from Resonance Records and the pundits of the Eric Dolphy Trust in Los Angeles. With two and a half hours of music, Musical Prophet is a major document in Eric Dolphy's artistic evolution. A recording comparable to Out To Lunch!, his masterpiece for Blue Note released seven months later. But this is by no means a draft. Here, the group embark on trails both well-trodden and unexplored. Without cutting themselves off from their elders (Jitterbug Waltz by Fats Waller opens the album), they blow hot and cold and dare to explore all posibilities. Depending on the weapon of choice (alto saxophone, flute or bass clarinet), Dolphy expresses different qualities. Melancholic and introspective, almost as if irritated, if not panicky, he is constantly matched by accomplices who are just as quick as he is. And the musical freedom never erases the melodic framework. 56 years later, this emerging jazz has not lost any of its spontaneity and it would easily make some 2019 productions obsolete... © Marc Zisman/Qobuz
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Free jazz & Avant-garde jazz - Verschenen op 25 november 2016 | Strut

Hi-Res Onderscheidingen Pitchfork: Best New Music
The immense output of Sun Ra and his many backing bands, coupled with the limited production of many of his releases has long defied dedicated collectors. Parallel to a vast list of LP releases, Sun Ra released numerous 45 RPM singles; one-off meteorites from his prolific cosmic journey. Working closely with Sun Ra LLC and Art Yard Records, it is with great pride that Strut presents a definitive collection of the rare singles released by Sun Ra across his illustrious career, spanning 1952 to 1991. Released prolifically during the 1950s and more sporadically thereafter, primarily on the Saturn label, the 45s trace the development of Sun Ra’s forward-thinking “Space-Bop” and his unique take on jazz and blues traditions which remains unlike anything else from the period. As with his LPs, most 45s were only pressed in small runs and have since become extremely rare and sought after. Some have only been discovered in physical form in recent years; some were planned and penciled but allegedly never made it to vinyl and some appeared as one-off magazine singles and posthumous releases.
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Free jazz & Avant-garde jazz - Verschenen op 1 juni 2012 | ESP-Disk

Onderscheidingen The Qobuz Ideal Discography
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Free jazz & Avant-garde jazz - Verschenen op 4 maart 2013 | Label Bleu

Hi-Res Onderscheidingen Hi-Res Audio
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Free jazz & Avant-garde jazz - Verschenen op 8 september 2017 | Laborie Jazz

Hi-Res Booklet Onderscheidingen Indispensable JAZZ NEWS
A nice breath. Wide and controlled. We enter Elodie Pasquier’s Mona with catlike stealth. But it doesn’t last. The blows will rain down. The caresses too. Blood, tears, smiles, kisses and all the rest fill the 45 minutes of this packed disc. Above all, there’s this feeling that the sound from Elodie Pasquier’s clarinet is one with the sound of her own breathing. To go from the calm to the storm, gathering power and wisdom with such grace is not within everyone’s reach. We felt the potential in her past feats of arms. Notably with orTie, in duet with the late Grégoire Gensse. But now, for this recording bearing only her name, her aura spreads. Elodie Pasquier isn’t really alone, because she’s surrounded by four big bodyguards: the impressive Icelandic guitarist Hilmar Jensson, the Belgian drummer Teun Verbruggen, the trumpet player Fred Roudet and the saxophonist Romain Dugelay. It’s a quintet of soul adventurers, of timber chasers that alternate between free sequences and stripped-down meditations without highlighting the transitions. No, there’s no decompression chamber in this music, only a breath palette. She’s astonishing. © MZ/Qobuz
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Free jazz & Avant-garde jazz - Verschenen op 25 september 2015 | Onjazz Records

Hi-Res Booklet Onderscheidingen Indispensable JAZZ NEWS
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Free jazz & Avant-garde jazz - Verschenen op 1 januari 2004 | hatOLOGY

Onderscheidingen Top du mois de Jazznews
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Free jazz & Avant-garde jazz - Verschenen op 30 maart 2015 | Abalone Productions

Hi-Res Booklet Onderscheidingen Choc Jazzman
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Free jazz & Avant-garde jazz - Verschenen op 25 augustus 2014 | nato

Onderscheidingen 4F de Télérama
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Free jazz & Avant-garde jazz - Verschenen op 12 augustus 2013 | Nu Bop Records

Onderscheidingen Qobuz Referentie
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Free jazz & Avant-garde jazz - Verschenen op 8 december 2014 | Abalone Productions

Hi-Res Booklet Onderscheidingen Sélection JAZZ NEWS
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Free jazz & Avant-garde jazz - Verschenen op 3 april 2014 | Gazul

Onderscheidingen Sélection JAZZ NEWS
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Free jazz & Avant-garde jazz - Verschenen op 30 december 1998 | ENJA RECORDS Matthias Winckelmann

Onderscheidingen Qobuz Referentie
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Free jazz & Avant-garde jazz - Verschenen op 26 oktober 2009 | Gondwana Records

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Free jazz & Avant-garde jazz - Verschenen op 25 mei 2018 | Rhino Atlantic

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Miles Davis had publicly called him a madman. Leonard Bernstein found him, for his part, completely awesome. Few were those that didn’t have a definitive opinion on Ornette Coleman. Some kind of outlaw who preferred playing his own compositions rather than jazz classics, the American saxophonist also developed harmolodics, a theory uniting harmonics and melody. Coleman would remain a trailblazer, a spoilsport who would influence legions of musicians, and would also annoy a good number of them… This box of ten discs compiles one of the most important era in the career of his author. Between 1959 and 1961, he released six studio albums for the Atlantic label. Six albums that are present here and spiced up with alternative takes and various bonuses, all of this of course impeccably remastered by John Webber. Through the opuses The Shape Of Jazz To Come (1959), Change Of The Century (1959), This Is Our Music (1960), Free Jazz: A Collective Improvisation (1960), Ornette! (1961) and Ornette On Tenor (1961), and the compilations The Art Of Improvisers (1970), Twins (1971), To Whom Who Keeps A Record (1975) and The Ornette Coleman Legacy (1993), we discover the protean art of a musician that had never stopped reassessing himself. A singular and unique voice assisted by other singular and unique voices like Don Cherry, Charlie Haden, Scott LaFaro, Billy Higgins and Ed Blackwell. © Marc Zisman/Qobuz
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Free jazz & Avant-garde jazz - Verschenen op 6 mei 2008 | Gondwana Records

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Free jazz & Avant-garde jazz - Verschenen op 15 maart 2019 | ECM

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In the early 2000s, Vijay Iyer and Craig Taborn were members of the Note Factory, a specialised nonet led by Roscoe Mitchell. The tandem of pianists is an integral component to the complex improvised music provided by the Art Ensemble of Chicago’s saxophonist. Well aware of their potential, Iyer and Tabron decided to pursue their own venture. Recorded live on March 12th, 2018 at the Budapest Liszt Academy, The Transitory Poems doesn’t simply document their profuse creativity. This concert is also a tribute to four artists who passed away recently. Four personalities connected to the Americans’ career: pianists Cecil Taylor, Muhal Richard Abrams, Geri Allen, as well as painter and sculptor Jack Whitten. For 75 minutes, Vijay Iyer and Craig Taborn go back and forth in complete freedom. Probably unfit for untrained listeners, their avant-garde improvisations display exceptional lightness at all times. The result is dense, but never suffocating or exhausting. A music style of immediacy characterised by unparalleled fluidity. Phrases and exchanges that light up the sky and disappear just a few seconds later, like fireworks. Exhilarating. © Marc Zisman/Qobuz
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Free jazz & Avant-garde jazz - Verschenen op 1 januari 1979 | ECM

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