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Klassiek - Verschijnt op 4 september 2020 | Deutsche Grammophon (DG)

Hi-Res Booklet
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Klassiek - Verschijnt op 4 september 2020 | Deutsche Grammophon (DG)

Booklet
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Klassiek - Verschijnt op 4 september 2020 | Deutsche Grammophon (DG)

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Klassiek - Verschijnt op 4 september 2020 | Deutsche Grammophon (DG)

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Klassiek - Verschijnt op 7 augustus 2020 | Deutsche Grammophon (DG)

Hi-Res Booklet
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Klassiek - Verschijnt op 7 augustus 2020 | Deutsche Grammophon (DG)

Booklet
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Klassiek - Verschenen op 19 juni 2020 | Deutsche Grammophon (DG)

Booklet
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Klassiek - Verschenen op 5 juni 2020 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 5 juni 2020 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 29 mei 2020 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 29 mei 2020 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 22 mei 2020 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 22 mei 2020 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 21 februari 2020 | Deutsche Grammophon (DG)

Hi-Res Onderscheidingen Choc de Classica
Maurizio Pollini revisits Beethoven’s final three sonatas (Op. 109 to 111), forty years after recording the very same score for the first time, a score which sees the composer elevate the genre to dizzying levels of expertise. The Italian pianist explains that ever since January 1977 (the first time he recorded No. 32, Nos. 30 and 31 dating even further back to June 1975), he has continuously discovered an infinite number of details within the material and the structure over the course of the multiple times he has performed the three sonatas. Beethoven strays away from the conventions of the traditional sonata with these, something he had been doing since his Opus 27 (Quasi una fantasia, Moonlight), inserting various astonishing shapes. Thus, variation (Op. 109, Arietta of the Op. 111) and fugue (Op. 110, after that of the Opus 101) assume an innovative importance here, much like other unrestricted episodes where Beethoven appears to be expressing very personal emotions, initiating the Romantic era, where subjectivity reigns over structure. Recorded in concert, Maurizio Pollini brings a surprising amount of urgency (Op. 109) and lyricism (Op. 110) to this release that ensures its place as one of the best Pollini recitals in recent years (Beethoven, Debussy, Chopin). A must-listen. © Pierre-Yves Lascar/Qobuz
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Klassiek - Verschenen op 21 februari 2020 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 24 januari 2020 | Deutsche Grammophon (DG)

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Piano solo - Verschenen op 29 november 2019 | Sony Classical

Hi-Res Booklet
International stardom has made Lang Lang into an ambassador for the classical repertoire. Sony has chosen Beethoven's 250th birthday to release a compilation that was born of a live concert recorded in Vienna, a city which has seen the birth of so many of the composer's works. The collection takes in Sonata No.3 and No.23, also known as Appassionata. These scores are an imaginary battlefield pitting the writer's contending passions against one another. Beethoven, subject to a compulsive inspiration, uses his writing to guide, even contain, this irresistible force: the greatest liberty dammed up by reason, an apparent paradox which his art summarises well.But here Lang Lang gives us an almost fantastical Beethoven. The pianist has fun with a repertoire which exacerbates contrasts thanks to an immense palette of nuances and several liberties taken with the tempos. Although his level of technique permits him such extravagances, it must be said that he is much more conventional with Beethoven than he is with Rachmaninov. You don't fool around with the Master of Bonn. The record closes on a studio version of the first movement of Sonata No.17 (the famous Tempest), recorded for the video game Gran Turismo 5. The rather grandiloquent switch between its Largo and Allegro sections makes its mark on the text. Lang Lang serves up a very literally visual interpretation of this score, built around the most epic settings that these Beethovian storms permit. © Elsa Siffert/Qobuz
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Klassiek - Verschenen op 15 november 2019 | Deutsche Grammophon (DG)

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Piano Book is a compilation of post-Bach piano music’s greatest hits. Lang Lang puts together a retrospective anthology beginning with J.S. Bach’s Prelude in C major from the first book of the Well-Tempered Clavier. The piece, in fully written arpeggio, which every piano student has studied to practice fingering, articulations, and harmonic tiering is followed by Beethoven’s Lettre à Elise. Lang Lang then invites Mendelssohn (La Fileuse), Chopin (15th Prelude from Opus 28), and Mozart (Allegro from Sonata "Semplice" or Variations on "Ah, vous dirai-je Maman") The record also includes lesser-known repertoire from such composers as Badarzewska-Baranowska, Czerny, or Clementi and a few Chinese classic and traditional / popular songs from diverse parts of the world.Lang Lang has fun, especially when he plays French music. Performing Debussy’s Doctor Gradus ad Parnassum, he enjoys each afterbeat, plays with the basses, and even sings. © Qobuz
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Klassiek - Verschenen op 15 november 2019 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 8 november 2019 | Deutsche Grammophon (DG)

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Klassiek in het magazine