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1635 albums gesorteerd op Date: from newest to oldest
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Duo´s - Verschenen op 1 november 2019 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason découverte
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Piano solo - Verschenen op 25 oktober 2019 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique - Choc de Classica
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Kamermuziek - Verschenen op 18 oktober 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique
 
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Kwartetten - Verschenen op 4 oktober 2019 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Piano solo - Verschenen op 20 september 2019 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason
For his second album for the French label La Dolce Volta, following the magnificent “Album d'un voyageur” where he led us on a magnificent journey through Europe, travelling from Spain to Poland and exploring everything from the popular rhythms of Paul Ladmirault (Variations sur des airs de biniou) to Szymanowski’s Danses, here Florian Noack returns to Russian music - something which he has loved since his adolescence. Prokofiev has been haunting him since that age, when he watched the television broadcasts of the Queen Elisabeth Competition in 2003 and saw Prokofiev’s Second Concerto being performed by Severin von Eckardstein (who would later go on to win First Prize), marking a historic date in the history of the competition. With this new recording, Florian Noack composes a programme that alternates between relatively rare works (Tales of an old grandmother, Quatre Études, Op. 2) and more famous scores, in this case two absolute masterpieces of Prokofiev’s piano work. Composed between 1915 and 1917, the Visions fugitives form a catalogue of twenty short piano pieces inspired by the symbolist poet Constantin Balmont. The Belgian pianist’s interpretation is more tender and dreamy rather than sarcastic (Raekallio, Ondine 1989), worried (Gourari, ECM 2014, with her melancholic poignancy) or fierce (Mustonen, Decca). He concludes his recital with Piano Sonata No. 6, Op. 82, the first of the “war sonatas”, giving a performance with moderate but nevertheless firm contrasts. © Pierre- Yves Lascar/Qobuz
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Symfonische muziek - Verschenen op 20 september 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique
The two splendid works on this album resulted from Manuel de Falla's encounter with the husband-and-wife team of dramatists Martínez Sierra-Lejárraga: El amor brujo, whose eminently ‘gypsy’ inspiration takes us to the very heart of the flamenco repertory, here magnificently embodied under the direction of maestro Pablo Heras-Casado; and the brilliant pantomime El sombrero de tres picos, for which Picasso designed the sets and costumes – exactly 100 years ago! © harmonia mundi
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Duo´s - Verschenen op 30 augustus 2019 | Mirare

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique
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Symfonische muziek - Verschenen op 30 augustus 2019 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason
This is the eagerly anticipated second volume of Rumon Gamba’s fascinating survey of lesser-known British musical gems. Two works (Cowen’s Rêverie and Hadley’s Kinder Scout) are world premiere recordings, and the entire repertoire is very rarely heard. Dating from 1903 to 1932, these works show the remarkable variety of compositional styles in Britain during that period. Owing to its strong rhythmic elements, Mêlée fantasque pre-echoes Bliss’s later ballet scores. Vaughan Williams’s Harnham Down, inspired by the Wiltshire countryside, is one of many works reflecting the British landscape (along with Goossens’s By the Tarn, Foulds’s April-England, and Hadley’s Kinder Scout). Not every composer’s inspiration was local or nationalistic though: Dorothy Howell’s Lamia, based on the eponymous poem by Keats, retelling Greek myth, caused such a sensation at its premiere at the Proms that it was repeated three days later! Eric Fogg’s Merok is based on a Norwegian folk tune, and named after a village at the head of the Geiranger Fjord. © Chandos
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Kamermuziek - Verschenen op 30 augustus 2019 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason
The Lockenhaus International Chamber Music Festival is regarded as one of Austria’s most prestigious festivals: it was created by the violinist Gidon Kremer to offer a new vision of chamber music and the opportunity to create musical exchanges in an intimate setting. The cellist Nicolas Altstaedt succeeded Gidon Kremer in 2012 and now continues the spirit of the festival. For this first recording in partnership with Lockenhaus, he is joined by experienced partners, including the Norwegian violinist Vilde Frang, the Hungarian violinist Barnabás Kelemen, the German pianist Alexander Lonquich – whose Schubert double album was recently released on Alpha – and the British violist Lawrence Power. Together they have selected two works, the Piano Quintet of Béla Bartók, a demanding composition, rarely performed even though it is considered an intensely personal work, and the String Trio of Sándor Veress, a former student of Bartók. Nicolas Altstaedt has joined Alpha for several recording projects that will illustrate the full range of his talents, in a highly eclectic range of music. © Alpha Classics
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Viool solo - Verschenen op 30 augustus 2019 | Ad Vitam records

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Concerten voor klavier - Verschenen op 26 juli 2019 | Melodiya

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Sacred Oratorios - Verschenen op 28 juni 2019 | Royal Concertgebouw Orchestra

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Soundtrack - Verschenen op 7 juni 2019 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Diapason d'or
What a pleasure it is to return to Riccardo Chailly, at the head of the Filarmonica della Scala, with a collection on Rota (1911-1979) and more particularly his songs written for the great films of Fellini such as Amarcord, Huit et Demi, and La Dolce Vita! Before him, another Riccardo, Muti, had dedicated, in the 1990s, two albums with Sony Classical to the film scores of the Italian composer – with one collection on his non-cinematographic corpus. Whether Rota’s music was for cinema or the concert hall was of little importance as he rolled out, to the likes of Bernard Herrmann in the United States, a style that was true to himself where one feels his genius and prowess for evoking ambiance mixed with an incredible dexterity for the most diverse genres, as can be heard in Suite taken here from La Dolce Vita. The beginning (O Venezia, Venaga, Venusia) of the following Il Casanova di Federico Fellini, in which the chiming of the pendulum evokes the tragic destiny of the character and the harmonization of somber colors creates a sea-like atmosphere, remains without a doubt one of the most striking tracks on the album. This ambiance returns in the final part, this time all the more mind-blowing (The Dancing Doll). Often influences from the East, of Chostakovitch and Khachaturian (Il Duca di Württenberg), can be heard along with more meridian styles inherited from Italian symphonists from the end of the 19th century and the beginning of the 20th century. A passionate album not to be missed. © Pierre-Yves Lascar/Qobuz
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Balletten - Verschenen op 7 juni 2019 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
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Symfonische muziek - Verschenen op 7 juni 2019 | BIS

Hi-Res Booklet Onderscheidingen Choc de Classica
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Concerten voor klavier - Verschenen op 7 juni 2019 | Lawo Classics

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Opera - Verschenen op 10 mei 2019 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Kwartetten - Verschenen op 26 april 2019 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique - Choc de Classica - 5 Sterne Fono Forum Klassik
Formed in 1994 at the Royal College of Music in London, the Belcea Quartet already has an impressive discography, including the complete Beethoven string quartets. For this new recording, the ensemble has chosen three quartets by two iconic composers of the 20th century: Leos Janáček and György Ligeti. Fifteen years after their first recording for Zig-Zag, and after some changes in personnel, they have decided to record again the two string quartets by Janáček. The First Quartet was inspired by Leon Tolstoy’s famous novella, The Kreutzer Sonata: the four-movement work follows the narrative, including its culminating murder. The Second Quartet is subtitled Intimate Letters, in homage to Kamila Stösslova, with whom the composer had an important relationship expressed through letters, one that influenced both his life and his music. Finally, the First Quartet by Ligeti, subtitled Métamorphoses nocturnes because of its particular form. The composer described the work as a sort of theme and variations, but not with a specific theme that is then subsequently varied: rather, it is a single musical thought appearing under constantly new guises – for this reason the word ‘metamophoses’ is more appropriate than ‘variations’. © Alpha Classics
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Kwartetten - Verschenen op 12 april 2019 | Channel Classics Records

Hi-Res Booklet