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951790 albums gesorteerd op Meest aanbevolen
€ 9,99

Klassiek - Verschenen op 1 januari 1999 | Alpha

Onderscheidingen Diapason d'or de l'année - Diapason d'or - Choc de l'année du Monde de la Musique - Choc du Monde de la Musique - 10 de Répertoire - Recommandé par Classica - 4F de Télérama - Timbre de platine
€ 15,99
€ 13,49

Wereldlijke vocale muziek - Verschenen op 10 november 2017 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Gramophone Editor's Choice - Le Choix de France Musique - Choc de Classica - Choc Classica de l'année - 5 Sterne Fono Forum Jazz
This project originated, Sabine Devieilhe says, from her desire to tackle Lakmé. In fact, Delibes was able to compose for her heroine some of the most memorable pages for coloratura soprano, starting with the hugely famous "air des clochettes" [Bell Song]. And as Western ears at the time were eager for musical and poetic voyages, and sensations from far-off lands, we find these same Oriental fantasies with Maurice Delage, who himself went on a grand tour of India, where he found modal colours, but also in Madame Chrysanthème by Messager or Rossignol by Stravinsky, to say nothing of the Egypt of Thaïs as portrayed by Anatole France and Massenet. Sabine Devieilhe, who won the "Lyrical revelation" prize at Victoires de la musique classique in 2013 before winning "Lyrical artist of the year" at the same ceremony – certainly not an unfair judgement of this particular artist – started her recording career with recordings of Rameau, Bach and Mozart, before launching into the lyrical repertoire from more recent years… And with great success! © SM/Qobuz
€ 16,99
€ 14,49

Electro - Verschenen op 17 mei 2013 | Columbia

Hi-Res Booklet Onderscheidingen 4F de Télérama - 5 étoiles Rock and Folk - The Qobuz Ideal Discography - Pitchfork: Best New Music - Exceptional sound - Hi-Res Audio
€ 14,39€ 17,99
€ 10,79€ 13,49

Vocale jazz - Verschenen op 22 maart 2013 | ACT Music

Hi-Res Booklet Onderscheidingen 4F de Télérama - Le top 6 JAZZ NEWS - Qobuzism - Qobuz Referentie - Hi-Res Audio - Sélectionné par Ecoutez Voir
€ 9,99

Moderne jazz - Verschenen op 2 februari 2012 | Laborie Jazz

Booklet Onderscheidingen TSF - Choc de Classica - Elu par Citizen Jazz - Découverte JAZZ NEWS - Qobuzism - Qobuz Referentie
€ 29,99
€ 21,49

Klassiek - Verschenen op 19 mei 2017 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Gramophone Editor's Choice - Choc de Classica - 5 Sterne Fono Forum Klassik - Preis der deutschen Schallplattenkritik
What was the context in which so great a masterpiece such as Monteverdi’s L’Orfeo could be born back in 1607, invested with such beauty, endowed with such profundity of expression and so perfect a structure, at a time when the operatic form was still in its infancy? These are precisely the questions that lie at the origin of this recording project, giving Pichon and his musicians the opportunity to discover the astonishing musico-dramatic productions that preceded L’Orfeo, notably those performed at the Medici court in Florence, in which one may discern the seeds of numerous elements to be found in L’Orfeo. At the turn of the 16th and 17th centuries, it was ovbviously the city of the Medici that was the main focus of one of the most fascinating moments in the history of music: the birth of opera. Concentrating on the years from 1589 to 1611, i.e. the premiere of the intermedi for theatre piece called La pellegrina at one end and the performance in Florence of Marco da Gagliano’s Dafne at the other, Pichon has devised four imaginary “interludes” – inspired by the form of the intermedio so popular at this period – in which he assembled some of the finest examples of the first stirrings of opera, the music pieces of which are signed Lorenzo Allegri, Antonio Brunelli, Giovanni Battista Buonamente, Giulio Caccini, Emilio de’ Cavalieri, Girolamo Fantini, Marco da Gagliano, Cristofano Malvezzi, Luca Marenzio, Alessandro Orologio, Jacopo Peri and Alessandro Striggio. In imitation of the ancient theatre, intermedi were entertainments inserted between the acts of plays, with sumptuous visual effects, which provided a pretext for allegories to the glory of the reigning dynasty. The place of music and the fantastic element in theatrical performances acquired an ever grander and more spectacular character, thanks notably to the genius of set designers and the progress made in the domain of stage machinery. Seeing the artistic and political potential of the genre, the powerful princely families of the northern half of Italy (Gonzagas, Este and Medici, as well as the papal court), encouraged its development. Intermedi ended up occupying so important a place that they became a show within the show, with the aim of dazzling the audience. It was in 1589 that the Florentine tradition of intermedi attained its zenith, with the six sumptuous entertainments devised by Count Bardi to accompany the comedy La pellegrina, performed on the occasion of the wedding of Grand Duke Ferdinando I and Princess Christina of Lorraine, grand-daughter of Catarina de’ Medici. In their variety and novelty, with a balanced combination of polyphony and the nascent monody, not forgetting instrumental and dance music, the intermedi of 1589 opened the way for an integrally sung form of theatre. And indeed it was once again Florence that witnessed the first examples of the Gesamtkunstwerk, the perfect model of the alliance between poetry and music. At the turn of the 16th and 17th centuries, a veritable laboratory was set up in Florence, prompting poets and composers to bring together several forms of musical expression in a single place? Building on the models established by earlier generations, composers continued their experiments with sound-space and the spatialisation of music, what with the proliferation of echo effects in the early monodies, or madrigals featuring dialogues between as many as seven independent choirs. But how can one tell this story nowadays, revive this rich adventure? The solution chosen for this recording was to create from scratch a large-scale imaginary work, resembling an initiatory journey, that would weld these multiple works into a single whole.
€ 13,99

Dance - Verschenen op 1 januari 2011 | Polydor Records

Booklet Onderscheidingen 4F de Télérama - The Qobuz Ideal Discography - Pitchfork: Best New Music - Sélection Les Inrocks - 3 étoiles Technikart - Sélection du Mercury Prize
James Blake is een in Londen woonachtige dubstepartiest wiens debuutalbum een weergave is van zijn beroemde eclectische stijl. Hij eindigde als tweede in de Sound of 2011 lijst van de BBC. Op het album staat een mengeling van elektronische productie en de meer traditionele opnametechniek. Deze fusie is het meest duidelijk te horen op de Feist-cover “Limit to Your Love”, wat ook meteen de eerste single van het album is. Blake is zwaar beïnvloed door artiesten als The XX, en zegt dat hun succes het gemakkelijker heeft gemaakt om zijn muziek te begrijpen.
€ 15,99
€ 11,49

Jazz - Verschenen op 29 april 2013 | Jazz Village

Hi-Res Booklet Onderscheidingen 3F de Télérama - Sélection FIP - The Qobuz Ideal Discography - Le top 6 JAZZ NEWS - Qobuz Referentie - Hi-Res Audio
€ 12,99
€ 11,49

Klassiek - Verschenen op 29 augustus 2014 | Erato - Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - Gramophone Editor's Choice - Diamant d'Opéra Magazine - Choc de Classica - Exceptional sound
€ 15,99
€ 13,49

Klassiek - Verschenen op 4 november 2016 | Erato - Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Award - Gramophone Editor's Choice - Choc de Classica - Exceptional sound - 5 Sterne Fono Forum Klassik
€ 5,99

Moderne jazz - Verschenen op 2 april 2009 | Laborie Jazz

Onderscheidingen 3F de Télérama - Choc Jazz Magazine - Disque d'émoi Jazz Magazine - Victoire du jazz - 8/10 de Noise - Elu par Citizen Jazz
€ 9,99

Klassiek - Verschenen op 1 januari 2002 | Alpha

Onderscheidingen Diapason d'or - Choc du Monde de la Musique - 10 de Répertoire - Recommandé par Classica - 4F de Télérama - Joker de Crescendo
€ 4,99

Jazz - Verschenen op 13 april 2009 | Laborie Classique

Onderscheidingen 3F de Télérama - Choc Jazz Magazine - Disque d'émoi Jazz Magazine - Victoire du jazz - 8/10 de Noise - Elu par Citizen Jazz
€ 14,99

Klassiek - Verschenen op 1 januari 2010 | Deutsche Grammophon (DG)

Booklets Onderscheidingen Diapason d'or de l'année - Diapason d'or - 3F de Télérama - Choc de Classica - The Qobuz Ideal Discography - Choc Classica de l'année
€ 13,99

Alternative en Indie - Verschenen op 1 januari 2011 | Universal-Island Records Ltd.

Onderscheidingen 4F de Télérama - Pitchfork: Best New Music - Sélection Les Inrocks - Stereophile: Record To Die For - Lauréat du Mercury Prize
PJ Harvey volgde haar spookachtige verzameling ballads, White Chalk, op met Let England Shake, een stel nummers dat opvallend anders is dan wat we van haar gewend zijn, behalve het Engelse eraan. De gekwelde pianoballads van White Chalk leken te zijn gekomen uit een geïsoleerd huis op een Engelse moor, maar op dit album schrijft Harvey over haar relatie met haar thuisland door middel van nummers die over oorlog gaan. Hoe conceptueel en contextueel gedurfd Let Engeland Shake ook is, het brengt een deel van het zachtst klinkende materiaal van Harvey ten gehore. Ze blijft in het hoge register zingen van White Chalk waar fans zo verdeeld over zijn, maar het wordt getemperd door de luchtige productie en eclectische arrangementen die soms verbloemen hoe boos en bedroefd deze nummers zijn. De complexiteit ervan maakt het een van Harveys meest bedreven gemaakte werken. ~ Heather Phares
€ 19,49
€ 13,99

Klassiek - Verschenen op 1 januari 2014 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - Gramophone Record of the Month - Le Choix de France Musique - Exceptional sound
€ 9,99

Klassiek - Verschenen op 1 januari 1998 | Alia Vox

Onderscheidingen Choc du Monde de la Musique - 10 de Répertoire - Recommandé par Classica - 4F de Télérama - Cannes Classical Music Award
€ 15,99
€ 11,49

Duo´s - Verschenen op 21 oktober 2016 | Mirare

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - Le Choix de France Musique - Choc de Classica - Exceptional sound
€ 14,99
€ 9,99

Vocale muziek (wereldlijk en religieus) - Verschenen op 31 mei 2017 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica - Choc Classica de l'année - 5 Sterne Fono Forum Klassik
After an album of French songs (Néère) that earned her a "Gramophone Award" in 2016, Véronique Gens presents her new recital, this time with orchestra, which gives her an opportunity to display the maturity of her ‘Falcon’ soprano, the central tessitura typical of French Romantic opera, which takes its name from Cornélie Falcon, who created the works of Meyerbeer and Halévy staged in the 1830s. She pays tribute here to a number of composers whose unknown operas she was the first to reveal in projects mounted by the Palazzetto Bru Zane, including David, Godard, Saint-Saëns and Halévy. The programme selects arias from all the genres in vogue in the Romantic era: opera (Saint-Saëns, Halévy, Godard, Février), opéra-comique (David), oratorio (Franck, Massenet) and the cantata for the Prix de Rome (Bizet, Bruneau). A nod to Wagner and his Tannhäuser – in its French translation of the 1860s – completes this programme conducted by a longstanding colleague of the soprano, one of the leading specialists in French music, Hervé Niquet. © Alpha Classics
€ 14,99
€ 9,99

Religieuze vocale muziek - Verschenen op 26 februari 2013 | Ricercar

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 4 étoiles de Classica - The Qobuz Ideal Discography - Hi-Res Audio