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Jazz - Verschenen op 5 april 2019 | Concord Jazz

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Kamermuziek - Verschenen op 3 mei 2019 | Glossa

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Popular madrigals and chansons of the 16th century served as models for richly embellished “alla bastarda” versions on the viola da gamba. In this recording, the vocal originals are presented together with the extremely virtuoso instrumental versions which represent the first and hardly surpassed apex of solo literature for viola da gamba. For 25 years, Paolo Pandolfo has been one of the leading viola da gambists of his generation, researching and promoting the repertoire of his instruments in all directions. The thorough knowledge of all aspects of the viola da gamba repertoire becomes clear in his extensive discography. Not only has he recorded the most important works of the viol literature, but also very personal musical statements in which he combined the youthful experiences as a double bass player and guitarist with compositions and improvisations that are just as influenced by jazz as they are by the historical repertoire. With the “bastarda” diminutions, he now proffers an early milestone of the solo viol literature in which the exuberant virtuosity serves to present enchantingly beautiful music. On this very special project, with instruments built ad hoc, he is joined by some of the finest continuo players of the early music scene (Boysen, Granata, Chemin, Pedrini) and the exquisite vocal ensemble La Pedrina, together producing what definitely will be considered as a key recording of repertoire for the viola da gamba. © Glossa
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Moderne jazz - Verschenen op 17 mei 2019 | Masterworks

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Country - Verschenen op 2 november 2018 | Blue Note Records

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Poetic and tremendously sincere, Rosanne Cash honours the traditions of country music that she learned from her illustrious father, the Man in Black. Having won three Grammys with her album The River & The Thread in 2014, Cash makes an eagerly-awaited return, without any nasty surprises. This 15th record called She Remembers Everything highlights a period of change through personal and touching songwriting. Recorded in Portland and New York, John Leventhal and Tucker Martine accompany her on the majority of the tracks, but she also brings in some other outstanding guests. Kris Kristofferson lends his voice on 8 Gods of Harlem and Elvis Costello takes charge of the strings to awaken Cash's warm timbres. Pop-country with acoustic sounds at the forefront, our singer's sublime harmonies and sincerity form a firm connection with the listener from the off. But the real strength of She Remembers Everything lies in the meaningful lyrics. Rosanne Cash's vision here is of a complex and fragile reality. The weight of past generations, painful and nostalgic memories as well as a woman's life in the broadest sense: our artist carries all these thoughts on her shoulders as she delivers irresistible country serenades. This is a profound album that manages to sound like a cry from across the centuries and yet still have a brilliantly modern feel. © Clara Bismuth/Qobuz
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Klassiek - Verschenen op 8 maart 2019 | Sony Classical

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Klassiek - Verschenen op 12 april 2019 | harmonia mundi

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Alternative en Indie - Verschenen op 26 april 2019 | Fantasy

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Jazz - Verschenen op 5 oktober 2018 | ECM

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Bringing together pianist Brad Mehldau, trumpeter Ambrose Akinmusire, double bassist Larry Grenadier and drummer Brian Blade isn’t an easy thing to do. But Wolfgang Muthspiel succeeded in 2016 on his album Rising Grace. A worthy heir to Mick Goodrick and Pat Metheny, the Austrian guitarist was wise enough to think of his album as a unified quintet rather than a fleeting all-star album. The style of jazz used in Rising Grace, which is demanding both in its form and its technique, is once again at the heart of Where The River Goes. This new album includes the same names but with Eric Harland on drums, replacing Blade. Muthspiel’s group is impressive: the lyricism is as fine as ever, the cohesion is perfect and the phrasing of the solos is precise. On top of all this the guitarist composes for the rest of the gang too. He gives them freedom and never tries to be the gang leader… © Marc Zisman/Qobuz
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Rap - Verschenen op 8 maart 2019 | ABK Records

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Klassiek - Verschenen op 10 mei 2019 | Alpha

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2019 will see the 500th commemoration of the death of one of the greatest geniuses humanity has produced: Leonardo da Vinci, scientist, inventor, painter – and musician. Doulce Mémoire, having devoted themselves to Renaissance music for the past 30 years, have decided to pay homage to Leonardo. Their founder-director, Denis Raisin Dadre, an eminent specialist in the music of the period and a great lover of pictorial art, has devised an original programme: ‘Rather than just make music from the time of Leonardo, I’ve taken my cue from the paintings themselves. I’ve worked on what could be the hidden music of these pictures, what musical pieces might be suggested by them….’ He chose around fifteen paintings, many of which are now in the Louvre: The Baptism of Christ, The Virgin of the Rocks, Portrait of Isabella d’Este, Portrait of an Unknown Woman (La belle ferronnière), Saint Anne, St. John the Baptist… and of course La Gioconda. He then matched them with works by Jacob Obrecht (1457-1505), Josquin Desprez (1450-1521), laude for the Annunciation. There are also some frotolle, and songs to texts by Petrarch accompanied by the lira da braccio, an instrument Leonardo played himself. This recording comes with a handsome booklet, including reproductions of the pictures by Leonardo, some in detail, giving an intimate insight into them; there is also a text by Denis Raisin Dadre explaining his selection. © Alpha Classics
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Vocale jazz - Verschenen op 1 februari 2019 | Nome

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Kamermuziek - Verschenen op 15 maart 2019 | SOMM Recordings

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Klassiek - Verschenen op 8 maart 2019 | Cedille

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Klassiek - Verschenen op 15 maart 2019 | NMC Recordings

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Klassiek - Verschenen op 8 maart 2019 | Groupe Analekta, Inc

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Klassiek - Verschenen op 24 mei 2019 | Fuga Libera

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This collaboration between a consort of viols and the Greek lyra takes John Dowland’s Lachrimæ or Seaven Teares as its point of departure; together they paint a transverse and stateless picture of melancholy, although this is set against the joyful hope of a shining future that appears in these improvisations and timeless Anglo-Byzantine dances. © Fuga Libera
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Nue

Pop - Verschenen op 29 maart 2019 | BMG Rights Mgmt France SARL

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Rock - Verschenen op 1 maart 2019 | Verve Forecast

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Klassiek - Verschenen op 8 maart 2019 | Sony Classical

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Blues - Verschijnt op 14 juni 2019 | Concord Records

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