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Albums

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Klassiek - Verschenen op 22 februari 2019 | Decca Music Group Ltd.

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Klassiek - Verschenen op 8 maart 2019 | deutsche harmonia mundi

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Klassiek - Verschenen op 1 maart 2019 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 15 februari 2019 | deutsche harmonia mundi

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In 1634, an important collection of folk stories and legends appeared in Naples: the Pentamerone or Lo cunto de li cunti (meaning “The Tale of Tales”), collected by Giambattista Basile. For the very first time in history, these myths, sayings, legends and narratives (which until then had only been transmitted orally) were recorded on paper. The publisher was no doubt addressing an informed public - one that could grasp the moral and ethical principles, the ambiguities and metaphors that were hidden in what might appear as simple entertainment. The book is composed of fifty fairy tales that are recounted by ten different storytellers over the course of five days in Neapolitan dialect - hence the name “Pentamerone”, meaning “five days”. Many of these tales would resurface much later, with the likes of Perrault and Grimm, who wrote the preface to the first German translation of the “Pentamerone” two centuries later... Of course, the collection doesn’t include a single musical note – they’re fairy tales after all. The Oni Wytars Ensemble have set about gathering popular songs from that period or earlier, as well as villanelles, tarantellas and canzones by well-known composers such as Baldassare Donato or Giovanni Girolamo Kapsberger. They stick to the inherent rhythms of prosody and the result is all the more convincing as everything seems to have come straight from the depths of time, with their lively voices and mischievous instrumentations. A wonderful record. © SM/Qobuz
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Klassiek - Verschenen op 8 maart 2019 | deutsche harmonia mundi

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Klassiek - Verschenen op 1 maart 2019 | Arcana

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The brilliant soprano María Cristina Kiehr, together with lutenist-vihuelist Ariel Abramovich, presents her first solo album devoted to Renaissance music. With her broad experience in sixteenth-century polyphonic repertoire (in La Colombina and Ensemble Daedelus, among others), and a project almost completely using her native language, Kiehr brings to the music of Spain’s Golden Age her own unique perspective. "Imaginario" reconstructs an imaginary and unknown book of vihuela songs, inspired by the seven marvellous books published between 1536 and 1576, but this time as if published in Valladolid or Seville between 1570 and 1580. Constructed in the shadow of the earlier books, each one of its songs makes reference either in its music or text to another song from those earlier books. The vihuelist Jacob Heringman, together with whom Abramovich created and recorded "Cifras imaginarias" (Arcana) is also part of this project, together with the mythical British tenor John Potter, ex-Hilliard Ensemble and ECM artist, who performs an enigmatic piece for tenor and vihuela. A unique project, in every sense of the word, this stretch of the imagination takes the recorded repertory of the Spanish Renaissance one step further, venturing into the world of musical fiction based on a blend of creativity and science, and with a team of researchers difficult to surpass. © Arcana/Outhere
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Blues - Verschenen op 15 februari 2019 | The Last Music Company

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Klassiek - Verschenen op 15 maart 2019 | Ricercar

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Despite the rivalry between the operatic companies leaded by Haendel and Porpora in London (1734-1737), much has to be said about the real nature of the connection between the two composers. Both the musicians were considered outstandingly original for their aesthetic choices. Both admired each other's music. The few whirlwind years of their defiance in Great Britain produced memorable scores: among them, Ariodante by Haendel and Polifemo by Porpora, performed with simultaneous runs in the city theaters. The fight between the two operatic company was an opportunity for the composers to meet and discover each other, to deal with the taste of the audience and to experiment new ideas, getting strength from the incredible skills of the members of the vocal casts (Farinelli, Senesino, Carestini, etc.). This album tries to capture the soul of such a complicated intellectual relationship, presenting significant exemples of the composers' style and outlining the borders of the mutual esteem between two giants in the history of music. On her debut solo album, the young talented mezzosoprano Giuseppina Bridelli performs with effortless bravery the difficult pages written for some of the most famous singers of the 18th century: between them, a version with original variations of Haendel Scherza infida. © Arcana
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Kamermuziek - Verschenen op 1 maart 2019 | First Hand Records

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Klassiek - Verschenen op 8 maart 2019 | harmonia mundi

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Klassiek - Verschenen op 1 maart 2019 | Mirare

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Kamermuziek - Verschenen op 1 maart 2019 | Orchid Classics

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Klassiek - Verschenen op 15 maart 2019 | Genuin

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Isn’t it true that the sounds of the harp soar directly up to heaven? The program idea of the splendid young French harpist Agnès Clément, who won the ARD competition in 2016, is absolutely compelling: a production featuring music that renders homage to the birds. On her first Genuin album, she gazes at the nightingale, quarrels with the cuckoo, and flies with the swallow into the spring, as love truly takes wing in the exciting artist’s debut release. We hear Francis Poulenc alongside François Couperin, Franz Liszt together with Paul Hindemith – in the original and in arrangements. Perfectly balanced to the last detail ... © Genuin
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Klassiek - Verschenen op 22 februari 2019 | Decca Music Group Ltd.

Booklet
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Klassiek - Verschenen op 22 februari 2019 | Warner Classics

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Klassiek - Verschenen op 15 februari 2019 | deutsche harmonia mundi

Hi-Res Booklet
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Klassiek - Verschenen op 1 maart 2019 | Deutsche Grammophon (DG)

Booklet
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Klassiek - Verschijnt op 5 april 2019 | Sony Classical

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Klassiek - Verschijnt op 5 april 2019 | deutsche harmonia mundi

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Klassiek - Verschenen op 15 maart 2019 | Menuetto Classics