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Franse chansons - Verschenen op 5 oktober 2018 | Universal Music Distribution Deal

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De Belgische zangeres Angèle levert in het najaar van 2018 haar eerste album Brol af. Het album telt twaalf nummers, die afwisselend in het Frans en Engels worden gezongen. Voor het nummer "Tout oublier" gaat Angèle een samenwerking aan met haar oudere broer Roméo. Op het album brengt de Belgische sfeervolle en gestyleerde popsongs, die beurtelings doen denken aan Lily Allen en Axelle Red.
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Pop/Rock - Verschenen op 22 november 1968 | UMC (Universal Music Catalogue)

Hi-Res Onderscheidingen 4F de Télérama
After the amazing masterpieces of Revolver and Sergeant Pepper's, The Beatles dove back into the art of pure writing, bringing about a certain level of sobriety and leaving aside their recent psychadelic delusions, awesome as they were. Released in November 1968, this double White Album is a return to more refined pop and rock; the essence of their art. The title of the disc, The Beatles, does not manage to hide the growing dissension between the four musicians at the time, and their diverging personalities saw this album herald the beginning of the end for the Fab Four, and the budding of their future solo careers... Despite all of this, The Beatles managed to release a new and totally unique album here, which can be enjoyed step by step as a true emotional rollercoaster: The fantasy of Dear Prudence, the dark madness of Revolution 9, the legendary guitar solo in While My Guitar Gently Weeps, the labyrinth of Happiness Is A Warm Gun and Sexy Sadie, the emotion of Julia (which Lennon dedicated to his mother, who died when he was 17), the purity of Blackbird and the ultra-violent tsunami that is Helter Skelter… the White Album is a brilliant production, a new masterpiece from a group growing apart ... For its 50-year anniversary, this legendary double album makes a return in Deluxe Edition form, a well-deserved title. As well as the stereo remixed version by legendary producer George Martin's son, the original mono version (praised by purists for this format) and the famous Esher Demos there are 27 demo tracks of some famous hits recorded in Harrison’s home and three studio-session CDs. It’s a marvellous collection (107 tracks in total!) which let’s us further explore this glorious piece of work that still fascinates us 50 years after its creation… © Marc Zisman/Qobuz
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Rock - Verschenen op 1 januari 2011 | Virgin EMI

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Franse chansons - Verschenen op 2 maart 2018 | Initial Artist Services

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Rock - Verschenen op 16 november 2018 | British Grove Records

When he’s not working on a film score or paying a musical visit to one of his numerous friends, Mark Knopfler focuses on producing high quality solo albums. Down The Road Wherever is no exception, it’s arguably up there with Golden Heart and Get Lucky at the top of the heap. For this ninth album, available in different editions (something which has become a habit for him), he demonstrates more than ever the sheer scope of styles he can play with outstanding subtlety and elegance. He’s like a magician refusing to show off with shiny new tricks, but rather favouring his older acts with a few delicate updates, of which he seems to have many up his sleeve! More relaxed and confident than ever, particularly in his perfect guitar performances, Knopfler is second to none when it comes to harmoniously juxtaposing jazzy (When You Leave, Every Heart In The Room), bluesy (Just A Boy Away From Home), funky (Back On The Dance Floor, Nobody Does That), folk (Nobody's Child, Matchstick Man) and trad (Drover's Road, One Song At A Time) atmospheres, at times incorporating inspired Latin touches – samba, bossa nova, or cha cha chá − (Floating Away, Slow Learner, Heavy Up, Rear View Mirror) or electro layers (Good On You Son)… Even though the album starts off like Dire Straits’ Love Over Gold with the perky Trapper Man, and then My Bacon Roll which would fit right into Brothers In Arms, he has obviously come a long way, setting himself apart from a band whose memory is slowly fading. © Jean-Pierre Sabouret/Qobuz
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Vocale jazz - Verschenen op 4 mei 2018 | Silvertone

Hi-Res Booklet Onderscheidingen Qobuzism
She loves Madeleine Peyroux and Melody Gardot and she doesn't care who knows it. But Hailey Tuck does have a little something of her own up her sleeve. It's a personal touch that makes this young Texan, who has made landfall in Paris, an attractive voice in its own right, and not a pale imitation of anyone else. Larry Klein, who produced her two idols, even agreed to put together the first album of this starlet who shares a hairdresser with Louise Brooks, and a wardrobe with Josephine Baker. Klein even put together a perfect and never over-produced backdrop, with the help of some five-star studio musicians like drummer Jay Bellerose (Elton John, Robert Plant) and guitarist Dean Parks (Joe Cocker, Steely Dan)… In terms of their repertoire, the eclecticism and quality of these covers also displays thoroughgoing good taste. And the fact that she revisits That Don't Make It Junk by Leonard Cohen, Cry To Me, made famous Solomon Burke, Cactus Tree by Joni Mitchell, Some Other Time by Leonard Bernstein, Underwear by Pulp, Alcohol by the Kinks, Junk by Paul McCartney, I Don’t Care Much from the soundtrack to Cabaret and indeed the wonderful Say You Don’t Mind by Colin Blunstone, Hailey Tuck deploys her voice intelligently and with a dash of retro in every word and every phrase. Let this beautiful and timeless Qobuzissime carry you away... © Max Dembo/Qobuz
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Vocale jazz - Verschenen op 9 februari 2018 | Decca (UMO)

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In four albums, Worrisome Heart (2008), My One And Only Thrill (2009), The Absence (2012) and Currency Of Man (2015), Melody Gardot has managed to sneak in between Diana Krall and Norah Jones to also find her place in the selective club of the female singers that are “a bit jazzy but not too much”, this oneiric cast that was so popular during the 50s, and in which she soon made the singularity of her very sensual voice resonate. A voice that she ceaselessly took touring to locations all over the world, and multiple times over at that. And so, there are enough recordings in the cellar to release a live album. However, live discs are rarely a must. There is often something missing, this small impalpable thing, that only those present that night will have kept inside of them… This Live In Europe from Melody Gardot is lucky to have kept, precisely, this “small thing”… The American has probably meticulously built it (apparently, she has listened to more than 300 recordings before making her decision!) by avoiding the true-false best of. “Someday, someone told me, ‘never look back, because there’s no way you’re going back’, she says. It’s nicely said, but if you don’t look back sometimes, it’s hard to see that time is on the verge of catching up to you. We all need to quickly look back into the rear-view mirror from time to time in order to adjust our trajectory. This disc is precisely that, the rear-view mirror of a 1963 Corvette, a postcard of our touring all over Europe. We spent most of our time on the road these last few years, and we’ve taken advantage of this trip to not only get around and get some fresh air but also to try, as much as possible, to get rid of the rules and create something exciting. I’ve been dreaming for years of releasing a live album like this one.” This desire can be felt in every moment of this disc comprised of titles recorded in Paris, Vienna, Bergen, Amsterdam, Frankfurt, Barcelona, Lisbon, Zurich and London. Whether she performs her hits Baby I'm A Fool and My One And Only Thrill or covers the classic Over The Rainbow, Melody Gardot offers up a different point of view, but it’s always an open performance. To help her in her introspective trip that is constantly shifting, she is surrounded by her impeccable musicians, discreet but decisive. Drummer Charles Staab, saxophonist Irwin Hall and bass player Sami Minaie are completely in tune with her singing, like some kind of thin hand that you take and only let go of after the last note. Finally, there is this album cover which will lead to extensive press coverage… or not. © MD/Qobuz
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Rap - Verschenen op 20 oktober 2017 | Wagram Music - 3ème Bureau

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De Franse rapper Aurélien Cotentin (1982) alias Orelsan brengt in het najaar van 2017 zijn derde album La Fête Est Finie uit. De opvolger van Perdu d'Avance (2009) en Le Chant Des Sirènes (2011) haalt in Frankrijk al na drie dagen de gouden status. Het album telt veertien nieuwe songs en het nummer "Basique" wordt uitgebracht als eerste single.
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Rap - Verschenen op 16 maart 2018 | Bad Vibes Forever, LLC

Na zijn debuut 17 uit 2017 komt de Amerikaanse rapper XXXtentacion een jaar later met de opvolger ?. In veertig minuten brengt de rapper achttien nummers, die zich laten kenmerken als ontspannen en gevoelige hiphop-tracks. De plaat haalt de eerste plaats in de Billboard 200 en op het album zijn Travis Barker, Matt Ox, Joey Bada$$ en PnB Rock te horen als gastmuzikanten.
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Rap - Verschenen op 15 juni 2018 | Universal Music Division Capitol Music France

Lithopédion (2018) is het derde album van de Belgische rapper William Kalubi alias Damso en de opvolger van de albums Batterie faible (2016) en Ipséité (2017). De plaat haalt zowel in Wallonië als Zwitserland en Frankrijk de eerste plaats in de albumlijsten. Ook de single "Smog" wordt in eigen land een hit.
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Originele soundtracks - Verschenen op 5 oktober 2018 | A Star is Born OST

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Pop - Verschenen op 24 augustus 2018 | Columbia

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Rap - Verschenen op 7 december 2018 | Pineale Prod - Grand Musique Management

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Vocale jazz - Verschenen op 1 januari 2013 | Blue Note

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Electro - Verschenen op 17 mei 2013 | Columbia

Hi-Res Booklet Onderscheidingen 4F de Télérama - 5 étoiles Rock and Folk - The Qobuz Ideal Discography - Pitchfork: Best New Music - Exceptional sound - Hi-Res Audio
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Pop - Verschenen op 3 maart 2017 | Atlantic Records UK

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Rock - Verschenen op 26 september 2011 | Pink Floyd Records

Onderscheidingen The Qobuz Ideal Discography
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Franse chansons - Verschenen op 23 november 2018 | Barclay

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Franse chansons - Verschenen op 6 april 2018 | Initial Artist Services

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Soul - Verschenen op 16 maart 2018 | Label 6&7

Hi-Res Booklet
Kimberose for “Kimberly ose”, meaning Kimberly dares. A pure product of the Parisian suburbs, Kimberose is a dazzling new band built around Kimberly Kitson Mills, a formerly shy singer with English and Ghanaian origins. Exorcising its singer’s wounds, opened by her father’s death, in a soul directly borrowed from Amy Winehouse, Kimberose puts out 11 intimate tracks of surprising homogeneity and incredibly hushed minimalism, paced by rather sparse keyboards, drums and guitars that put emphasis on the voice. That hoarse, harrowing, but ever so warm voice of the greatest singers of soul and jazz. With Chapter One, Kimberly might very well walk in the footsteps of legends. Only time will tell. © Charlotte Saintoin/Qobuz