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Klassiek - Verschenen op 9 augustus 1991 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen The Qobuz Ideal Discography
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Klassiek - Verschenen op 25 juni 2001 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen The Qobuz Ideal Discography
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Symfonieën - Verschenen op 27 oktober 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen Gramophone Record of the Month - Diapason d'or / Arte - Choc de Classica - 5 Sterne Fono Forum Klassik
An album, a symphony: you would think that we had returned to the days of the Long Play, and the era of Mravinsky, Doráti, Markevitch, Karajan as well as many other performers and interpreters who have marked the discographic history of the last symphony from Piotr Ilitch Tchaikovsky. The album cover also seems to confirm it: it brings to mind the old RCA covers from the 50s and 60s. Sony Classical, being very supportive of the artistic endeavours of the Greco-Russian master, didn't hesitate to bring out a roughly 45-minute album - they had done better with the Rites of Spring (2015), which was feted in the press. Here, Teodor Currentzis continues his exploration of Tchaikovsky's world, with the Pathétique, putting the accent on the dynamic contrasts, sometimes naturally, sometimes by technical means (adagio lamentoso), and bringing to bear some methods that are normally specific to pop music. He exploits the sombre tone of the work, even above its rhythmic energy, and looks to create atmospheres that one could often call morbid. For record-lovers, this release is a great opportunity to revisit his discography, and for all other ardent Qobuz users it is an opportunity to rediscover this true emblem of the orchestral repertoire. © TG/Qobuz
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Klassiek - Verschenen op 9 april 2021 | Alpha Classics

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Principal Conductor and Music Director of the Tonhalle-Orchester Zürich since October 2019, Paavo Järvi continues his complete cycle of Tchaikovsky’s Symphonies, following a first volume devoted to Symphony No. 5 and the symphonic poem Francesca da Rimini. This second volume features Symphonies No. 2 and No. 4. The Fourth, composed in 1878 and nicknamed the ‘Fate’ Symphony because of its sombre colouring, which may recall the neuroses attributed to Tchaikovsky, is one of his most frequently performed. The Second Symphony, composed in 1872 and much less frequently performed in concert, is known as the ‘Little Russian’ because Tchaikovsky drew on Ukrainian folk tunes. The very first movement begins with a solo horn version of the folksong Down by Mother Volga. © Alpha Classics
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Klassiek - Verschenen op 20 augustus 2021 | Alpha Classics

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After two volumes praised by the international press (Diapason d'Or, Preis der deutschen Schallplattenkritik etc.) the Tonhalle-Orchester Zürich presents the third release in its Tchaikovsky cycle, featuring the Sixth Symphony and Romeo and Juliet. Tchaikovsky said he "put his entire soul" into the Sixth Symphony. He admitted that his programme was "more subjective than ever" and that he "often [...] wept copiously" while working on it. The overall atmosphere is created by the sombre key of B minor and an obsessive sighing motif that recurs throughout the symphony. In Romeo and Juliet, Tchaikovsky focused on thematic areas, setting them to music in different ways: the peaceful, chorale-like gesture associated with Friar Lawrence in the introduction, the bitter struggle between the Capulet and Montague families, and the intoxicated love of Romeo and Juliet. The work ends with the return of a chorale of reconciliation and the transfiguration of the lovers. © Alpha Classics
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Klassiek - Verschenen op 6 mei 2016 | Decca Music Group Ltd.

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Koormuziek - Verschenen op 1 mei 2020 | Ondine

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This album presents a sequel for the album of Tchaikovskys sacred choral works by the Latvian Radio Choir and conductor Sigvards Kava. These two albums together form the composer's complete sacred works for the choir. The All-Night Vigil, Op. 52 for mixed choir, also known as the "Vesper Service", was written between May 1881 and March 1882. It was first performed by the Chudovsky Chorus conducted by Pyotr Sakharov in Moscow at the concert hall of the All-Russian Industrial and Art Exhibition on 27 June 1882. Tchaikovsky described the work as "An essay in harmonisation of liturgical chants". For this work the composer carefully studied the tradition of musical practice in the Russian Orthodox Church, which could vary considerably from one region to another. This beautiful, yet rarely recorded work is accompanied by four other choral works all written during the same decade: Hymn in Honour of Saints Cyril and Methodius as part of commemorations of the 1000th anniversary of the death of Saint Methodius, A Legend, originally coming from the collection "Sixteen Songs for Children", Jurists Song, for the 50th anniversary of the founding of the Imperial School of Jurisprudence in St Petersburg, and The Angel Cried Out, a beautiful traditional Russian Orthodox Easter hymn and Tchaikovskys final choral work. © Ondine
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Klassiek - Verschenen op 11 juni 2021 | harmonia mundi

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After Rachmaninoff, Scriabin and Prokofiev, Vadym Kholodenko continues his exploration of the Russian repertory with a pair of rarely recorded works: Tchaikovsky’s two solo piano sonatas. Imaginative, colourful and dreamy, capable of an infinite range of emotions, he reveals both the masterly architecture and the subtleties of the writing that are often sacrificed to mere demonstration of virtuosity. © harmonia mundi
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Symfonieën - Verschenen op 10 mei 2019 | Berlin Philharmonic Orchestra

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
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Symfonische muziek - Verschenen op 28 augustus 2015 | Live from Orchestra Hall

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Klassiek - Verschenen op 8 oktober 2021 | Alpha Classics

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Klassiek - Verschenen op 13 oktober 2009 | Mariinsky

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Klassiek - Verschenen op 10 juni 2016 | Onyx Classics

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The first volume of a survey of Pyotr Il'yich Tchaikovsky's symphonies, this two-fer from Onyx presents the Symphony No. 1 in G minor, "Winter Dreams," the Symphony No. 2 in C minor, "Little Russian," and the Symphony No. 5 in E minor, in thrilling performances by Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra. This package follows their 2015 release of The Tchaikovsky Album on the Classic FM label, and noting their 2014 release of Tchaikovsky's first two piano concertos on Onyx, it appears that they have made a special commitment to the composer. This is an auspicious beginning for a Tchaikovsky cycle, with atmospheric and expressive interpretations that Petrenko makes his own, and the vibrant and passionate playing of the Liverpool musicians is convincingly Russian in its rich sonorities and weighty emotional depth. Even though the first two symphonies are less familiar to listeners than the Symphony No. 5, which is one of the most popular works in the repertoire, they are just as rewarding and exciting in these spontaneous performances, and Petrenko adds a fiery intensity that is seldom heard in the early works. This series warrants serious attention, and admirers of Petrenko will want to hear all of these superb recordings. © TiVo
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Klassiek - Verschenen op 8 oktober 2021 | Alpha Classics

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Klassiek - Verschenen op 9 maart 2012 | Warner Classics

Hi-Res Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 13 januari 2017 | Onyx Classics

Hi-Res Booklet Onderscheidingen Gramophone Record of the Month
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Klassiek - Verschenen op 1 januari 1961 | BnF Collection

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Klassiek - Verschenen op 2 november 2018 | Deutsche Grammophon (DG)

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This new version of Tchaikovsky's famous ballet has been released hot on the heels of Disney's Nutcracker and the Four Realms, whose original music by James Newton Howard reprises and updates some of the themes from the Russian's score. Recorded by Gustavo Dudamel with Lang Lang at the piano and Andrea Bocelli singing the titles, this film's soundtrack is made to measure for these three global stars.This recording of the original material was carried out at the Walt Disney Concert Hall in Los Angeles in December 2013 during a Christmas celebration. The concert marked ten years of fruitful collaboration between Gustavo Dudamel and the Los Angeles Philharmonic Orchestra. The Venezuelan maestro brings us a hedonistic vision of this German fairytale by ETA Hoffman, re-imagined by Alexandre Dumas and so wonderfully turned in to music by Tchaikovsky. It was one of the Russian's last masterpieces, coming just before the "Pathétique" Symphony which would be his musical testament. But here, all is hardly fairytale and sugar thanks to an extraordinary melodic inspiration which is brought out by a light orchestration with unique timbres, like in the Dance of the Sugar Plum Fairy which popularised the Celesta, an odd instrument invented in 1886 (an improbable lovechild of the glockenspiel and the piano that Tchaikovsky encountered in Paris).Dudamel is playing with dreams here. We are treated to a supple, refined conducting style that looks towards Vienna more than it does to St Petersburg, but it never loses sight of a childlike spirit that's sure to delight. © François Hudry/Qobuz
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Piano solo - Verschenen op 4 maart 2016 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 19 oktober 2018 | PentaTone

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice