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Jazz - Verschenen op 15 november 2013 | Columbia - Legacy

Hi-Res Booklet Onderscheidingen The Qobuz Ideal Discography - Hi-Res Audio
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Jazz - Verschenen op 17 augustus 1959 | Columbia

Hi-Res Booklet Onderscheidingen The Qobuz Ideal Discography
Sixty years after the release of Miles Davis' masterpiece, explanations for its everlasting allure and mysterious beauty remain elusive. Over the years—in books, magazines and documentary films—a parade of Miles' contemporaries have struggled to explain this 1959 album, often cited as the best-selling jazz album in history. Recorded in long, whole takes over only two sessions 51 days apart, at Columbia Records' famed 30th Street Studios, Kind of Blue is a landmark in the evolution of jazz as the first modal classic—where the improvising is based on scales rather than the dense clusters of chord changes that powered bebop. This stylish, beloved cornerstone of any jazz collection, with its relaxed tempi, rich colors and sleek silences, also possesses a timeless simplicity that continues to sound familiar and inviting. Captured in great depth and detail by engineer Fred Plaut, brooding opener "So What," upbeat, merry "Freddie Freeloader," Bill Evans' dreamy "Blue In Green," the 6/8 double waltz "All Blues," (an aural sketch of weaving through city traffic), and the album's most purely modal number and closer "Flamenco Sketches," have all endured to become the most atmospheric, resonant and ultimately sexiest single set of recorded tunes in jazz history. Much of its undiminished magnetism comes from Miles' innate genius in building potent chemistry between musicians of contrasting styles. From the leader's icy tone to John Coltrane's muscular cascade of tenor saxophone notes, through Cannonball Adderley's soulful alto sax exuberance and pianist Bill Evans' spacious, incisive contributions, this collision of musical opposites, all driven by the underrated bassist Paul Chambers and steady drummer Jimmy Cobb, creates a mood and defines the jazz ethos of "cool" from the first dark notes of the famous opening bass line. According to Evans' original liner notes, Davis came up with these five explorations the night before the first recording session. It’s proof yet again that spontaneity and serendipity are the soul of jazz, or what Evans accurately summed up here as "collective coherent thinking" where the "direct deed is the most meaningful reflection." © Robert Baird/Qobuz
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Jazz - Verschenen op 29 januari 1958 | Fontana

Hi-Res Onderscheidingen The Qobuz Ideal Discography
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Jazz - Verschenen op 24 februari 1971 | Columbia - Legacy

Hi-Res Onderscheidingen Qobuz Referentie - Hi-Res Audio
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Jazz fusion en jazz rock - Verschenen op 11 oktober 1972 | Columbia - Legacy

Hi-Res Onderscheidingen De Muzikale Rariteiten - Qobuz Referentie - Hi-Res Audio
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Jazz - Verschenen op 1 januari 1960 | BnF Collection

Hi-Res Booklet
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Jazz - Verschenen op 5 februari 1969 | Columbia - Legacy

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Jazz - Verschenen op 15 november 2013 | Columbia - Legacy

Hi-Res Booklet Onderscheidingen The Qobuz Ideal Discography
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Jazz - Verschenen op 1 januari 1958 | BnF Collection

Hi-Res Booklet
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Jazz - Verschenen op 12 oktober 1972 | Columbia - Legacy

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 22 november 1974 | Columbia - Legacy

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Jazz fusion en jazz rock - Verschenen op 13 oktober 2017 | Lettuce Records

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Jazz - Verschenen op 1 januari 1983 | Columbia - Legacy

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Jazz - Verschenen op 31 juli 2020 | SLEEPY NIGHT RECORDS

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Jazz - Verschenen op 4 september 2020 | Resonance Records

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Jazz - Verschenen op 1 februari 1975 | Columbia - Legacy

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Jazz - Verschenen op 29 januari 1958 | Universal Music Division Decca Records France

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Jazz - Verschenen op 1 januari 2011 | Blue Note Records

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Jazz - Verschenen op 1 januari 1973 | Columbia - Legacy

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Jazz - Verschenen op 13 april 2020 | The Blue Mile Records