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Vocale jazz - Verschenen op 1 januari 1967 | Philips

Hi-Res Onderscheidingen The Qobuz Ideal Discography - Hi-Res Audio
Perhaps a bit more conscious of contemporary soul trends than her previous Philips albums, this is still very characteristic of her mid-'60s work in its eclectic mix of jazz, pop, soul, and some blues and gospel. Hal Mooney directs some large band arrangements for the material on this LP without submerging Simone's essential strengths. The more serious and introspective material is more memorable than the good-natured pop selections here. The highlights are her energetic vocal rendition of the Oscar Brown/Nat Adderley composition "Work Song" and her spiritual composition "Come Ye," on which Simone's inspirational vocals are backed by nothing other than minimal percussion. © Richie Unterberger /TiVo
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Klassiek - Verschenen op 8 oktober 2013 | harmonia mundi

Booklet Onderscheidingen 5 de Diapason - Le Choix de France Musique - 4 étoiles Classica
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Jazz - Verschenen op 15 augustus 1987 | Rhino - Elektra

Onderscheidingen Qobuz Referentie
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Jazz - Verschenen op 1 januari 1976 | Original Jazz Classics

Booklet
It took until 1976 before these three extended works ("The Queen's Suite," "The Goutelas Suite" and "The Uwis Suite") were released and their obscurity is somewhat deserved. Although there are some good moments from Ellington's orchestras of 1959 and 1971-72, few of the themes (outside of "The Single Petal of a Rose" from "The Queen's Suite") are all that memorable. But even lesser Ellington is of great interest and veteran collectors may want to pick this up. © Scott Yanow /TiVo
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Jazz - Verschenen op 1 juni 1967 | RCA Victor - Legacy

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Jazz - Verschenen op 1 juli 1959 | Columbia - Legacy

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Jazz - Verschenen op 25 juni 2012 | earMUSIC

Joe Jackson is a sophisticate, and that's his blessing and his curse. Early on in his career, Jackson made it obvious he wanted to be more than just another clever pop songwriter in a skinny tie, and his ambition to experiment with other sounds and textures led to fine and adventurous albums like Night and Day and Big World. Unfortunately, it also resulted in botched orchestral experiments like Will Power and Night Music, and though he's shown a knack for swing-era jazz in his soundtrack work (particularly on his score for Francis Ford Coppola's Tucker: The Man And His Dream), his compulsion to prove he's more than some guy with good hooks truly gets the better of him on 2012's The Duke. The Duke finds Jackson experimenting with the music of Duke Ellington, reinterpreting a number of his compositions in styles that stray far from the original arrangements. In his liner notes, Jackson says "The only thing I tried to avoid was imitating or competing with the master," and while that's admirable as philosophy, his "everything including the kitchen sink" approach to rethinking these great songs doesn't work so well in execution. In an arrangement dominated by electric guitarist Steve Vai, "Isfahan" sounds like a demonstration of some gizmo being sold at Guitar Center, while "It Don't Mean a Thing (If It Ain't Got That Swing)" wrestles with both swing and electronics with no clear victor, and the clunky sounding synthesizers Jackson adds to several numbers make the album sound as if it was recorded in the dire days of the '80s, not a nostalgic effect that favors Ellington's melodies. Jackson has brought some fine musicians to collaborate with him, and Christian McBride's bass, Ahmir "?uestlove" Thompson's drumming, and Regina Carter's violin are in fine fettle throughout, while Sussan Deyhim's Farsi translation of "Caravan" is a cleverly exotic touch, and Sharon Jones nails "I Ain't Got Nothin' But the Blues" with guts and panache. But most of the time, Jackson's new arrangements of Ellington's compositions don't serve the songs so much as they betray the arrogance of a musician who wants to show us how he can bring this music into the present day while ignoring many of the qualities that made it timeless. Duke Ellington was a man with remarkable creative ambitions who also understood the virtues of simplicity; Joe Jackson clearly follows his hero in the former category, but the latter lesson has been lost on him, judging from The Duke. © Mark Deming /TiVo
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Symfonische muziek - Verschenen op 1 november 1993 | Chandos

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Jazz - Verschenen op 2 december 2016 | RCA - Legacy

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Jazz - Verschenen op 28 december 2006 | Epm

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Jazz - Verschenen op 13 april 2015 | Sundance Records

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Pop - Verschenen op 1 november 2020 | Old Time Classics

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Dance - Verschenen op 12 september 2012 | Freshly Squeezed

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Traditionele jazz en dixieland - Verschenen op 4 april 2014 | Ornithology Rec

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Jazz - Verschenen op 24 juni 2016 | Squatty Roo Records

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Pop - Verschenen op 18 januari 2005 | Rhino - Warner Records

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Pop - Verschenen op 18 januari 2005 | Rhino - Warner Records

Hi-Res Onderscheidingen Hi-Res Audio
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Jazz - Verschenen op 30 september 1968 | Fantasy

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Jazz - Verschenen op 1 januari 1974 | Fantasy Records

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Jazz - Verschenen op 1 januari 1990 | Fantasy Records