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Symfonieën - Verschenen op 28 juni 2019 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 23 augustus 2019 | Reference Recordings

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Symfonieën - Verschenen op 1 maart 2019 | Decca Music Group Ltd.

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Klassiek - Verschenen op 9 september 2016 | Challenge Classics

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Symfonische muziek - Verschenen op 5 mei 2017 | PentaTone

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - Exceptional Sound Recording
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Symfonieën - Verschenen op 1 januari 2016 | Universal Music Group International

Hi-Res Onderscheidingen 5 de Diapason - 4F de Télérama
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Klassiek - Verschenen op 29 november 2019 | Berlin Philharmonic Orchestra

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Klassiek - Verschenen op 1 november 2019 | Sony Classical

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Klassiek - Verschenen op 16 november 2010 | PentaTone

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Klassiek - Verschenen op 1 januari 2016 | Orfeo

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Klassiek - Verschenen op 15 november 2019 | Accentus Music

Hi-Res Booklet Onderscheidingen 5 de Diapason
It would be a fool’s errand to look for foreshadowings of Bruckner’s future greatness in this Requiem, which he wrote at the age of 24. Copying from one’s models is a formative experience for young artists, who needs must pass through that stage in order to learn their own art and find their own vocabulary. Taking in various influences, including the clear mark of Mozart, this budding composer finds his way to a mysticism which would go on to be the motor of all his future works, especially his nine fabulous symphonies, all of which are monuments to divinity.Here is a Bruckner who is already finding his own path, brought to life by the soloists, the Akademie für Alte Musik Berlin, and the splendid Berlin RIAS Kammerchor, with an inspired Łukasz Borowicz conducting; the programme is rounded off by a few isolated liturgical pieces. Note also the stunning Aeuqale, two short pieces for three trombones written by the young composer for the funeral of his aunt Rosalie Mayrhofer in 1847, and which anticipate the harmonic strategies that would become so typical of Bruckner’s writing for brass sections in his later great works. © François Hudry/Qobuz
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Klassiek - Verschenen op 20 maart 2020 | Gramola Records

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Bruckner's Second, like most of his symphonies, underwent numerous changes and revisions during the composer's lifetime, in this case on the advice of his patron, Hofkapellmeister Herbeck, before the first publication by Bruckner himself, "so as not to overwhelm the audience". The sheet music of the very first 'unheard' version lies in the archive of the Sankt Florian Abbey, from which the prominent Bruckner researcher William Carragan reconstructed the first untouched version of this great symphony. This version is presented as live recording from the "Bruckner Tage 2019" with the Altomonte Orchestra under the baton of Remy Ballot. The Altomonte Orchestra St. Florian was founded in 1996, the 100th anniversary of Anton Bruckner's death, by Augustinus Franz Kropfreiter (1936-2003, composer, organist and regens chori of St Florian) and Thomas Wall (solo cellist) on the basis of an initiative and with the support of the mayor Mag. Eva Reisinger. Since 2003 Matthias Giesen (Music University Vienna, organist and, from 2003 to 2017, regens chori of St. Florian) has been the conductor of the Altomonte Orchestra, while Rémy Ballot has been the "Principal Guest Conductor" since 2013. The orchestra's name refers to the Baroque painters Martino and Bartolomeo Altomonte, who with their frescoes gave the formal state rooms of the monastery of St. Florian their unique and incomparable atmosphere. The Altomonte Orchestra regards the cultivation of the music tradition and church music in St Florian as a special responsibility. © Gramola
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Klassiek - Verschenen op 1 januari 2014 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Gramophone Record of the Year - Gramophone Award
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Klassiek - Verschenen op 25 oktober 2019 | LSO Live

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Klassiek - Verschenen op 1 januari 2000 | Warner Classics

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Klassiek - Verschenen op 16 oktober 2020 | Sony Classical

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Klassiek - Verschenen op 5 april 2011 | PentaTone

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Klassiek - Verschenen op 19 april 2019 | MUNCHNER PHILHARMONIKER GBR

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Klassiek - Verschenen op 1 januari 2008 | PentaTone

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Klassiek - Verschenen op 6 september 2019 | Accentus Music

Hi-Res Booklet
In 2003, following a delicate operation for stomach cancer which won him a long remission, Claudio Abbado was able to realise his last dream, the creation of a "super-orchestra" made up of the greatest musicians of Old Europe. For ten years, that great Italian conductor would lead the Lucerne Festival Orchestra every summer, giving audiences some lovingly recorded and published performances that memorably included cycles of Bruckner and Mahler which have now entered into legend. We know how Abbado's illness allowed him to open the door of the great mystery of death, rendering his musical vision profoundly human, at once intimate and metaphysical. Published by the Lucerne Festival in a sober and stripped-down format, this edition offers the Alpha and Omega of Anton Bruckner's works. This is a way for Abbado to close his own story, because Bruckner's First Symphony was his very first collaboration with the Vienna Philharmonic Orchestra in 1969. Taking inspiration from the founding idea of Ernest Ansermet, who wanted, in 1938, to create a temporary orchestra in Lucerne in order to provide summer work for musicians from the Orchestre de la Suisse romande, Abbado created a veritable musical utopia by bringing together musicians who were completely devoted to the pleasure of making music, with no hierarchy or frippery. The result was this miracle that we can see and hear today. This performance of Bruckner's Ninth Symphony was recorded on 23 August 2013: the last concert conducted by Abbado. Although much weakened, he seems to want to stretch out time to infinity, as if to stave off the fatal moment which would come just a few months after this farewell concert. This is a serene treatment, possessed of a great calm and inner peace that has nothing to do with religion, but rather with pure music. © François Hudry/Qobuz