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Klassiek - Verschenen op 27 oktober 2017 | HORTUS

Hi-Res Booklet Onderscheidingen 5 de Diapason
A beautiful monograph illustrating the post serial universe of Gilbert Amy. On the basis of uncompromising modernism, the French composer manages to install a serene lyricism and smoothness of sound that is all the more effective as both emanate from an abstract writing method.© Qobuz
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Symfonieën - Verschenen op 2 oktober 2015 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Symfonische gedichten - Verschenen op 1 december 2017 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 étoiles de Classica
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Klassiek - Verschenen op 6 november 2012 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Klassiek - Verschenen op 5 november 2013 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Piano solo - Verschenen op 13 september 2019 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 27 mei 2014 | Naxos

Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 10 mei 2019 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason
Brahms’ string concertos are indissolubly linked with the musicians for whom the works were written. He wrote his Violin Concerto for Joseph Joachim, and in it he combined what a contemporary critic termed ‘the great and serious’ with songful lyricism, melodic beauty, and a fiery Hungarian finale. To mend a breach with the violinist, Brahms later composed a concerto with the unusual combination of violin and cello, the latter played at the premiere by Joachim’s colleague Robert Hausmann. Neither instrument predominates in a work of reconciliation that embodies both drama and reflection. © Naxos
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Klassiek - Verschenen op 20 maart 2020 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
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Concerten voor klavier - Verschenen op 10 maart 2017 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Kamermuziek - Verschenen op 17 augustus 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
What do you mean, “Six evolutions”? It’s an intriguing title, almost esoteric… The cellist Yo-Yo Ma, who needs no introduction after a worldwide career of some fifty years, pens here his third (and ultimate, according to him) recording of Bach’s Solo Cello Suites. The first, while he was in his twenties, gave rise to enthusiasm, the second—in his forties—gave rise to emotion, so what will this final vision give rise to, now that he is in his late sixties? Serenity and joy, probably, and the completion of a triple discographic evolution. That being said, we still cannot explain the “Six evolutions”, and you will have to dive into a small corner of the accompanying booklet to find an indication, giving little more information, it is true, since it comes with no clarification: 1) Nature is at play, 2) Journey toward the light, 3) Celebration, 4) Construction/Development, 5) The struggle for hope, and 6) Epiphany. Well… Whatever it be, and despite what he said—and the amazing quality of this interpretation—let’s meet in 2038 to find out if he doesn’t decide to give a new interpretation in his eighties! © SM/Qobuz
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Piano solo - Verschenen op 30 september 2016 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Choc Classica de l'année - Uitzonderlijke Geluidsopnamen
  
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Klassiek - Verschenen op 11 oktober 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason
Daniil Trifonov's journey around the world of Rachmaninov is at an end. The pianist has arrived safely into the harbour with Yannick Nézet-Seguin's Philadelphia Orchestra. This finale was inspired by the bells which are ubiquitous in the Great Russian soundscape. Alain Corbin explained their importance to the rhythmic and symbolic scansion of everyday life in 19th Century France in his book Village Bells. To the historian's analysis, we can now add the testimony of the pianist – who, like Rachmaninov, grew up in Novgorod. Russian bells leant Russian music its nobility and colouring of folk nostalgia. Daniil Trifonov hasn't forgotten this, as is clear from his piano transcription of the first episode of Les Cloches. He was wise enough to respect the operatic power of the score and the splendour of its orchestration: harp, celesta and flutes are all truly transformed into bells in the hands of a musician who stays true to the aura of disquieting oddness (with its shades of Edgar Allen Poe) which surrounds the first movement. His technique matches his capricious and bubbling imagination. While we might find ourselves yawning a little at the Vocalise, the first and third Concertos move us from thrilling ecstasies to tears of pleasure. A very fine record, in which the orchestra, perhaps a little distant, fulfils its role as a soundbox for the soloist. © Elsa Siffert/Qobuz
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Klassiek - Verschenen op 22 februari 2019 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - 5 Sterne Fono Forum Klassik
Cellist Ophélie Gaillard and Pulcinella Orchestra focus on Luigi Boccherini, Italian composer and first virtuoso cellist in history. Born in the Tuscany, Boccherini then went to the Court of Prussa and Spain. His musical education looks like a journey around Europe, as it used to be. Long eclipsed by the violin, star of the string instruments, the cello slowly fit in the eighteenth century repertoire thanks to composers who played the instrument themselves. The now famous Suites of Johan Sebastian Bach are the first master pieces composed for the cello. Then Luigi Boccherini strengthened its place in the musical creation, thus becoming to cello what Vivaldi was to the violin one generation earlier. With rhythms of dance from Andalusia and melodies dug along the streets of Madrid, Boccherini draws with notes his adopted country such as his contemporary Francisco Goya did with colours. This double album explores all the genres (concertos, sonatas, symphonies) and invites the gorgeous Sandrine Piau to perform Boccherini’s poignant Stabat Mater for string quintet and solo soprano. © Aparté/Little Tribeca
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Klassiek - Verschenen op 22 maart 2019 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice
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Klassiek - Verschenen op 25 oktober 2019 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 20 maart 2020 | PentaTone

Hi-Res Booklet Onderscheidingen 5 de Diapason
Bach’s harpsichord concertos are arguably the first in the history of music designed specifically for this instrument. Composing them, Bach aimed to adapt the string writing of Italian instrumental concertos to a keyboard instrument, while simultaneously enriching this style with typically-German traits such as counterpoint and motivic development. Francesco Corti and il pomo d’oro present Concertos BWV 1052, 1053, 1055 and 1058 as the first volume of what should become a cycle spanning four albums. Corti has chosen to combine these four concertos for the full orchestral sound they call for, while later recordings in this series will have a chamber setting in comparison. For tempo choices and melodic variations, Corti has been inspired by treatises from Bach’s time, as well as the composer’s own written-out ornamentations. © Pentatone
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Klassiek - Verschenen op 15 januari 2016 | Erato - Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 4 étoiles Classica - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 4 oktober 2019 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason
Following two stunning projects with his spouse, the cellist Marie-Elisabeth Hecker, Martin Helmchen started a solo collaboration with the label Alpha Classics, publishing a remarkable version of the Variations Diabelli, one of the best in recent years, and certainly better than the one by Gorini on the same label. As part of the year of Beethoven, he has teamed up with conductor Andrew Manze for a complete recording of the Concertos by the Master of Bonn. This first volume sets the tone.From the first movement of the Second Concerto, we are gripped by the speed of the ensemble, the resurgence of a revitalised musical spirit, a supreme musicality: in sum, a celebration of the feverish creativity of the Master of Bonn. After this allegro which is truly "con brio", a major contrast is achieved with the Adagio where Martin Helmchen's singing is reserved, with a lyrical tenderness that recalls Mozart's later Concertos. But there is also something profoundly modern here, in that accumulated sense of waiting, of "suspense" and suspension, which are the hallmarks of the young Beethoven.In the Emperor, recorded at the Berliner Philharmoniker, Helmchen's piano continues to bring opposites together – this mix of impetuosity and tender lyricism – without ever feeling forced. The lively, sensitive orchestra, conducted by Manze, provides a sweeping breadth that Martin Helmchen must have long dreamt of. Amidst the whole swelling ocean of Beethoven, this new release is not to be missed. © Pierre-Yves Lascar/Qobuz
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Klassiek - Verschenen op 3 februari 2015 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason