Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Gustavo Nunez - Vivaldi: Bassoon Concertos

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Vivaldi: Bassoon Concertos

Gustavo Nunez, Academy of St. Martin in the Fields

Digital booklet

Available in
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Select Audio Quality

To be elegible for this price, subscribe to Sublime+

Vivaldi: Bassoon Concertos

Gustavo Nunez

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

Copy the following link to share it

You are currently listening to samples.

Listen to over 60 million songs with an unlimited streaming plan.

Listen to this album and more than 60 million songs with your unlimited streaming plans.

Bassoon Concerto in C major, RV 474 (Antonio Vivaldi)

1
I. Allegro
00:02:57

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

2
II. Largo
00:04:04

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

3
III. Allegro
00:02:25

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

Bassoon Concerto in F major, RV 488 (Antonio Vivaldi)

4
I. Allegro non molto
00:02:58

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

5
II. Largo
00:02:53

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

6
III. Allegro
00:02:26

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

Bassoon Concerto in B-Flat Major, RV 501 "La notte" (Antonio Vivaldi)

7
I. Largo - Andante molto
00:01:52

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

8
II. I fantasmi
00:01:47

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

9
III. Il sonno
00:02:25

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

10
IV. Sorge l'aurora
00:03:10

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

Bassoon Concerto in C major, RV 477 (Antonio Vivaldi)

11
I. Allegro
00:03:56

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

12
II. Largo
00:04:13

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

13
III. Allegro
00:03:42

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

Bassoon Concerto in A minor, RV 497 (Antonio Vivaldi)

14
I. Allegro molto
00:03:38

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

15
II. Andante molto
00:03:25

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

16
III. Allegro
00:02:38

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

Bassoon Concerto in C major, RV 467 (Antonio Vivaldi)

17
I. Allegro
00:04:10

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

18
II. Andante
00:03:12

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

19
III. Allegro
00:03:33

Antonio Vivaldi, Composer - Academy of St. Martin in the Fields, Orchestra - Gustavo Nunez, Artist, MainArtist

(C) 2016 PentaTone (P) 2016 PentaTone

About the album

Improve this page

Qobuz logo Why buy on Qobuz...

On sale now...

Playlists

You may also like...
In your panoramas...
Women Composers: A Secret History

From Sappho of Mytilene to Kaija Saariaho, music history has been marked by female figures who “dared” to write music. Is creation a male privilege? Our sound museum does hold more well-known and recognised male than female composers. Yet their works are no less exciting and there is absolutely no reason for them to play second fiddle, or be ignored altogether. Below, you’ll find a defence and illustration of female composition works through eleven musical portraits.

The British Blues Boom, Chronicle of a Revolution

If Joe Bonamassa has come back with British Blues Explosion, a year after the Rolling Stones’ Blue And Lonesome, it has cemented the fact that the British Blues Boom was more than just a trend. More than a simple musical trend, it was the interest of a younger generation for the great American blues idols that had been ignored in their country, which led to a real revolution, with three major agitators leading the charge, Eric Clapton, Jeff Beck and Jimmy Page, considered in the UK as the “Holy Trinity” of rock and guitar. If they were far from being the only musicians involved, it is through their respective careers that we have discovered that blues, far from being an outdated musical genre, is some kind of getaway to other musical areas and has allowed for endless innovations.

Guide to the Madrigal

Lindsay Kemp explores the development of this secular, multi-part vocal composition

In the news...