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Jessica Lea Mayfield|Sorry Is Gone

Sorry Is Gone

Jessica Lea Mayfield

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Jessica Lea Mayfield, the protégée of Dan Auerbach from the Black Keys − who produced her first few albums − first sailed through, as it may seem, more mainstream seas, between racy Americana and “country” pop… But the Ohio singer is worth a lot more than this, with touches of shoegaze here, solar there… At times her universe is also reminiscent of Neko Case and Hope Sandoval… Three years after Make My Head Sing… Mayfield is releasing a darker fourth album. With a production entrusted this time to the very in-demand maestro John Agnello (Kurt Vile, Sonic Youth, Dinosaur Jr., Phosphorescent), she asserts herself more than usual. This album also allowed her to truly put a failed relationship behind. But that doesn’t mean Sorry Is Gone is a buzzkill. The young woman isn’t wandering lost, but rather repossessing her soul, her life, in essence: herself. A rather powerful album, which grows with each new listen. © MD/Qobuz

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Sorry Is Gone

Jessica Lea Mayfield

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1
Wish You Could See Me Now
00:02:58

JOHN AGNELLO, Producer, MixingEngineer - Jessica Lea Mayfield, Composer, MainArtist

2017 ATO Records, under exclusive license to [PIAS] 2017 ATO Records, under exclusive license to [PIAS]

2
Sorry Is Gone
00:03:21

JOHN AGNELLO, Producer, MixingEngineer - Jessica Lea Mayfield, Composer, MainArtist

2017 ATO Records, under exclusive license to [PIAS] 2017 ATO Records, under exclusive license to [PIAS]

3
Meadow Explicit
00:03:29

JOHN AGNELLO, Producer, MixingEngineer - Jessica Lea Mayfield, Composer, MainArtist

2017 ATO Records, under exclusive license to [PIAS] 2017 ATO Records, under exclusive license to [PIAS]

4
Maybe Whatever
00:02:40

JOHN AGNELLO, Producer, MixingEngineer - Jessica Lea Mayfield, Composer, MainArtist

2017 ATO Records, under exclusive license to [PIAS] 2017 ATO Records, under exclusive license to [PIAS]

5
Soaked Through
00:04:38

JOHN AGNELLO, Producer, MixingEngineer - Jessica Lea Mayfield, Composer, MainArtist

2017 ATO Records, under exclusive license to [PIAS] 2017 ATO Records, under exclusive license to [PIAS]

6
Safe 2 Connect 2
00:03:02

JOHN AGNELLO, Producer, MixingEngineer - Jessica Lea Mayfield, Composer, MainArtist

2017 ATO Records, under exclusive license to [PIAS] 2017 ATO Records, under exclusive license to [PIAS]

7
Bum Me Out
00:02:40

JOHN AGNELLO, Producer, MixingEngineer - Jessica Lea Mayfield, Composer, MainArtist

2017 ATO Records, under exclusive license to [PIAS] 2017 ATO Records, under exclusive license to [PIAS]

8
Wtf
00:02:56

JOHN AGNELLO, Producer, MixingEngineer - Jessica Lea Mayfield, Composer, MainArtist

2017 ATO Records, under exclusive license to [PIAS] 2017 ATO Records, under exclusive license to [PIAS]

9
Offa My Hands
00:03:07

JOHN AGNELLO, MixingEngineer - Patrick Damphier, Producer - Jessica Lea Mayfield, Composer, MainArtist

2017 ATO Records, under exclusive license to [PIAS] 2017 ATO Records, under exclusive license to [PIAS]

10
World Won't Stop
00:02:50

JOHN AGNELLO, Producer, MixingEngineer - Jessica Lea Mayfield, Composer, MainArtist

2017 ATO Records, under exclusive license to [PIAS] 2017 ATO Records, under exclusive license to [PIAS]

11
Too Much Terrible
00:04:58

JOHN AGNELLO, Producer, MixingEngineer - Jessica Lea Mayfield, Composer, MainArtist

2017 ATO Records, under exclusive license to [PIAS] 2017 ATO Records, under exclusive license to [PIAS]

Albumbeschreibung

Jessica Lea Mayfield, the protégée of Dan Auerbach from the Black Keys − who produced her first few albums − first sailed through, as it may seem, more mainstream seas, between racy Americana and “country” pop… But the Ohio singer is worth a lot more than this, with touches of shoegaze here, solar there… At times her universe is also reminiscent of Neko Case and Hope Sandoval… Three years after Make My Head Sing… Mayfield is releasing a darker fourth album. With a production entrusted this time to the very in-demand maestro John Agnello (Kurt Vile, Sonic Youth, Dinosaur Jr., Phosphorescent), she asserts herself more than usual. This album also allowed her to truly put a failed relationship behind. But that doesn’t mean Sorry Is Gone is a buzzkill. The young woman isn’t wandering lost, but rather repossessing her soul, her life, in essence: herself. A rather powerful album, which grows with each new listen. © MD/Qobuz

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