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Russian National Orchestra|RIMSKY-KORSAKOV, N.A.: Snow Maiden Suite (The) / Legend of the Invisible City of Kitezh /  Night on Mount Triglav (Pletnev)

RIMSKY-KORSAKOV, N.A.: Snow Maiden Suite (The) / Legend of the Invisible City of Kitezh / Night on Mount Triglav (Pletnev)

Nikolay Andreyevich Rimsky-Korsakov

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While the old saying "All that glitters is not gold" wasn't coined with Rimsky-Korsakov's orchestral works in mind, it might well have been. As shown by the three pieces here -- the suites from the operas The Snow Maiden and The Legend of the Invisible City of Kitezh, Night on Mount Triglav, and from the ballet-opera Mlada -- Rimsky-Korsakov was profligate in his use of glittering sounds: tinkling percussion, twittering winds, shimmering strings, and the occasional crashing cymbal. The Russian late Romantic master was adept at integrating such onomatopoetic sounds into his scores so that they come across less like sound effects than as unified parts of the whole. Mikhail Pletnev and the Russian National Orchestra are less successful at creating a unified whole out of any of these works. Though the musicians play brilliantly, with plenty of color and virtuosity, Pletnev sounds like more of a tourist than a native; he happily notes all the sights along the way, but seems to have little idea where he's going and less idea of how to get there. If energy and beauty are your sole criteria, this spectacularly recorded PentaTone disc will be just the thing. If, however, form and content are more important, Evgeny Svetlanov's recordings of these works are more effective. Though the sound is far less impressive, the performances are far more cogent and convincing.

© TiVo

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RIMSKY-KORSAKOV, N.A.: Snow Maiden Suite (The) / Legend of the Invisible City of Kitezh / Night on Mount Triglav (Pletnev)

Russian National Orchestra

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The Snow Maiden Suite

1
I. Introduction
00:03:33

Mikhail Pletnev, Conductor - Russian National Orchestra, Orchestra, MainArtist - Nikolai Rimsky-Korsakov, Composer

(C) 2010 PENTATONE (P) 2010 PENTATONE

2
II. Danse des oiseaux (Dance of the Birds)
00:02:51

Mikhail Pletnev, Conductor - Russian National Orchestra, Orchestra, MainArtist - Nikolai Rimsky-Korsakov, Composer

(C) 2010 PENTATONE (P) 2010 PENTATONE

3
III. Cortege
00:01:49

Mikhail Pletnev, Conductor - Russian National Orchestra, Orchestra, MainArtist - Nikolai Rimsky-Korsakov, Composer

(C) 2010 PENTATONE (P) 2010 PENTATONE

4
IV. Danse des bouffons (Dance of the Clowns)
00:03:42

Mikhail Pletnev, Conductor - Russian National Orchestra, Orchestra, MainArtist - Nikolai Rimsky-Korsakov, Composer

(C) 2010 PENTATONE (P) 2010 PENTATONE

Legend of the Invisible City of Kitezh and the Maiden Fevroniya Suite

5
I. Prelude. A Hymn to Nature
00:04:26

Mikhail Pletnev, Conductor - Russian National Orchestra, Orchestra, MainArtist - Nikolai Rimsky-Korsakov, Composer

(C) 2010 PENTATONE (P) 2010 PENTATONE

6
II. Wedding Procession - Tartar invasion
00:03:15

Mikhail Pletnev, Conductor - Russian National Orchestra, Orchestra, MainArtist - Nikolai Rimsky-Korsakov, Composer

(C) 2010 PENTATONE (P) 2010 PENTATONE

7
III. Battle of Kershenets
00:04:23

Mikhail Pletnev, Conductor - Russian National Orchestra, Orchestra, MainArtist - Nikolai Rimsky-Korsakov, Composer

(C) 2010 PENTATONE (P) 2010 PENTATONE

8
IV. Death of Fevroniya
00:08:28

Mikhail Pletnev, Conductor - Russian National Orchestra, Orchestra, MainArtist - Nikolai Rimsky-Korsakov, Composer

(C) 2010 PENTATONE (P) 2010 PENTATONE

Noch' na gore Triglave (Night on Mount Triglav), Act III Scene 1, Introduction

9
Nuit sur le Mont Triglav et apparition des hombres
00:08:59

Mikhail Pletnev, Conductor - Russian National Orchestra, Orchestra, MainArtist - Nikolai Rimsky-Korsakov, Composer

(C) 2010 PENTATONE (P) 2010 PENTATONE

Noch' na gore Triglave (Night on Mount Triglav), Act III Scene 2

10
L'ombre de Mlade de Jaromir
00:02:34

Mikhail Pletnev, Conductor - Russian National Orchestra, Orchestra, MainArtist - Nikolai Rimsky-Korsakov, Composer

(C) 2010 PENTATONE (P) 2010 PENTATONE

Noch' na gore Triglave (Night on Mount Triglav), Act III Scene 3

11
Sabbat des esprits infernaux et Ronde infernale
00:04:09

Mikhail Pletnev, Conductor - Russian National Orchestra, Orchestra, MainArtist - Nikolai Rimsky-Korsakov, Composer

(C) 2010 PENTATONE (P) 2010 PENTATONE

Noch' na gore Triglave (Night on Mount Triglav), Act III Scene 4

12
Apparition de la Reine Cleopatre
00:08:19

Mikhail Pletnev, Conductor - Russian National Orchestra, Orchestra, MainArtist - Nikolai Rimsky-Korsakov, Composer

(C) 2010 PENTATONE (P) 2010 PENTATONE

Noch' na gore Triglave (Night on Mount Triglav), Act III Scene 5

13
Matin
00:03:56

Mikhail Pletnev, Conductor - Russian National Orchestra, Orchestra, MainArtist - Nikolai Rimsky-Korsakov, Composer

(C) 2010 PENTATONE (P) 2010 PENTATONE

Albumbeschreibung

While the old saying "All that glitters is not gold" wasn't coined with Rimsky-Korsakov's orchestral works in mind, it might well have been. As shown by the three pieces here -- the suites from the operas The Snow Maiden and The Legend of the Invisible City of Kitezh, Night on Mount Triglav, and from the ballet-opera Mlada -- Rimsky-Korsakov was profligate in his use of glittering sounds: tinkling percussion, twittering winds, shimmering strings, and the occasional crashing cymbal. The Russian late Romantic master was adept at integrating such onomatopoetic sounds into his scores so that they come across less like sound effects than as unified parts of the whole. Mikhail Pletnev and the Russian National Orchestra are less successful at creating a unified whole out of any of these works. Though the musicians play brilliantly, with plenty of color and virtuosity, Pletnev sounds like more of a tourist than a native; he happily notes all the sights along the way, but seems to have little idea where he's going and less idea of how to get there. If energy and beauty are your sole criteria, this spectacularly recorded PentaTone disc will be just the thing. If, however, form and content are more important, Evgeny Svetlanov's recordings of these works are more effective. Though the sound is far less impressive, the performances are far more cogent and convincing.

© TiVo

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