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Moby|Play [2014 - HD Remaster] (2014 Remastered Version)

Play [2014 - HD Remaster] (2014 Remastered Version)

Moby

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Following a notorious flirtation with alternative rock, Moby returned to the electronic dance mainstream on the 1997 album I Like to Score. With 1999's Play, he made yet another leap back toward the electronica base that had passed him by during the mid-'90s. The first two tracks, "Honey" and "Find My Baby," weave short blues or gospel vocal samples around rather disinterested breakbeat techno. This version of blues-meets-electronica is undoubtedly intriguing to the all-important NPR crowd, but it is more than just a bit gimmicky to any techno fans who know their Carl Craig from Carl Cox. Fortunately, Moby redeems himself in a big way over the rest of the album with a spate of tracks that return him to the evocative, melancholy techno that's been a specialty since his early days. The tinkly piano line and warped string samples on "Porcelain" frame a meaningful, devastatingly understated vocal from the man himself, while "South Side" is just another pop song by someone who shouldn't be singing -- that is, until the transcendent chorus redeems everything. Surprisingly, many of Moby's vocal tracks are highlights; he has an unerring sense of how to frame his fragile vocals with sympathetic productions. Occasionally, the similarities to contemporary dance superstars like Fatboy Slim and Chemical Brothers are just a bit too close for comfort, as on the stale big-beat anthem "Bodyrock." Still, Moby shows himself back in the groove after a long hiatus, balancing his sublime early sound with the breakbeat techno evolution of the '90s.
© John Bush /TiVo

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Play [2014 - HD Remaster] (2014 Remastered Version)

Moby

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1
Honey (2014 Remastered Version)
00:03:30

Moby, MainArtist - RICHARD HALL, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

2
Find My Baby (2014 Remastered Version)
00:04:00

Moby, MainArtist - RICHARD HALL, Composer - Joe Lee, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

3
Porcelain (2014 Remastered Version)
00:04:02

Moby, MainArtist - RICHARD HALL, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

4
Why Does My Heart Feel So Bad? (2014 Remastered Version)
00:04:25

Moby, MainArtist - RICHARD HALL, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

5
South Side (2014 Remastered Version)
00:03:50

Moby, MainArtist - RICHARD HALL, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

6
Rushing (2014 Remastered Version)
00:03:00

Moby, MainArtist - RICHARD HALL, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

7
Bodyrock (2014 Remastered Version)
00:03:37

Bobby Robinson, Composer - Moby, MainArtist - RICHARD HALL, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

8
Natural Blues (2014 Remastered Version)
00:04:15

Moby, MainArtist - ALAN LOMAX, Composer - RICHARD HALL, Composer - Vera Hall, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

9
Machete (2014 Remastered Version)
00:03:39

Moby, MainArtist - RICHARD HALL, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

10
7 (2014 Remastered Version)
00:01:02

Moby, MainArtist - RICHARD HALL, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

11
Run On (2014 Remastered Version)
00:03:46

Moby, MainArtist - RICHARD HALL, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

12
Down Slow (2014 Remastered Version)
00:01:35

Moby, MainArtist - RICHARD HALL, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

13
If Things Were Perfect (2014 Remastered Version)
00:04:11

Moby, MainArtist - RICHARD HALL, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

14
Everloving (2014 Remastered Version)
00:03:27

Moby, MainArtist - RICHARD HALL, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

15
Inside (2014 Remastered Version)
00:04:49

Moby, MainArtist - RICHARD HALL, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

16
Guitar Flute & String (2014 Remastered Version)
00:02:10

Moby, MainArtist - RICHARD HALL, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

17
The Sky Is Broken (2014 Remastered Version)
00:04:18

Moby, MainArtist - RICHARD HALL, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

18
My Weakness (2014 Remastered Version)
00:03:38

Moby, MainArtist - RICHARD HALL, Composer

© 2014 Mute Records Ltd., a BMG Company ℗ 1998 Mute Records Ltd., a BMG Company

Album Description

Following a notorious flirtation with alternative rock, Moby returned to the electronic dance mainstream on the 1997 album I Like to Score. With 1999's Play, he made yet another leap back toward the electronica base that had passed him by during the mid-'90s. The first two tracks, "Honey" and "Find My Baby," weave short blues or gospel vocal samples around rather disinterested breakbeat techno. This version of blues-meets-electronica is undoubtedly intriguing to the all-important NPR crowd, but it is more than just a bit gimmicky to any techno fans who know their Carl Craig from Carl Cox. Fortunately, Moby redeems himself in a big way over the rest of the album with a spate of tracks that return him to the evocative, melancholy techno that's been a specialty since his early days. The tinkly piano line and warped string samples on "Porcelain" frame a meaningful, devastatingly understated vocal from the man himself, while "South Side" is just another pop song by someone who shouldn't be singing -- that is, until the transcendent chorus redeems everything. Surprisingly, many of Moby's vocal tracks are highlights; he has an unerring sense of how to frame his fragile vocals with sympathetic productions. Occasionally, the similarities to contemporary dance superstars like Fatboy Slim and Chemical Brothers are just a bit too close for comfort, as on the stale big-beat anthem "Bodyrock." Still, Moby shows himself back in the groove after a long hiatus, balancing his sublime early sound with the breakbeat techno evolution of the '90s.
© John Bush /TiVo

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