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Keith Jarrett - Munich 2016

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Munich 2016

Keith Jarrett

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Since 1971, Keith Jarrett has been signed to ECM, which has proven to be one of the strongest and most productive relationships between an artist and their label ever. On the 16th July, 2016, the American pianist was performing the final concert of his summer tour in Munich, the stronghold of producer Manfred Eicher. On that evening, Jarrett gave the Bavarian audience an improvisational torrent, which he does so well. However, unlike these same exercises which he has performed over the decades, he delivers them here in short segments. Gone are the 20/30-minute-long tracks like on the famous Köln Concert of 1975, the Sun Bear Concerts of 1976, the Paris Concert of 1990 or the Vienna Concert of 1992! Those from Munich 2016 are separated into twelve parts and give an overview of the multifaceted tastes of their author, a (quite literally) “extra” “ordinary” musician, who can make his instrument swing like the old masters, but can also express himself with musical phrases which are rhythmically and harmoniously very complex, even daring. Over the course of the 86 minutes of Munich 2016, a juggling of silences is favoured over frenzied notes, before a bluesy motif falls away to reveal a chamber music miniature. As the minutes unfold, Jarrett continues to toe the line separating jazz and classical music. He ends this unparalleled tour de force with a fresh take on three classics (Answer Me My Love by Nat King Cole, It’s a Lonesome Old Town made famous by Sinatra and Somewhere Over the Rainbow straight out of The Wizard of Oz), which flawlessly bring this ocean of sound to an end. It is also funny to note that this particular Munich concert will be remembered for reasons beyond the music. After his cover of Over the Rainbow, and in the middle of a standing ovation, some of the audience members were taking pictures of the pianist. Furious, he grabs the microphone and says: “I’m not going to talk about the assholes who are aiming their smartphones at me. I just have one question for them: why did you come?” © Marc Zisman/Qobuz

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Munich 2016

Keith Jarrett

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1
Part I (Live)
00:13:29

Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Martin Pearson, Mixer, Recording Engineer, StudioPersonnel

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

2
Part II (Live)
00:06:52

Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Martin Pearson, Mixer, Recording Engineer, StudioPersonnel

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

3
Part III (Live)
00:05:56

Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Martin Pearson, Mixer, Recording Engineer, StudioPersonnel

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

4
Part IV (Live)
00:03:50

Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Martin Pearson, Mixer, Recording Engineer, StudioPersonnel

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

5
Part V (Live)
00:03:59

Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Martin Pearson, Mixer, Recording Engineer, StudioPersonnel

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

6
Part VI (Live)
00:05:48

Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Martin Pearson, Mixer, Recording Engineer, StudioPersonnel

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

7
Part VII (Live)
00:01:50

Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Martin Pearson, Mixer, Recording Engineer, StudioPersonnel

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

8
Part VIII (Live)
00:07:48

Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Martin Pearson, Mixer, Recording Engineer, StudioPersonnel

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

9
Part IX (Live)
00:03:03

Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Martin Pearson, Mixer, Recording Engineer, StudioPersonnel

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

10
Part X (Live)
00:07:16

Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Martin Pearson, Mixer, Recording Engineer, StudioPersonnel

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

11
Part XI (Live)
00:08:32

Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Martin Pearson, Mixer, Recording Engineer, StudioPersonnel

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

12
Part XII (Live)
00:02:49

Keith Jarrett, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Martin Pearson, Mixer, Recording Engineer, StudioPersonnel

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

13
Answer Me My Love (Live)
00:04:12

Keith Jarrett, Producer, Piano, MainArtist, AssociatedPerformer - Gerhard Winkler, ComposerLyricist - Fred Rauch, ComposerLyricist - Christoph Stickel, Mastering Engineer, StudioPersonnel - Martin Pearson, Mixer, Recording Engineer, StudioPersonnel

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

14
It's A Lonesome Old Town (Live)
00:05:03

Harry Tobias, ComposerLyricist - Keith Jarrett, Producer, Piano, MainArtist, AssociatedPerformer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Charles Kisco, ComposerLyricist - Martin Pearson, Mixer, Recording Engineer, StudioPersonnel

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

15
Somewhere Over The Rainbow (Live)
00:05:54

Harold Arlen, ComposerLyricist - E.Y. HARBURG, ComposerLyricist - Keith Jarrett, Producer, Piano, MainArtist, AssociatedPerformer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Martin Pearson, Mixer, Recording Engineer, StudioPersonnel

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

Album Description

Since 1971, Keith Jarrett has been signed to ECM, which has proven to be one of the strongest and most productive relationships between an artist and their label ever. On the 16th July, 2016, the American pianist was performing the final concert of his summer tour in Munich, the stronghold of producer Manfred Eicher. On that evening, Jarrett gave the Bavarian audience an improvisational torrent, which he does so well. However, unlike these same exercises which he has performed over the decades, he delivers them here in short segments. Gone are the 20/30-minute-long tracks like on the famous Köln Concert of 1975, the Sun Bear Concerts of 1976, the Paris Concert of 1990 or the Vienna Concert of 1992! Those from Munich 2016 are separated into twelve parts and give an overview of the multifaceted tastes of their author, a (quite literally) “extra” “ordinary” musician, who can make his instrument swing like the old masters, but can also express himself with musical phrases which are rhythmically and harmoniously very complex, even daring. Over the course of the 86 minutes of Munich 2016, a juggling of silences is favoured over frenzied notes, before a bluesy motif falls away to reveal a chamber music miniature. As the minutes unfold, Jarrett continues to toe the line separating jazz and classical music. He ends this unparalleled tour de force with a fresh take on three classics (Answer Me My Love by Nat King Cole, It’s a Lonesome Old Town made famous by Sinatra and Somewhere Over the Rainbow straight out of The Wizard of Oz), which flawlessly bring this ocean of sound to an end. It is also funny to note that this particular Munich concert will be remembered for reasons beyond the music. After his cover of Over the Rainbow, and in the middle of a standing ovation, some of the audience members were taking pictures of the pianist. Furious, he grabs the microphone and says: “I’m not going to talk about the assholes who are aiming their smartphones at me. I just have one question for them: why did you come?” © Marc Zisman/Qobuz

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ECM in 10 Albums

“The most beautiful sound next to silence.” That’s been ECM’s motto for the past fifty years. Manfred Eicher, the charismatic founder of the Munich label, seems to live in a parallel universe. And jazz sounds different on planet ECM. It is often thanks to this label that artists such as Keith Jarrett, Charles Lloyd, Jan Garbarek, Chick Corea have recorded their best records. Even more so than with Blue Note or Impulse! Limiting the whole history of this extraordinary label to just 10 records would be mission impossible. So, these 10 albums will tell not “the” story but “a” story of ECM.

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Along with Blue Note and Verve, Impulse! is without doubt one of the best-known American jazz labels. Painted in orange and black, the label not only brought us John Coltrane, but also some of the most adventurous musicians of the 1960s.

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At the start of his busy career Keith Jarrett spent seven years carrying out all manner of crazy experiments with his American Quartet. Between the years of 1971 and 1976, the pianist, alongside Charlie Haden, Paul Motian and Dewey Redman ran some kind of mad laboratory in which the genres of hard bop, free-jazz, world and avant-garde would all come together. A spontaneous and interesting time worth rediscovering.

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