La Rêveuse Marin Marais : Pièces de viole

Marin Marais : Pièces de viole

La Rêveuse

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Inbegrepen: 1 Booklet

Verschenen op 12 januari 2018 bij Mirare

Hoofdartiest: La Rêveuse

Genre: Klassiek > Kamermuziek

Onderscheidingen: Gramophone Editor's Choice (april 2018) - 5 de Diapason (maart 2018)

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Album : 1 album - 18 tracks Totale duur : 01:03:21

    Pièces de viole, Livre III (Marin Marais)
  1. 1 I. Prélude

    La Rêveuse (Florence Bolton, basse de viole / viola da gamba - Benjamin Perrot, theorbo, baroque guitar - Carsten Lohff, clavecin/harpsichord - Robin Pharo, basse de viole / viola da gamba) - Marin Marais, Composer Auteursrecht : Mirare Mirare

  2. Pièces de viole, Livre V
  3. 2 Suite No. 6 : XIV. Le Jeu du Volant

    La Rêveuse (Florence Bolton, basse de viole / viola da gamba - Benjamin Perrot, theorbo, baroque guitar - Carsten Lohff, clavecin/harpsichord - Robin Pharo, basse de viole / viola da gamba) - Marin Marais, Composer Auteursrecht : Mirare Mirare

  4. 3 Suite No. 6 : XVII. Le Petit Badinage

    La Rêveuse (Florence Bolton, basse de viole / viola da gamba - Benjamin Perrot, theorbo, baroque guitar - Carsten Lohff, clavecin/harpsichord - Robin Pharo, basse de viole / viola da gamba) - Marin Marais, Composer Auteursrecht : Mirare Mirare

  5. 4 Suite No. 6 : XVI. Le Rondeau Villeneuve

    La Rêveuse (Florence Bolton, basse de viole / viola da gamba - Benjamin Perrot, theorbo, baroque guitar - Carsten Lohff, clavecin/harpsichord - Robin Pharo, basse de viole / viola da gamba) - Marin Marais, Composer Auteursrecht : Mirare Mirare

  6. 5 Suite No. 6 : IX. Rondeau Le Troilleur

    La Rêveuse (Florence Bolton, basse de viole / viola da gamba - Benjamin Perrot, theorbo, baroque guitar - Carsten Lohff, clavecin/harpsichord - Robin Pharo, basse de viole / viola da gamba) - Marin Marais, Composer Auteursrecht : Mirare Mirare

  7. Second livre de pièces de clavecin, Ordre VI (François Couperin)
  8. 6 V. Les Barricades mystérieuses

    Benjamin Perrot, theorbo - François Couperin, Composer - Benjamin Perrot, Arrangement for theorbo Auteursrecht : Mirare Mirare

  9. Pièces à une et à trois violes, Livre IV (Marin Marais)
  10. 7 I. Prélude

    La Rêveuse (Florence Bolton, basse de viole / viola da gamba - Benjamin Perrot, theorbo, baroque guitar - Carsten Lohff, clavecin/harpsichord - Robin Pharo, basse de viole / viola da gamba) - Marin Marais, Composer Auteursrecht : Mirare Mirare

  11. Pièces de viole, Livre V
  12. 8 Suite No. 7 : V. Gavotte singulière

    La Rêveuse (Florence Bolton, basse de viole / viola da gamba - Benjamin Perrot, theorbo, baroque guitar - Carsten Lohff, clavecin/harpsichord - Robin Pharo, basse de viole / viola da gamba) - Marin Marais, Composer Auteursrecht : Mirare Mirare

  13. Pièces à une et à trois violes, Livre IV
  14. 9 "Suite d'un Goût Etranger": IX. Rondeau Le Bijou

    La Rêveuse (Florence Bolton, basse de viole / viola da gamba - Benjamin Perrot, theorbo, baroque guitar - Carsten Lohff, clavecin/harpsichord - Robin Pharo, basse de viole / viola da gamba) - Marin Marais, Composer Auteursrecht : Mirare Mirare

  15. 10 "Suite d'un Goût Etranger": VII. Fête Champêtre

    La Rêveuse (Florence Bolton, basse de viole / viola da gamba - Benjamin Perrot, theorbo, baroque guitar - Carsten Lohff, clavecin/harpsichord - Robin Pharo, basse de viole / viola da gamba) - Marin Marais, Composer Auteursrecht : Mirare Mirare

  16. 11 Suite No. 6 : XI. La Biscayenne

    La Rêveuse (Florence Bolton, basse de viole / viola da gamba - Benjamin Perrot, theorbo, baroque guitar - Carsten Lohff, clavecin/harpsichord - Robin Pharo, basse de viole / viola da gamba) - Marin Marais, Composer Auteursrecht : Mirare Mirare

  17. 12 "Suite d'un Goût Etranger": XXXIII. Le Badinage

    La Rêveuse (Florence Bolton, basse de viole / viola da gamba - Benjamin Perrot, theorbo, baroque guitar - Carsten Lohff, clavecin/harpsichord - Robin Pharo, basse de viole / viola da gamba) - Marin Marais, Composer Auteursrecht : Mirare Mirare

  18. Pièces de viole, Livre V
  19. 13 II. La Paraza

    La Rêveuse (Florence Bolton, basse de viole / viola da gamba - Benjamin Perrot, theorbo, baroque guitar - Carsten Lohff, clavecin/harpsichord - Robin Pharo, basse de viole / viola da gamba) - Marin Marais, Composer Auteursrecht : Mirare Mirare

  20. 14 III. Le Tact

    La Rêveuse (Florence Bolton, basse de viole / viola da gamba - Benjamin Perrot, theorbo, baroque guitar, viola da gamba - Carsten Lohff, clavecin/harpsichord - Robin Pharo, basse de viole / viola da gamba) - Marin Marais, Composer Auteursrecht : Mirare Mirare

  21. Troisième livre de pièces de clavecin, Ordre XV (François Couperin)
  22. 15 II. Le Dodo ou l’Amour au berceau

    Benjamin Perrot, theorbo - François Couperin, Composer - Benjamin Perrot, Arrangement for theorbo Auteursrecht : Mirare Mirare

  23. Pièces de viole, Livre V (Marin Marais)
  24. 16 Suite No. 3 : X. Rondeau Le Doucereux

    La Rêveuse (Florence Bolton, basse de viole / viola da gamba - Benjamin Perrot, theorbo, baroque guitar - Carsten Lohff, clavecin/harpsichord - Robin Pharo, basse de viole / viola da gamba) - Marin Marais, Composer Auteursrecht : Mirare Mirare

  25. Pièces à une et à trois violes, Livre IV
  26. 17 Suite No.3 : VII. La Provençale

    La Rêveuse (Florence Bolton, basse de viole / viola da gamba - Benjamin Perrot, theorbo, baroque guitar - Carsten Lohff, clavecin/harpsichord - Robin Pharo, basse de viole / viola da gamba) - Marin Marais, Composer Auteursrecht : Mirare Mirare

  27. 18 "Suite d'un Goût Etranger" : XXVIII. La Rêveuse

    La Rêveuse (Florence Bolton, basse de viole / viola da gamba - Benjamin Perrot, theorbo, baroque guitar - Carsten Lohff, clavecin/harpsichord - Robin Pharo, basse de viole / viola da gamba) - Marin Marais, Composer Auteursrecht : Mirare Mirare

Meer informatie

Marin Marais, "chamber viola player to the King", and a talented composer is the author of this rich work full of contrasts, which forms the bridge, in the French viola tradition, between the generation of pioneers (with Saint-Colombe at their head) and the generation of the last French viola players (such as Forqueray or Caix d'Hervelois). This selection gives us an insight into the art of Marais - who was recognised in his own time as a technically gifted and brilliant musician - by way of his two Livres de viole, published in 1717 and 1725 respectively. It was in this period, which was both especially artistically fruitful but also unstable and subject to all sorts of political, economic and social turmoil, that Marais brought out his two last works. This album brings together a good number of strikingly original pieces, in particular from the Suite d’un goût étranger, a real introduction to the world of tonalities. The viola responds very differently to different tones: each tonality has its own very particular effect in terms of musical rhetoric: the Paraza in D minor sounds opulent and full, the Badinage in F sharp minor fragile and uncertain. Special mention should also go to a rare and stunning piece called Le Tact, which requires a curious sort of left-handed pizzicato without any help from the right (which he calls "tact", a forerunner of very modern techniques). This is where Marais shows his particular genius, because he loves the instrument's sensitive, vulnerable instrument, which he explores with great poetry. Founded by theorbist Benjamin Perrot and the viola player Florence Bolton, La Rêveuse (taking its name from the final piece of this album) is an ensemble which specialises in the artistic heritage of the 17th and 18th Centuries, periods which are rich in experiences and artistic inventions of all kinds. © SM/Qobuz

Hi-Res 24-bits – 96.00 kHz

Details over de originele opname:

Recorded September 2016 in France, Château de Chambord & 13 June 2017 in Belgium, Eglise de Franc-Waret (Tracks 6 & 15)

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Mirare

Created in 2001 by René Martin, the Mirare label draws a link between the classical stage and the recording industry. Initiator of renowned festivals (La Folle Journée de Nantes, Cadenet ...), René Martin wanted to keep a phonographic record of musical events that he organized: "Having founded Mirare is the only logical to complement all of these activities and festivals. Among the artists we strive to help you discover, you have those who have not yet had more than one label, and with whom we have long established a complicity" His intuition proved correct. Despite the crisis of the disc, Mirare enjoy continued success in the hopes aroused by Martin: his twelve annua...

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