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Caroline Goulding|Korngold & Mozart : Violin Concertos

Korngold & Mozart : Violin Concertos

Caroline Goulding, Kevin John Edusei

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Swiss violinist Caroline Goulding offers us a singular pairing here: the brilliant, lyrical and very fin-de-siècle-Vienna Concerto by Korngold, written in 1945 and based on themes borrowed from some pieces of film music, followed by an ever-so-delicate Fifth Concerto by Mozart, one of those miracles of the composer's youth, from when he was just 19, but already in full command of staggering powers. Consider that the whole orchestral introduction, which could easily serve as a rich opening theme, is in fact merely the accompaniment to the real theme, which is richer still, and played by the solo violin. Caroline Goulding has been building an international career since she started with the Cleveland Orchestra in 2006. Sometimes she will sit out for a few weeks of contemplative silence, and it is just one such period of silence which produced this album. Since her début, she has performed as a soloist with the orchestras of Toronto, Detroit, Dallas, Houston, Denver, Milwaukee and Washington in North America, as well as with numerous European orchestras, in Amsterdam, Frankfurt, Berlin, and Berne. Her style owes much to her teacher, Christian Tetzlaff. © SM/Qobuz

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Korngold & Mozart : Violin Concertos

Caroline Goulding

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Violin Concerto in D Major, Op. 35 (Erich Wolfgang Korngold)

1
I. Moderato nobile
00:09:07

Caroline Goulding, Violin - Berner Symphonieorchester - Kevin John Edusei, Conductor - Erich Wolfgang Korngold, Composer

(C) 2018 Claves Records (P) 2018 Claves Records

2
II. Romance. Andante
00:08:45

Caroline Goulding, Violin - Berner Symphonieorchester - Kevin John Edusei, Conductor - Erich Wolfgang Korngold, Composer

(C) 2018 Claves Records (P) 2018 Claves Records

3
III. Finale. Allegro assai vivace
00:07:23

Caroline Goulding, Violin - Berner Symphonieorchester - Kevin John Edusei, Conductor - Erich Wolfgang Korngold, Composer

(C) 2018 Claves Records (P) 2018 Claves Records

Violin Concerto No. 5 in A Major, K. 219 (Wolfgang Amadeus Mozart)

4
I. Allegro aperto
00:09:14

Caroline Goulding, Violin - Berner Symphonieorchester - Kevin John Edusei, Conductor - Wolfgang Amadeus Mozart, Composer

(C) 2018 Claves Records (P) 2018 Claves Records

5
II. Adagio
00:09:59

Caroline Goulding, Violin - Berner Symphonieorchester - Kevin John Edusei, Conductor - Wolfgang Amadeus Mozart, Composer

(C) 2018 Claves Records (P) 2018 Claves Records

6
III. Rondeau. Tempo di Menuetto
00:09:06

Caroline Goulding, Violin - Berner Symphonieorchester - Kevin John Edusei, Conductor - Wolfgang Amadeus Mozart, Composer

(C) 2018 Claves Records (P) 2018 Claves Records

Albumbeschreibung

Swiss violinist Caroline Goulding offers us a singular pairing here: the brilliant, lyrical and very fin-de-siècle-Vienna Concerto by Korngold, written in 1945 and based on themes borrowed from some pieces of film music, followed by an ever-so-delicate Fifth Concerto by Mozart, one of those miracles of the composer's youth, from when he was just 19, but already in full command of staggering powers. Consider that the whole orchestral introduction, which could easily serve as a rich opening theme, is in fact merely the accompaniment to the real theme, which is richer still, and played by the solo violin. Caroline Goulding has been building an international career since she started with the Cleveland Orchestra in 2006. Sometimes she will sit out for a few weeks of contemplative silence, and it is just one such period of silence which produced this album. Since her début, she has performed as a soloist with the orchestras of Toronto, Detroit, Dallas, Houston, Denver, Milwaukee and Washington in North America, as well as with numerous European orchestras, in Amsterdam, Frankfurt, Berlin, and Berne. Her style owes much to her teacher, Christian Tetzlaff. © SM/Qobuz

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