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Bill Frisell - Gone, Just Like a Train

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Gone, Just Like a Train

Bill Frisell

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Language available : english

Drawing from all over the musical spectrum, Frisell selects drummer Jim Keltner (best known for his records with George Harrison, Eric Clapton and other rock stars) and bassist Viktor Krauss (a fixture in Lyle Lovett's country band), and comes up with an immensely likable, easy-grooving CD that defies one to put a label on it. If anything, Frisell leans toward a drawling country twang heavily indebted to Chet Atkins in his guitar work here, but there is a freewheeling jazz sensibility at work on every track. Keltner contributes the heavy rock element with his emphatic strokes, occasionally pushing Frisell in that direction on the title track and the lengthy "Lookout for Hope." Yet Keltner is also capable of surprising subtlety, and Krauss provides firm, unflashy underpinning. Above all, this is thoughtful, free-thinking, ear-friendly jamming that was recorded in bustling Burbank, CA. but sounds as if it was laid down in a relaxed cabin in the hills.
© Richard S. Ginell /TiVo

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Gone, Just Like a Train

Bill Frisell

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1
Blues for Los Angeles
Various Interprets
00:05:18

Lee Townsend, Producer - Bill Frisell, Composer, Writer, MainArtist - Judy Klapp, Engineer

1998 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 1997 Nonesuch Records

2
Verona
Various Interprets
00:03:11

Lee Townsend, Producer - Bill Frisell, Composer, MainArtist - Judy Klapp, Engineer

1998 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 1997 Nonesuch Records

3
Godson Song
Various Interprets
00:04:38

Lee Townsend, Producer - Bill Frisell, Composer, MainArtist - Judy Klapp, Engineer

1998 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 1997 Nonesuch Records

4
Girl Asks Boy (Pt. 1) Part1
Various Interprets
00:03:38

Lee Townsend, Producer - Bill Frisell, Composer, MainArtist - Judy Klapp, Engineer

1998 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 1997 Nonesuch Records

5
Pleased to Meet You
Various Interprets
00:04:13

Bill Frisell, Composer, MainArtist - Judy Klapp, Engineer - Lee Twonsend, Producer

1998 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 1997 Nonesuch Records

6
Lookout for Hope
Various Interprets
00:10:20

Lee Townsend, Producer - Bill Frisell, Composer, Writer, MainArtist - Judy Klapp, Engineer

1998 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 1997 Nonesuch Records

7
Nature's Symphony
Various Interprets
00:04:59

Lee Townsend, Producer - Bill Frisell, Composer, MainArtist - Judy Klapp, Engineer

1998 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 1997 Nonesuch Records

8
Egg Radio
Various Interprets
00:05:07

Lee Townsend, Producer - Bill Frisell, Composer, Writer, MainArtist - Judy Klapp, Engineer

1998 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 1997 Nonesuch Records

9
Ballroom
Various Interprets
00:03:23

Lee Townsend, Producer - Bill Frisell, Composer, MainArtist - Judy Klapp, Engineer

1998 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 1997 Nonesuch Records

10
Girl Asks Boy (Pt. 2) Part2
Various Interprets
00:02:20

Lee Townsend, Producer - Bill Frisell, Composer, MainArtist - Judy Klapp, Engineer

1998 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 1997 Nonesuch Records

11
Sherlock Jr.
Various Interprets
00:02:52

Lee Townsend, Producer - Bill Frisell, Composer, MainArtist - Judy Klapp, Engineer

1998 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 1997 Nonesuch Records

12
Gone, Just Like a Train
Various Interprets
00:05:31

Lee Townsend, Producer - Bill Frisell, Composer, MainArtist - Judy Klapp, Engineer

1998 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 1997 Nonesuch Records

13
The Wife and Kid
Various Interprets
00:05:50

Lee Townsend, Producer - Bill Frisell, Composer, MainArtist - Judy Klapp, Engineer

1998 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 1997 Nonesuch Records

14
Raccoon Cat
Various Interprets
00:03:24

Lee Townsend, Producer - Bill Frisell, Composer, MainArtist - Judy Klapp, Engineer

1998 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 1997 Nonesuch Records

15
Lonesome
Various Interprets
00:04:19

Lee Townsend, Producer - Bill Frisell, Composer, MainArtist - Judy Klapp, Engineer

1998 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 1997 Nonesuch Records

16
Blues for Los Angeles "reprise"
Various Interprets
00:00:51

Lee Townsend, Producer - Bill Frisell, Composer, MainArtist - Judy Klapp, Engineer

1998 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States. 1997 Nonesuch Records

Album Description

Drawing from all over the musical spectrum, Frisell selects drummer Jim Keltner (best known for his records with George Harrison, Eric Clapton and other rock stars) and bassist Viktor Krauss (a fixture in Lyle Lovett's country band), and comes up with an immensely likable, easy-grooving CD that defies one to put a label on it. If anything, Frisell leans toward a drawling country twang heavily indebted to Chet Atkins in his guitar work here, but there is a freewheeling jazz sensibility at work on every track. Keltner contributes the heavy rock element with his emphatic strokes, occasionally pushing Frisell in that direction on the title track and the lengthy "Lookout for Hope." Yet Keltner is also capable of surprising subtlety, and Krauss provides firm, unflashy underpinning. Above all, this is thoughtful, free-thinking, ear-friendly jamming that was recorded in bustling Burbank, CA. but sounds as if it was laid down in a relaxed cabin in the hills.
© Richard S. Ginell /TiVo

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