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Richard Strauss|Franck & Strauss: Violin Sonatas

Franck & Strauss: Violin Sonatas

Augustin Dumay & Louis Lortie

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The late-Romantic pairing of Richard Strauss and César Franck isn't a common one, but that's part of the charm of this masterly release by Belgian violinist Augustin Dumay and Quebec pianist Louis Lortie: they shift gears effortlessly between two very different modes of expression. As they might have been in a recital of 100 years ago, the two major sonatas are accompanied by smaller works by each composer. The Strauss Violin Sonata in E flat major, Op. 18, was a work long championed by Jascha Heifetz, whose Apollonian style is effectively suggested by Dumay here. The work hovers right on the lip of the composer's mature style, which, once achieved, would preclude his writing much more chamber music; lengthy, irregular, and increasingly dissonant diversions erupt from the pleasant main themes. The Franck Violin Sonata in A major, of 1886, is an especially intricate exemplar of the composer's tendency toward cyclical form, which here ties together a work with a remarkable collection of shifting emotions. The stormy middle movement demands a role for Lortie far beyond that of simple accompanist, and he steps up in an intense performance. Dumay here takes on the mantle of the nobly emotive classic French-Belgian style and never flags. These works are popular enough, but this is not in any way a fashionable program. It is, however, one that takes its place in a grand tradition.

© TiVo

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Franck & Strauss: Violin Sonatas

Richard Strauss

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1
Violin Sonata in E Flat Major, Op. 18: I. Allegro, ma non troppo
Augustin Dumay
00:12:07

Richard Strauss, Composer - Augustin Dumay, MainArtist - Louis Lortie, MainArtist

(C) 2013 PM Classics Ltd (P) 2013 Augustin Dumay & Louis Lortie

2
Violin Sonata in E Flat Major, Op. 18: II. Improvisation - Andante cantabile
Augustin Dumay
00:08:12

Richard Strauss, Composer - Augustin Dumay, MainArtist - Louis Lortie, MainArtist

(C) 2013 PM Classics Ltd (P) 2013 Augustin Dumay & Louis Lortie

3
Violin Sonata in E Flat Major, Op. 18: III. Finale - Andante, allegro
Augustin Dumay
00:08:54

Richard Strauss, Composer - Augustin Dumay, MainArtist - Louis Lortie, MainArtist

(C) 2013 PM Classics Ltd (P) 2013 Augustin Dumay & Louis Lortie

4
Auf stillem Waldespfad, Op. 9, No. 1
Augustin Dumay
00:03:22

Richard Strauss, Composer - Augustin Dumay, MainArtist - Louis Lortie, MainArtist

(C) 2013 PM Classics Ltd (P) 2013 Augustin Dumay & Louis Lortie

5
Violin Sonata in A Major: I. Allegretto ben moderato
Augustin Dumay
00:06:06

Cesar Franck, Composer - Augustin Dumay, MainArtist - Louis Lortie, MainArtist

(C) 2013 PM Classics Ltd (P) 2013 Augustin Dumay & Louis Lortie

6
Violin Sonata in A Major: II. Allegro
Augustin Dumay
00:07:52

Cesar Franck, Composer - Augustin Dumay, MainArtist - Louis Lortie, MainArtist

(C) 2013 PM Classics Ltd (P) 2013 Augustin Dumay & Louis Lortie

7
Violin Sonata in A Major: III. Recitativo - Fantasia
Augustin Dumay
00:07:04

Cesar Franck, Composer - Augustin Dumay, MainArtist - Louis Lortie, MainArtist

(C) 2013 PM Classics Ltd (P) 2013 Augustin Dumay & Louis Lortie

8
Violin Sonata in A Major: IV. Allegretto poco mosso
Augustin Dumay
00:06:19

Cesar Franck, Composer - Augustin Dumay, MainArtist - Louis Lortie, MainArtist

(C) 2013 PM Classics Ltd (P) 2013 Augustin Dumay & Louis Lortie

9
Mélancolie
Augustin Dumay
00:03:39

Cesar Franck, Composer - Augustin Dumay, MainArtist - Louis Lortie, MainArtist

(C) 2013 PM Classics Ltd (P) 2013 Augustin Dumay & Louis Lortie

10
Prelude, Fugue and Variation in B Minor, Op 18
Augustin Dumay
00:09:30

Cesar Franck, Composer - Augustin Dumay, MainArtist - Louis Lortie, MainArtist

(C) 2013 PM Classics Ltd (P) 2013 Augustin Dumay & Louis Lortie

Albumbeschreibung

The late-Romantic pairing of Richard Strauss and César Franck isn't a common one, but that's part of the charm of this masterly release by Belgian violinist Augustin Dumay and Quebec pianist Louis Lortie: they shift gears effortlessly between two very different modes of expression. As they might have been in a recital of 100 years ago, the two major sonatas are accompanied by smaller works by each composer. The Strauss Violin Sonata in E flat major, Op. 18, was a work long championed by Jascha Heifetz, whose Apollonian style is effectively suggested by Dumay here. The work hovers right on the lip of the composer's mature style, which, once achieved, would preclude his writing much more chamber music; lengthy, irregular, and increasingly dissonant diversions erupt from the pleasant main themes. The Franck Violin Sonata in A major, of 1886, is an especially intricate exemplar of the composer's tendency toward cyclical form, which here ties together a work with a remarkable collection of shifting emotions. The stormy middle movement demands a role for Lortie far beyond that of simple accompanist, and he steps up in an intense performance. Dumay here takes on the mantle of the nobly emotive classic French-Belgian style and never flags. These works are popular enough, but this is not in any way a fashionable program. It is, however, one that takes its place in a grand tradition.

© TiVo

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